The popular Real Audio plug-in for web browsers is perfect for electronic music for a simple reason: the sounds of electronic pop remain unfamiliar enough to keep the relatively poor quality of the transmission from distracting. Furthermore, the RA format is easy to produce, and the ease of that endeavor has contributed heavily to a virtual groundswell of bedroom composers on the web. If your PC is wired for tunes, get thee to the Hollowman’s web site (jonx.clara.net/hollowman.html) for a taste of how casual it is for the Everysampler to make his music public; as the homepage’s tag line announces: “this site homegrown using notepad. looks ok under netscape.” The Hollowman “outed” himself recently by posting his URL on an Internet mailing list dedicated to “Intelligent Dance Music,” and the three tracks of chill-out background music are worth the trip. “Abuseless” spins a lackadaisical swath from what we once called goth and “Functional (Dub)” applies a fanciful farfisa beat, of sorts, to the proceedings. The best track, though, is “2 Part Set,” which Hollowman’s limited notes refer to as “not friendly,” but which will definitely please adventurous cubicle surfers and home enthusiasts with its industrial timbres and elegiac flow. The tracks are also available in downloadable MP3 format.
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Jason: "Thanks for spreading this around. Yes, that’s Ted playing drums on this recording, layered with some..."
muncky: "strange, the threads the webs weaves – been following ngngngng’s work since this post, and now..."
Ethan Hein: "Hey Marc, thanks once again for the signal boost. The piece is done now if folks want to check it out..."
all n4tural: "ha, i swear i had a similar thought as i listened on soundcloud, before i read your text. among the..."
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Michael Nyman came of age as a classical composer in the radical London of the late ’60s. His work embraces multiple vernaculars (jazz, avant-garde, conceptual art) and helped cement the foundation of what came to be known as minimalism. Decades into his career, Nyman’s score to Jane Campion’s film The Piano made him a star. The movie’s themes of colonialism and silence (its protagonist, portrayed by Holly Hunter, cannot speak) were perfectly aligned with his longtime interests in world and ambient music. Horn players assist members of the Munich Philharmonic Orchestra in fleshing out Nyman’s stately, hymn-like motifs. On the more heavily orchestrated cues, sentimentality wins out over minimalist restraint; the best tracks feature Nyman on solo piano, playing the rudimentary, faux period repertoire of Hunter’s character.