Like recent Chemical Brothers and Fat Boy Slim hits, the more memorable songs on Moby‘s Play (V2/JBO) are built around snippets of black voices, in this case blues singers. Brief bits of yodels and catch phrases repeat until each rasp becomes part of the computerized rhythm track. The neat contrivance would be of less consequence if Moby’s contribution to those tracks — piano glissandos and synth flourishes — weren’t so reminiscent of lowbrow romantic John Tesh. The emotional gap between Moby’s keyboards and the vocals they support is bewildering. Certainly, the voices he selected are transcendent, but that was the case even before they entered his hard drive. Elsewhere on the record, Moby lends his own self-consciously antiseptic voice to the potential hit, “South Side,” and cranks out his contribution to big beat, “Bodyrock,” complete with — you guessed it — a central rap sample. “Oh Lordy … don’t nobody know my troubles,” sings a woman on “Natural Blues.” For all Moby’s emerging tunefulness, Play would fail to convince her otherwise.
5 Most Recent Comments
Jimmy Kipple Sound: "thanks for this Marc! for the record, & in the spirit of full spectrum domination and..."
Brenda: "This 1970 Synthesizer sounds better to me as compared to all the latest Synthesizers. "
Murray Altheim: "Sorry, I somehow missed the sentence “The finished audio should combine the original track..."
Murray Altheim: "Quick question: do you want the recording of this second half of the duet to include both parts or..."
Pete Midipunk: "Yay!!! One a dumb ol’ drummer can do haha! Sounds fun thank you. "
5 Most Recent Posts
• October 13, 2016: This day marks the start of the 250th weekly Disquiet Junto project.
• November 16, 2016: I'll be sharing the mic at Adobe Books in San Francisco with my fellow 33 1/3 author Evie Nagy for an evening hosted, from 7pm to 10pm, by Marc Kate (facebook.com).
• December 1, 2016: A likely speaking engagement. Details to come.
• December 13, 2016: This day marks the 20th anniversary of Disquiet.com.
• January 5, 2017: This day marks the 5th anniversary of the Disquiet Junto.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury, is now in its second printing. It can be purchased at amazon.com, among other places.
disquiet juntoThe Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 5 most recent weekly projects: • 0273 / Alarm Clocked / Make music for a (new! improved!) slow-waking alarm clock. • 0272 / Exoplanetary Intervals / Use music to express the relationships between planets. • 0271 / Prison Sky / Mark the 5th anniversary of open-source software engineer Bassel Khartabil's detention. • 0270 / Just Duet / Record the second half of a duet live. • 0269 / Duet Portion / Record half of a live duet.
... And there is a complete list of projects at disquiet.com/junto.
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