Richard Chartier has posted for free download a track from over half a decade back (its originating material over a decade old), six minutes of everyday noise transformed into glitchy distillates. It’s a track that represents him twice reworking his own music. The story goes as follows. Back in the late 1990s, when microsound — music made from, and expressing the inherent qualities of, low-level noises — was coming into its own, he released an album titled Postfabricated. There were, as he tells it, production issues; in particular, he writes, “a studio engineer not accustomed to this type of recorded material compromised the details of the sounds.” He subsequently tried to reconstruct the music from scratch, yielding a collection he titled Repostfabricated. And in turn he gave the source material to a slate of musicians and asked them to rework it, yielding PostPostfabricated. Among those musicians were CoH, Vend, Asmus Tietchens, Frank Bretschneider, Goem, Taylor Deupree, Alva Noto, Freiband, Sogar, Byetone, Matmos, Steve Roden, and Chartier himself. “Pfiler” is his reworking of his reworking of his own work:
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Lee Rosevere: "Brave New Waves was an institution here in Canada as some of the best and most ground-breaking radio..."
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Lukas: "If you enjoy this, recommend her album “I’ve had dreams like this” which is some really..."
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jmmy kppl: "thanks for the write-up Marc! I’m never totally sure how transparent i should be about sound..."
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• May 13, 2015: Last spring-semester class meeting of the 15-week course that I teach on the role of sound in the media landscape at the Academy of Art in San Francisco. I'll next teach it in spring 2016.
• December 13, 2015: The 19th anniversary of Disquiet.com.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: soundcloud.com.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury, is now in its second printing. It can be purchased at amazon.com, among other places.
disquiet juntoThe Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. It's housed at soundcloud.com. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 10 most recent weekly projects: • 0186: Explore the sonic contours of a word you've spelled out loud frequently: your name. • 0185: Summon up a memory, and then summarize it in sound. • 0184: Explore the relationship between segments that consist of 1 bar, 8 bars, and 4 bars. • 0183: Insert something that plays across the stereo spectrum in an after-dark field recording. • 0182: Do a rendition of Ethan Hein's laptop orchestra score by yourself. • 0181: Imagine your favorite instrument is dreaming while it sleeps — what does it sound like? • 0180: Use the Russian nesting dolls as a model for a musical composition. • 0179: Show off (and explain) one thing you've learned recently about an instrument/tool. • 0178: Emphasize the bells in an urban field recording. • 0177: Netlabel Portrait Use samples of recent Dark Winter Records releases to produce a sonic image of the label:
... And there is a complete list of projects at disquiet.com/junto.
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what sound looks like