[ January 31, 2003 / bookmark ]
In the west end of Moscow, Russia, in the Krylatskoye District, sits Electroshock, an eight-year-old record label with almost 40 releases to its credit. Former president Boris Yeltsin lives in the area, which is home to many government officials.
Electroshock is …
[ January 31, 2003 / bookmark ]
There is a moment on NO/1, the solo debut album by Sofus Forsberg on the Denmark-based Jenka Music label, as fine as anything released this year. Well into track three, which is titled “Autotune Track,” a little buzz shuffles its …
[ January 31, 2003 / bookmark ]
Keith Rowe and Oren Ambarchi play a mix of guitar and electronics on Flypaper (Staubgold), an exhilaratingly stark album, if such a thing is possible. Their tandem playing has the randomness of field recordings, the spaciousness of great soundscapes and …
[ January 31, 2003 / bookmark ]
The soundtrack to Frontier Life (Accretions Records), a documentary about Tijuana directed by Hans Fjellestad, is an unofficial sequel to the Nortec Collective’s 2001 album, Tijuana Sessions, Vol. 1. The Sessions collection made many folk’s top-10 lists that year with …
[ January 31, 2003 / bookmark ]
Mephista is three women improvisers on the verge: Ikue Mori on laptop, Suzi Ibarra on drums, Sylvie Courvoisier on piano. They performed on Monday, January 27, 2003, at the Contemporary Art Center in New Orleans, LA.
They’re on the verge of …
[ January 16, 2003 / bookmark ]
Andrei Tarkovsky, the Russian film director, is a familiar name these days. Steven Soderbergh has remade his film Solaris and science-fiction novelist William Gibson references him in the first chapter of his new book, Pattern Recognition. (Gibson can currently be …
[ January 16, 2003 / bookmark ]
Word of a CD-length mix of music by Amon Tobin arrived over the holidays from a Russian-language Internet service provider. The mix, a 105MB, hour-and-a-half-long MP3 file titled FINtastik LOoM and credited to DJ U-Ra, strings together various Tobin cuts, …
[ January 16, 2003 / bookmark ]
Often enough, the best electronic music lies just below a single track of vocals. Often as not, those vocals get the music filed in record stores under “hip-hop” or “r&b.” Case in point, the collected rap of the group Cypress …