My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

End the Year with Aphex Twin

A new track titled “tnodvood104”

In the United Kingdom it’s nearing midnight, so as I type this in San Francisco mid-afternoon it feels fairly safe to say that the track “tnodvood104” is the last bit of music that Aphex Twin released to the public in a characteristically — well, newly characteristically, after years of his quasi-silence — eventful 2016. It’s a refreshingly straight-ahead, 4/4 piece. There is no chaotic, entropy-loving IDM to its beats, and though there’s an ambient miasma in the background, the track as a whole is in no particular way ambient techno. Even in his ambient work, Aphex Twin rarely has suggested a strong influence by Brian Eno, but here, around the midway point, when layers of slightly nasal, casually atonal singing appears, it sounds very much like a bit of Eno’s slow-motion pop music. Otherwise it’s entirely instrumental, and a fine, understated way to ring in the new year.

Track originally posted at soundcloud.com/user18081971, the account where Richard D. James initially unspooled heaps of archival audio when he returned to active public service in 2014.

By Marc Weidenbaum

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