My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

This Is “Glisten”

A track off R Beny's new Full Blossom of the Evening

There’s likely no actual guitar on “Glisten,” a track off R Beny’s superb new collection, Full Blossom of the Evening. There are, in the extensive list of equipment, some potential sources for the sharp, high-pitched, tightly plucked, string-like sounds that are the focus of the track. We may be hearing a synthesized string from the Teenage Engineering OP-1, for example, or a sample played from his iPad. The sharpness of those sounds, the brittle, fiercely resistant tautness, brings to mind the artificial guitar heard on Oval’s 2010 album O. Both Oval’s record and this track off Beny’s new one explore the textures of the guitar in a digital space, a seeming simulacra of the familiar, rendered as a kind of sonic fiction, and the Oval reference gets additionally rich when a certain glitchiness is applies to the recording, when it temporarily seems as if the playback is failing. What makes the track distinct from Oval’s work is the core of the music. Oval’s reference was largely rock, pop, and folk. Beny has created a synthesizer chamber music, something that feels like it was plucked from the renaissance. When it glistens, per the title, and it does so quite often, it’s like light hitting stained glass — virtual stained glass, perhaps, but the beauty is real.

The full album is at rbeny.bandcamp.com. “Glisten” is simply a recommended entry point. More from R Beny, aka Austin Cairns of the San Francisco Bay Area, at soundcloud.com/rbeny.

By Marc Weidenbaum

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