Disquiet

Musician Jose Maria Rodrigo pilots his drone-based electronic music onto your headphones like someone bringing a massive starship in slow and steady. “Industria Proxima,” off his July 10 Montgo netlabel release, Por Debajo de las Cosas Ordinarias, opens with an underlying murmur, the sound of a sizable object some distance away. While it blossoms, a distant rumble gaining proximity, the foreground comes alive with small activities, little curlicues of electronic chores, sounding like routine protocol checks monitored by semi-sentient, whimsically efficient autobots. The result is the sound design for a quotidian Pixar short about life on a space station. The album opens with “Presencia Humana,” all garbled communication amid more of that starship systems hum. All of the tracks provide the ambience of deep industrial activity. Or, as Rodrigo told Montogo: “In my work as sound technician I have often been paying my total mental-sensorial attention to landscapes or sound objects that a priori seemed empty or insignificant and discovering in them a rare beauty.” The sole exception to Por Debajo‘s extreme remoteness is the electric piano that appears, briefly, on “Presencia Superior”; jarring amid the otherwise mechanistic terrain, it’s like some memory shard of past human interaction. More info at montgorecords.com.

By Marc Weidenbaum