In “Music Making, Shared: Communal Ambient Tracks Explore Instagram Photos, Lisbon, and More,” CDM’s Peter Kirn compliments the projects (“The results are imaginative, varied, superb music”), quotes at length from a discussion he and I had, and jokes about putting a dollar value on the Instagram project, in light of the company’s recent purchase by Facebook:
Now, given the Instagram sale for US$1 billion, I would value the free compilation inspired by its photo sharing at least a couple of million dollars. Finding a welcoming community both to spur on new musical ideas and share the results? Priceless.The piece on the Verge, “Ambient Music Community Finds Inspiration in Instagram and Ice Cubes” by Jeff Blagdon, gives welcome emphasis to a major influence on the Junto project. It opens:
For communities of creative individuals, working under shared constraints can result in some incredible work, showing off what artists can put together with a limited set of tools. A great example is the “beat battle,” in which competing musicians are all given the same sample and compete to build the best instrumental track out of it.Part of what is rewarding about these two stories is that they come from beyond the realm of publications that are focused solely on music as end-product. Much of CDM’s coverage is on the technology of music-making, and the Verge is pretty squarely in the gadget-journalism category. Between the two articles, an additional approximately 5,000 listens were registered at soundcloud.com/disquiet in the 48 hours or so after the posts appeared, and the Disquiet Junto had almost half a dozen new participants, bringing the total to 170 as of project 16.