My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

Disquiet Junto Project 0173: Over Version

Do an "over" rather than a "cover" of a pre-existing track.

20150423-gareth

Each Thursday in the Disquiet Junto group on SoundCloud.com and at Disquiet.com, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate.

This assignment was made in the late afternoon, California time, on Thursday, April 23, 2015, with a deadline of 11:59pm wherever you are on Monday, April 27, 2015.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0173: Over Version
Do an “over” rather than a “cover” of a pre-existing track.

In other words, create a palimpsest of the source material. These are the steps for this project:

Step 1: Download the Hermético track “Daisy Daisy (A Blinding White Light Remix)” from the InoQuo netlabel at this URL:

https://archive.org/download/inoquo068/01_hermetico_-_daisy-daisy_ABWL-remix.mp3

You can read up on the release at this page:

http://www.inoquo.com/release.php?&id=68

Step 2: Listen to the track straight through.

Step 3: Record yourself playing on top of the original.

Step 4: Upload your track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, April 23, 2015, with a deadline of 11:59pm wherever you are on Monday, April 27, 2015.

Length: The length of your finished work should be the length of the original, 5:39, or slightly longer.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0173-overversion” in the title of your track, and as a tag for your track.

Download: Set your track as downloadable, and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 173rd Disquiet Junto project — “Do an ‘over’ rather than a ‘cover’ of a pre-existing track.” — at:

http://disquiet.com/2015/04/23/disquiet0173-overversion/

Source audio is the Hermético track “Daisy Daisy (A Blinding White Light Remix)” from the InoQuo netlabel:

http://www.inoquo.com/release.php?&id=68

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project by Gareth, used via Creative Commons license. In the Flickr entry, he wrote of the photo: “The past is breaking through. As cranes go up daily in Sheffield city centre, traces of the past are breaking through at ground level – ignoring the double yellow lines.”

https://flic.kr/p/e3Gnw

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via instagram.com/dsqt


Doorbell with its own protective case. #soundstudies #ui #ux

Cross-posted from instagram.com/dsqt.
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“The Ghosts of Pretty Cello Girls”

Cello and echo, from Portland's Lena Griffin

To say that Lena Griffin plays the cello on “The Ghosts of Pretty Cello Girls” is to only tell half the track’s story. This is because half the track isn’t cello. Half of “The Ghosts of Pretty Cello Girls” is the heavy, reverberant, spacious echo through which the cello is treated. It’s a slow-moving, piece, and perhaps without the echo these spaces between the notes would be distracting, but instead the track takes on a feeling along the lines of a very simple John Fahey recording, the repetition an invitation to consider the slight variations in the phrasing.

Track originally posted at soundcloud.com/moxiegriffin.

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via instagram.com/dsqt


Doorbells are like snowflakes. #soundstudies #booktitle #ui #ux

Cross-posted from instagram.com/dsqt.
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Ambient Piano from Southend-on-Sea

A heavily transmuted piece by Counter Silence (aka Colin Ventura)

“Dancing in the Rothko” so processes its evident piano source material, that it’s never quite clear we’re ever hearing the original audio, and yet we never get particularly far from that origin point. Notes are repeated by hand and by software, quick touches echoed until they resemble glass shards, chords leaving vapor trails into which repeated chords then merge. Standalone tones are left to linger like dust caught by a narrow ray of light. Absolutely stunning for four minutes that you wish would last an hour.

Track originally posted at soundcloud.com/countersilence. Counter Silence is Colin Ventura, based in Southend-on-Sea, Great Britain, more from whom at twitter.com/countersilence.

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