Matmos Stream: A 20-minute live set featuring Matmos, along with frequent guest J Lesser, recorded March 17 for the BBC Radio 3’s Mixing It show dated April 1 (link). … Keeping Score: Here’s some soundtrack news, courtesy of the imdb.com database. Cliff Martinez (Solaris, Traffic) is attached as the composer for Havoc, a new L.A. story directed by Barbara Kopple, which features actress Laura San Giacomo, a star of Martinez’s score debut, 1989’s sex, lies and videotape. … The Jacket, which featured a score by Brian Eno, died in U.S. theaters, and is tentatively scheduled for a July DVD release. … Gustavo Santaolalla (whose music was featured in Michael Mann‘s The Insider, even before he scored Amores Perros, 21 Grams and last year’s The Motorcycle Diaries) is attached to Ang Lee’s upcoming Brokeback Mountain. … Cross-Cultural Review: The New York Times reviewer of the Onkyo Marathon last week at the Japan Society was Anthony Tommasini, one of the paper’s classical/opera critics. This may have been a signal of appreciation of the compositional roots of today’s avant-garde electronic music, or an act of curiosity on the writer’s part, or one of against-type assigning on his editor’s part. The Japan Society defines “onkyo” as “an umbrella term for a new genre of computer music that is primarily atonal, noise-based and improvised.” Performers included Sachiko M, AOKI takamasa, Carl Stone, Nobukazu Takemura, o.blaat (Keiko Uenishi) and Otomo Yoshihide. The reviewer’s conclusion: “Whether loud or soft, noisy or soothing, an onkyo improvisation is more like a sound environment than a musical composition.” Not, as they say, that there’s anything wrong with that. “You can’t complain when a sound environment runs on or seems aimless. Such concerns are not the point.” (nytimes.com) … Psychoacoustics Today: In today’s New York Times Sunday Magazine, a piece (“Our Ratings, Ourselves,” nytimes.com) on the science of TV ratings mentions “psychoacoustic masking, which places a signal just beneath the frequency of whatever is being transmitted.” The signal helps Arbitron track consumers’ media usage. However, it’s not a simple task. The signal’s developers “discovered that the masked code’s frequency could not be too low (where it would run into technical problems) or too high (where it would bother dogs and cats).” … Quote of the Week: “The bus plows down the highway at a set speed, the tires humming along, never getting any louder or softer. Same with the engine, its monotonous sound like a mortar smoothly grinding down time and the consciousness of the people on board.” From Haruki Murakami‘s recent novel, Kafka at the Shore.
5 Most Recent Comments
natalie: "thanks so much for listening to and writing about my noise! i’m honored, surprised, and delighted. "
Neurogami: "I’ve a Surface Pro 3, but typically prefer the more recent and beefier Lenovo X1 Yoga. I’ve..."
james: "since when did aphex tell the truth tho "
Stomp Box: "“the audience for cassettes has expanded in recent years” Is this true? sounds awful. Vinyl..."
Lloyd W Barrett: "Hi Marc. If you have a chance check out Usine Hollyhock (http://www.sensomusic.org/) It is..."
5 Most Recent Posts
• October 13, 2016: This day marks the start of the 250th weekly Disquiet Junto project.
• November 16, 2016: I'll be sharing the mic at Adobe Books in San Francisco with my fellow 33 1/3 author Evie Nagy for an evening hosted, from 7pm to 10pm, by Marc Kate (facebook.com).
• December 1, 2016: A likely speaking engagement. Details to come.
• December 13, 2016: This day marks the 20th anniversary of Disquiet.com.
• January 5, 2017: This day marks the 5th anniversary of the Disquiet Junto.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury, is now in its second printing. It can be purchased at amazon.com, among other places.
disquiet juntoThe Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 5 most recent weekly projects: • 0264 / Time Travel / Record a piece of music that plays with the perception of time. • 0263 / Overture Edit / Produce an overture to an existing album. • 0262 / Ice Code / Record the sound of ice in a glass and make something of it. • 0261 / Audio Journal 2016 / Create a sonic diary of the past year with a dozen five-second segments. • 0260 / Tone Fade / An exercise in when a sound ends.
... And there is a complete list of projects at disquiet.com/junto.
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