It’s been raining in the city. It’s been raining hard on and off for weeks. It’s been raining, and the wind has been knocking down trees. In certain neighborhoods the intense buzz of the chainsaw has become as common a sound as one imagines it to be in rural areas, or in horror movies for that matter. Construction sites in this boomtown have been forced to take days off. Repair vehicles are a frequent block to traffic. People are expressing, albeit in diplomatically hushed tones, that they miss the drought. The rain and wind do their fair share of damage, and of cleansing. The city streets shine at night. The reflection of bus taillights on soaked black tarmac casts red streaks the length of full blocks. Perhaps the elements are to blame, as well, for this blank slate of a doorbell. It’s quite common for dwellings to be marked at multi-unit entries with thick pens, or with little plastic tags affixed by tape. Maybe the rain washed it all away. Though, judging by the uniformity of the buttons, the prim white grid, this is more likely a fresh install. Supporting the impression is the bright grey of the faceplate, and the barren cavity where there might in the future be a doorknob. What visitors are supposed to do in advance of the association of buttons with apartments is an open question. It’s also difficult to imagine how the labels will fit in this design. The spacing is tight. The sense of a geometric grid will diminish should the numbers be placed below or beside each button. Should they be written on the buttons, they’ll be worn away by usage, by friction and sweat. No doubt the landlord is waiting for the inclement weather to pass before labeling the buttons. Soon enough the rain will end, or at least take an extended pause. And then, almost certainly, the implementation of mundane visual damage will begin.An ongoing series cross-posted from instagram.com/dsqt.
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5 Most Recent Posts
• October 13, 2016: This day marks the start of the 250th weekly Disquiet Junto project.
• November 16, 2016: I'll be sharing the mic at Adobe Books in San Francisco with my fellow 33 1/3 author Evie Nagy for an evening hosted, from 7pm to 10pm, by Marc Kate (facebook.com).
• December 1, 2016: A likely speaking engagement. Details to come.
• December 13, 2016: This day marks the 20th anniversary of Disquiet.com.
• January 5, 2017: This day marks the 5th anniversary of the Disquiet Junto.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury, is now in its second printing. It can be purchased at amazon.com, among other places.
disquiet juntoThe Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 5 most recent weekly projects: • 0273 / Alarm Clocked / Make music for a (new! improved!) slow-waking alarm clock. • 0272 / Exoplanetary Intervals / Use music to express the relationships between planets. • 0271 / Prison Sky / Mark the 5th anniversary of open-source software engineer Bassel Khartabil's detention. • 0270 / Just Duet / Record the second half of a duet live. • 0269 / Duet Portion / Record half of a live duet.
... And there is a complete list of projects at disquiet.com/junto.
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