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	<title>Comments on: Junior Kimbrough v. Grassy Knoll (Blues-tronic MP3)</title>
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	<link>http://disquiet.com/2009/09/22/junior-kimbrough-v-grassy-knoll-blues-tronic-mp3/</link>
	<description>Listening to art. Playing with audio. Sounding out technology. Composing in code.</description>
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		<title>By: ulf kjell gür</title>
		<link>http://disquiet.com/2009/09/22/junior-kimbrough-v-grassy-knoll-blues-tronic-mp3/comment-page-1/#comment-101801</link>
		<dc:creator>ulf kjell gür</dc:creator>
		<pubDate>Thu, 12 Nov 2009 11:33:48 +0000</pubDate>
		<guid isPermaLink="false">http://disquiet.com/?p=5293#comment-101801</guid>
		<description>Bob green, john porter, andy kaulkin, adrian sherwood, tino gross and so on and on...carry the torch, recreating the blues, the blues infected music. I like Michael Ross comment, very wise. at the moment &quot;country days&quot; by blind mississippi morris and brad webb excites me...</description>
		<content:encoded><![CDATA[<p>Bob green, john porter, andy kaulkin, adrian sherwood, tino gross and so on and on&#8230;carry the torch, recreating the blues, the blues infected music. I like Michael Ross comment, very wise. at the moment &#8220;country days&#8221; by blind mississippi morris and brad webb excites me&#8230;</p>
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		<title>By: Marc Weidenbaum</title>
		<link>http://disquiet.com/2009/09/22/junior-kimbrough-v-grassy-knoll-blues-tronic-mp3/comment-page-1/#comment-76543</link>
		<dc:creator>Marc Weidenbaum</dc:creator>
		<pubDate>Tue, 29 Sep 2009 22:20:16 +0000</pubDate>
		<guid isPermaLink="false">http://disquiet.com/?p=5293#comment-76543</guid>
		<description>Yeah, there was some good Little Axe material. In some ways, I feel like one starting point for that technified blues was ZZ Top&#039;s &quot;Rough Boy.&quot;</description>
		<content:encoded><![CDATA[<p>Yeah, there was some good Little Axe material. In some ways, I feel like one starting point for that technified blues was ZZ Top&#8217;s &#8220;Rough Boy.&#8221;</p>
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		<title>By: Davey Zimmer</title>
		<link>http://disquiet.com/2009/09/22/junior-kimbrough-v-grassy-knoll-blues-tronic-mp3/comment-page-1/#comment-76472</link>
		<dc:creator>Davey Zimmer</dc:creator>
		<pubDate>Tue, 29 Sep 2009 20:06:00 +0000</pubDate>
		<guid isPermaLink="false">http://disquiet.com/?p=5293#comment-76472</guid>
		<description>What about Little Axe? Made a number of ambient blues releases, still extant. first record pretty durned good.</description>
		<content:encoded><![CDATA[<p>What about Little Axe? Made a number of ambient blues releases, still extant. first record pretty durned good.</p>
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		<title>By: michael ross</title>
		<link>http://disquiet.com/2009/09/22/junior-kimbrough-v-grassy-knoll-blues-tronic-mp3/comment-page-1/#comment-74362</link>
		<dc:creator>michael ross</dc:creator>
		<pubDate>Wed, 23 Sep 2009 01:52:48 +0000</pubDate>
		<guid isPermaLink="false">http://disquiet.com/?p=5293#comment-74362</guid>
		<description>I love this. I had high hopes that this sort of hybrid would catch on. Rick Holmstrom&#039;s &quot;Hydraulic Blues&quot; was a great followup to his work on the R.L. Burnside&#039;s &quot;Wish I was In Heaven Sitting Down.&quot; Like the Burnside, it combined solid blues grounding with hip-hop and remix production. Around the same time, Chris Thomas King came out with &quot;Dirty South Hip-Hop Blues&quot; another great combo of blues and modern sounds. Unfortunately blues audiences are reactionary and apparently the hip-hop and electronic music fans that caught on were not enough for either artist to continue in that direction. Also there was a great record by Snakefarm, a duo that disappeared after one record, and Clothesline revival who combined mountain music with beats and pedal steel.
Glad to see someone carrying the torch.</description>
		<content:encoded><![CDATA[<p>I love this. I had high hopes that this sort of hybrid would catch on. Rick Holmstrom&#8217;s &#8220;Hydraulic Blues&#8221; was a great followup to his work on the R.L. Burnside&#8217;s &#8220;Wish I was In Heaven Sitting Down.&#8221; Like the Burnside, it combined solid blues grounding with hip-hop and remix production. Around the same time, Chris Thomas King came out with &#8220;Dirty South Hip-Hop Blues&#8221; another great combo of blues and modern sounds. Unfortunately blues audiences are reactionary and apparently the hip-hop and electronic music fans that caught on were not enough for either artist to continue in that direction. Also there was a great record by Snakefarm, a duo that disappeared after one record, and Clothesline revival who combined mountain music with beats and pedal steel.<br />
Glad to see someone carrying the torch.</p>
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