February 13, 2014, is the official release date for my 33 1/3 book on Aphex Twin's 1994 album Selected Ambient Works Volume II, available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

via instagram.com/dsqt

Symbol for danger of electromagnetic disturbances (of implantations).

Cross-posted from instagram.com/dsqt.
Tag: / Leave a comment ]

Disquiet Junto Project 0141: Graphic Steinberg

The Assignment: Interpret a New Yorker cover as a graphically notated score.


Each Thursday in the Disquiet Junto group on SoundCloud.com and at Disquiet.com, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate.

Tracks will be added to this setlist as the project proceeds:

This assignment was made in the early evening, California time, on Thursday, September 11, with 11:59pm on the following Monday, September 15, 2014, as the deadline.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0141: Graphic Steinberg
Interpret a New Yorker cover as a graphically notated score.

The cover to The New Yorker issue dated September 15, 2014, features an illustration credited to Saul Steinberg, the late artist who was a frequent contributor to the magazine before his death in 1999 — and apparently after his death as well. We’ll make music from the cover as if it were a composition in the mode of graphic notation.

These are the steps:

Step 1: You will treat the provided image as if it were a musical score. The image can be found at this link:


Step 2: You can use any instrumentation you choose. The goal is for you to “read” the image as if it were presented as a piece of notated music. You might do this by assigning note values across the page horizontally, or by interpreting it holistically, or by running the image through a piece of software — or by any other systematic approach.

Step 3: Upload the track to the Disquiet Junto group on SoundCloud.

Step 4: Listen to and comment on tracks uploaded by your fellow participants.

Deadline: Monday, September 15, 2014, at 11:59pm wherever you are.

Length: Your finished work should be between one and five minutes in length.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0141-graphicsteinberg″ in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 141st Disquiet Junto project — “Interpret a New Yorker cover as a graphically notated score″ — at:


More on the Disquiet Junto at:


Join the Disquiet Junto at:


Disquiet Junto general discussion takes place at:


Tag: / Leave a comment ]

via instagram.com/dsqt

It’s sending out a scout tentacle …

Cross-posted from instagram.com/dsqt.
Tag: / Leave a comment ]

via instagram.com/dsqt

Street music, interactive division. #gadget #trash #kids #toys

Cross-posted from instagram.com/dsqt.
Tag: / Leave a comment ]

From the Wilds of Southernmost Japan

A half hour from deep in Iriomote


The ingredients: “Elegant scops owl, Ryukyu flying fox, Yaeyama harpist frog, Ryukyu ruddy kingfisher, cicadas, Ryukyu green pigeon, Ryukyu crow, white breasted waterhen …”

The setting: the remote Japanese Island of Iriomote, which is so far south on the archipelago that it looks more like a neighbor of Taiwan.

The recordist: Rodolphe Alexis traveled to Iriomote this past summer, and returned with a four-channel document of the luxurious habitat, all bleating and crooning, welping and whizzing, croaking and cawing. It is an enticingly remote sonic postcard, available for free download as an MP3.

Track originally posted at touchradio.org.uk. More on Alexis, who is based in Paris, at rodolphe-alexis.info.

Tags: , / Leave a comment ]