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	<title>Comments on: Gristleism Meets Herbie Hancock in Russia (MP3)</title>
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	<link>http://disquiet.com/2010/02/01/ugol-ratmanova/</link>
	<description>Listening to art. Playing with audio. Sounding out technology. Composing in code.</description>
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		<title>By: Marc Weidenbaum</title>
		<link>http://disquiet.com/2010/02/01/ugol-ratmanova/comment-page-1/#comment-178493</link>
		<dc:creator>Marc Weidenbaum</dc:creator>
		<pubDate>Wed, 03 Feb 2010 19:52:11 +0000</pubDate>
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		<description>My pleasure, Sergey. Thanks for the additional information on what tools you employ.</description>
		<content:encoded><![CDATA[<p>My pleasure, Sergey. Thanks for the additional information on what tools you employ.</p>
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		<title>By: Sergey</title>
		<link>http://disquiet.com/2010/02/01/ugol-ratmanova/comment-page-1/#comment-177629</link>
		<dc:creator>Sergey</dc:creator>
		<pubDate>Tue, 02 Feb 2010 21:37:28 +0000</pubDate>
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		<description>Hello, Marc! Thanks for your review. As you can see in our podcast feed we publish different kind of our studio and live performance experiments with different gear and software we had. We very like to use the devices like buddhamachines (sometimes we use up to four in the same time) and this TG devices with some fx box, and off course we use fresh-made max4live modules for processing ours midi and audio streams.</description>
		<content:encoded><![CDATA[<p>Hello, Marc! Thanks for your review. As you can see in our podcast feed we publish different kind of our studio and live performance experiments with different gear and software we had. We very like to use the devices like buddhamachines (sometimes we use up to four in the same time) and this TG devices with some fx box, and off course we use fresh-made max4live modules for processing ours midi and audio streams.</p>
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