Recent interview with me at freemusicarchive.org on Creative Commons, Disquiet Junto, and more • Projects: Instagr/am/bient + LX(RMX): Lisbon Remixed • Key Topics: #sound-art, #classical, #generativeHow to Submit for Review • Elsewhere: Twitter (Disquiet + Junto), SoundCloud (Disquiet + Junto).

Listening to art. Playing with audio. Sounding out technology. Composing in code.

tag: comics

Disquiet Junto 0014: Sonic Narrative

The Assignment: Do a sonic version of Matt Madden's Exercises in Style.

2012-maddenjunto

Each Thursday evening at the Disquiet Junto group on Soundcloud.com a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership to the Junto is open: just join and participate.

This assignment was made in the afternoon, California time, on Thursday, April 5, with 11:59pm on the following Monday, April 9, as the deadline.

These are the instructions that went out to the group’s email list:

Disquiet Junto 0014: Sonic Narrative

Subject: This project, the 14th in the weekly Disquiet Junto series, is about sonic narrative.

Instructions: You will re-tell a very short and simple story — an anecdote really, an everyday slice of life — utilizing sound. It will take the form of a single audio file uploaded to your Soundcloud account. You will construct this track in any manner you choose: with field recordings, music, effects, dialog, or a mix thereof. The story you will be re-telling is this single-page comic strip by Matt Madden:

http://goo.gl/TBI3x

In the process of re-telling the story through sound, you may interpret it in any way you choose. You can do it as straight narrative, or do an abstract rendition, or retell it from another point of view, or contribute a score as if it were a movie, or a record series of foley cues. The choice is yours.

Background: Matt Madden’s single-page comic is the template for a book he created titled 99 Ways to Tell a Story: Exercises in Style. In the book, Madden told that same story 99 different ways, each in a different comic-book style. For example, he told it as a superhero comic, he told it as a manga, he told it as experienced from upstairs, and he told it as if it were overheard at a bar. Madden did this in homage to the French writer Raymond Queneau’s own Exercises in Style, which is a key text of the literary movement known as Oulipo. Oulipo approaches the act of writing with intentional constraints, and the movement’s approach to creativity was a strong influence on the development of the Disquiet Junto. Oubapo is the name of the comics version of Oulipo. What we’re up to is the musical version: Oumupo

Length: Please keep your piece to between two and seven minutes in length.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0014-oumupo” in the title of your track, and as a tag for your track.

Download: As always, you don’t have to set your track for download, but it would be preferable.

Linking: When you post your track, please include this information:

More on Matt Madden and his book 99 Ways to Tell a Story at:

http://mattmadden.com/ http://exercisesinstyle.com/

More on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

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Listening to Comics

A moment of considered near silence in a brutal post-apocalyptic tale

A word of warning before you might click through to the comic about to be discussed. A lot of comics these days come emblazoned with mature-reader warnings, but this one really deserves it. There’s a lot of brutal sex and violence in this comic, usually at the same time. In the words of the website on which it is hosted, the webcomic, titled Crossed: Wish You Were Here, “is extreme entertainment for adults. Anyone under 18, or anyone easily offended, please go no further.”

It’s written by Simon Spurrier, whose The Afterblight Chronicles: The Culled I read last year, and whose more recent A Serpent Uncoiled is on my to-do list. In any case, below are two consecutive pages from Spurrier’s Crossed, which is illustrated by Javier Barreno. Like Afterblight, it is a post-apocalyptic tale narrated by a lucky survivor, in this case someone who, like Spurrier, is a comics professional — or was, in the narrator’s case, since there is little apparent use for comics after the fall of civilization.

The scene depicted here takes place on a lighthouse where the character and his fellow survivors keep a lookout for the diseased humans who outnumber them and threaten them daily. Sound is a difficult thing to present visually, as too is listening, and I was struck by how Spurrier and Barreno sought to do it: first by using a tool (the ear horn), an archaic one at that; second, by emphasizing the effort by depicting the concentration on the character’s face; and third by using comic panels to bridge the physical gap between the listening and what is being listened for, in this case the motor of an approaching watercraft:

All reader warnings considered, here is where the comic is housed: crossedcomic.com.

