Like yesterday’s featured video, this video pushes the legibility of live filmed performance. Yesterday’s technically involved multiple live takes overlaid, each obscuring the others, and the ambient quality of it having less to do with any individual performance in the first place and more with the chance correlations that occurred as a result of the post-production act of accrual. Today’s video, by Flohr, is too murky and unidentifiable to ever be mistaken as a tutorial. And, of course, any modular synthesizer piece, such as this, that employs self-generating patches thus involves little if any human interaction. The hand comes down from above, the scale and surprise a bit like a Monty Python animation, a couple times, but by and large, this is really a live performance as fixed document — a patch playing out in realtime as something set in stone nonetheless, or in this case set in plastic and metal. The piece, “Spring Reverb Feedback Paths” by Flohr, is a shiny, rapidly cycling shimmer worth putting on repeat.
5 Most Recent Comments
jdc: "Robert Fripp Live at The Kitchen was released on three vinyl LPs. I know because I bought it used in NJ in..."
Michael Fitzgerald: "Hi Marc, really enjoyed the first Disquietude podcast, and looking forward to the next one...."
Jimmy Kipple Sound: "thanks for this Marc! for the record, & in the spirit of full spectrum domination and..."
Brenda: "This 1970 Synthesizer sounds better to me as compared to all the latest Synthesizers. "
Murray Altheim: "Sorry, I somehow missed the sentence “The finished audio should combine the original track..."
5 Most Recent Posts
• October 13, 2016: This day marks the start of the 250th weekly Disquiet Junto project.
• November 16, 2016: I'll be sharing the mic at Adobe Books in San Francisco with my fellow 33 1/3 author Evie Nagy for an evening hosted, from 7pm to 10pm, by Marc Kate (facebook.com).
• December 1, 2016: A likely speaking engagement. Details to come.
• December 13, 2016: This day marks the 20th anniversary of Disquiet.com.
• January 5, 2017: This day marks the 5th anniversary of the Disquiet Junto.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury, is now in its second printing. It can be purchased at amazon.com, among other places.
disquiet juntoThe Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 5 most recent weekly projects: • 0278 / Chew Concrète / Make music inspired by C. Reider's Chew Cinders album procedures. • 0277 / MacConnel’s Jingle / Interpret a work of contemporary art as a graphically notated score. • 0276 / 808 Blockchain Beats / Make 808-style beats based on the blockchain. • 0275 / Revisit Something / Make a track all over again. • 0274 / Broken Sound / Record a piece of music in the genre called "broken sound."
... And there is a complete list of projects at disquiet.com/junto.
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