So many everyday sounds come and go in i-hop, the instrumental realm of hip-hop, most of which is produced entirely in the studio with computers, turntables and found audio cues. There’s the acoustic handshake of a fax or modem, the click of a typewriter in full noir mode, the explosion of gunfire. All of them bring attendant culture associations, social context and unique sonic qualities. Infamy, a film about graffiti culture directed by Doug Pray (whose Scratch documented turntablism), features a theme song by DJ Z-Trip built around that tumble of percussives specific to the jangle of spray paint (MP3). The beat is stealthy yet bold, true to the graffiti artist’s state of mind; the occasional verbal sample appears to have been pulled from the documentary footage. And that sample of the spray can pops up occasionally, like nothing so much as a pair of dice. Since Z-Trip is best known for his pioneering “live mash-up” style, which finds unlikely parallels between various pop songs, it’s welcome opportunity to hear an original composition, this one a collaboration with Garron Chang. More on the film at infamythemovie.com and on Z-Trip at djztrip.com.
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bob phillips: "thanks for taking note. I’ve been pretty terse in the initial description of recent pieces..."
Luftrum: "I’m amazed. 72 people sculpted and subtracted material out of my sample to create new experimental..."
_blank: "I’m the one who wrote the post at mediateletipos.net and null66913.net is my web, so I can be of..."
Jason: "Thanks for spreading this around. Yes, that’s Ted playing drums on this recording, layered with some..."
muncky: "strange, the threads the webs weaves – been following ngngngng’s work since this post, and now..."
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