Each Thursday in the Disquiet Junto group on SoundCloud.com and at disquiet.com/junto, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.
Tracks will be added to this playlist for the duration of the project:
This project was posted in the late afternoon, California time, on Thursday, June 23, 2016, with a deadline of 11:59pm wherever you are on Monday, June 27, 2016.
These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):
Disquiet Junto Project 0234: Remix Ximer The Assignment: Make one track from three different netlabels, courtesy of a Creative Commons license.
This week’s Junto project builds directly on last week’s, though you needn’t have participated in last week’s to join in this one. This week we’re remixing remixes. The remixes we’re remixing are the pieces that resulted from last week’s project, which involved taking three tracks from different netlabels and making one new track from them. Last week’s Junto project celebrated derivatives, as licensed by the Creative Commons. This week’s celebrates derivatives of derivatives. (Thanks to Audio Obscura, aka Neil Stringfellow, for proposing this week’s project.)
These are the steps:
Step 1: Select and download three tracks from last week’s project, Disquiet Junto 0233:
All the tracks in last week’s project were made from the first 30 seconds of three pre-existing recordings: “HNY” off the album Wormbole by ʞık (Karl & Karlik) on the Bump Foot netlabel, “Pepper Jelly” off the album Recombinations by Andre Darius and Riley Theodore on the Haze netlabel, and “Autista 3” off the album Autista by Pablo Reche on the Impulsive Habitat netlabel.
Step 2: Extract the first 30 seconds from each of the three remix tracks that you selected in Step 1.
Step 3: Create an original piece of work including that source material from Step 2.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the late afternoon, California time, on Thursday, June 23, 2016, with a deadline of 11:59pm wherever you are on Monday, June 27, 2016.
Length: Length is up to you, though between two and three minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0234.” Also use “disquiet0234” as a tag for your track.
Download: It is necessary that your track is set as downloadable, and that it allows for attributed remixing and attribution, per the Creative Commons license of the source audio.
Linking: When posting the track, please be sure to include this information:
More on this 234th weekly Disquiet Junto project — “Make a remix of three tracks of a remix of three tracks, courtesy of a Creative Commons license” — at:
Be sure to credit all the tracks (first and second generation) employed in your piece.
More on the Disquiet Junto at:
Join the Disquiet Junto at:
Subscribe to project announcements here:
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
Thanks to Audio Obscura (aka Neil Stringfellow) for proposing this week’s project.