- 9/11 had some people wishing Superman existed. Occupy just has me wishing Public Enemy was still fully functional. #
- RIP, Gary Garcia of Buckner & Garcia, best known for early-'80s novelty hit "Pac-Man Fever" #8bit #
- You shouldn't judge a book by its cover, but you can far too often judge a netlabel release by its first track. #
- Copyright Timecops head to 1731 to keep Benjamin Franklin from founding early peer-to-peer system, the Library Company. #
- Says man with em-dash eyebrows. RT @improvingthomas: I think emoticons have begun to affect people's actual facial gestures. #
- ► Late-week audiostream of drone + guitar by @ChisatoOhori of Tokyo: http://t.co/hTHaBJyg #
- Got email from band saying how many gigs they'd played in 2011. Briefly thought it meant accumulated data not live performance. #
- RIP, Lee Pockriss, author of “Yellow Polka Dot Bikini,” a #sonicweapon in Billy Wilder’s “One, Two, Three” http://t.co/dSccI0JF #
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bob phillips: "thanks for taking note. I’ve been pretty terse in the initial description of recent pieces..."
Luftrum: "I’m amazed. 72 people sculpted and subtracted material out of my sample to create new experimental..."
_blank: "I’m the one who wrote the post at mediateletipos.net and null66913.net is my web, so I can be of..."
Jason: "Thanks for spreading this around. Yes, that’s Ted playing drums on this recording, layered with some..."
muncky: "strange, the threads the webs weaves – been following ngngngng’s work since this post, and now..."
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- In the future we will spell *spoilers* with asterisks, just like the name of Sarah Jessica Parker's character in LA Story. 2 hrs ago
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The word “drone” is not unlike the word “punk” in the way it offers to annihilate itself. But as with punk’s inherent contradictions, drones aren’t necessarily anonymous, aren’t necessarily formless, and certainly aren’t interchangeable. A drone contains sounds, and those sounds can transmit sensation, can suggest the sensibility of the artist who committed them to tape, can reference other cultural artifacts, intentionally and otherwise. The drone that is “Rites of Zen” by Marc Broude at first buries what appears to be ritual chanting in a haze of quavering noise straight out of a late-1960s BBC Radiophonic score for a science-fiction audio drama. Is it ritual, is it sci-fi romanticism, are these things set in opposition to begin with? There is drama to “Rites of Zen,” certainly, but it isn’t explicitly narrative-based. It’s an extended piece, over an hour and a quarter straight through, and to the extent that it changes it does so slowly, which means that the ear is more likely to notice changes in the short term than the long. For example, human cries dissolve into the ether. What seems like it could be ancient plainchant may, in fact, be a momentarily magnified whir of some tiny mechanism. The overarching sound, a kind of blanket hum, could be a harsh wind moving across a bleached desert, or a sine-wave sent through a modest filter. If there is a theme it may be this: Matters of scale evaporate (
The trio PGT cheekily refers to itself as the “only double latop/acoustic mandolin ensemble in the world.” One would hope after a listen to its recent release, Wood Lake, on the netlabel