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Sketches of Sound 21: Jaime Crespo

Since April 2010, Disquiet.com has hosted a monthly project called “Sketches of Sound,” in which illustrators, many of them comics artists, are invited to draw a sound-related object. I post the drawing as the background of my Twitter account, twitter.com/disquiet, and then share a bit of information about the illustrator back on Disquiet.com. Call it “curating Twitter.”

This, the 21st entry, and final entry for 2011, features a boombox by Jaime Crespo:

Born about a zillion years ago in the region of the world now referred to as California, Jaime Crespo, a non-award-winning cartoonist, has been writing, drawing, and publishing comics for over thirty years. Okay, he’s been drawing and writing them for a heck of a lot longer than that and he has had a number of publishers, editors, and the like but never really enjoyed answering to “the man.” So, in the punk rock DIY spirit, Mr. Crespo has appeared in loads of self-published comic books as well as others anthologies, weekly newspapers, magazines, art magazines, and a whole slew of stuff you’ve probably never heard of and he continues to do so, unabated in spite of his age, ailing health, and tenuous grasp on reality. Mr. Crespo is also a pet owner. jaimecrespo.com

The previous “Sketches of Sound” contributors were, in alphabetical order, Jesse Baggs, Michael Bartalos, Brian Biggs, Leela Corman, Warren Craghead III, Scott Faulkner, Owen Freeman, S.L. Gallant, Scott Gilbert, Brian Hagen, Dylan Horrocks, Megan Kelso, Minty Lewis, Natalia Ludmila, Darko Macan, Caesar Meadows, Justin Orr, Hannes Pasqualini, Thorsten Sideb0ard, and Gustavo Alberto Garcia Vaca. ‎

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Sketches of Sound 19: Scott Gilbert

Since April 2010, Disquiet.com has hosted a monthly project called “Sketches of Sound,” in which illustrators, most of them comics artists, are invited to draw a sound-related object. I post the drawing as the background of my Twitter account, twitter.com/disquiet, and then share a bit of information about the illustrator back on Disquiet.com. Call it “curating Twitter.”

The 19th entry features this drawing by Scott Gilbert. Scott Gilbert is a cartoonist, illustrator, and primarily a librarian living in Houston, Texas, since 1984. From 1989 through 2002 he produced the weekly comic strip True Artist Tales, and collaborated with Harvey Pekar on American Splendor.

The previous “Sketches of Sound” contributors were, in alphabetical order, Jesse Baggs, Brian Biggs, Leela Corman, Warren Craghead III, Scott Faulkner, Owen Freeman, S.L. Gallant, Brian Hagen, Dylan Horrocks, Megan Kelso, Minty Lewis, Natalia Ludmila, Darko Macan, Caesar Meadows, Justin Orr, Hannes Pasqualini, Thorsten Sideb0ard, and Gustavo Alberto Garcia Vaca. ‎

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Music for Drawing (MP3)

Following up a recent interview with Kid Koala about the intersection of scratchboard comics and turntablism scratching, here’s another audio interview with the Canadian musician and longtime Ninja Tune Records roster member on the occasion of his new graphic novel and accompanying soundtrack, Space Cadet (MP3). He was interviewed for the excellent Panel Borders comics podcast series, part of the generous offerings of resonancefm.com. Koala is a thoughtful participant in and observer of the more sedate vestiges of street culture. He spins a good tale about the origins of his “Music to Draw to” series, in which he DJs downtempo music to inspire the artists and other creative types who show up for the special live shows, held in places like art galleries. The series began during a Canadian winter, as a way to inspire his friends to get out of their apartments and do something creative together — or at least side by side. It isn’t just for artists. He reports that fashion designers, video-game coders, and writers have joined in. At least once, someone brought along a loom. The first rule of “Music to Draw to” is: be prepared to do something creative. The second rule of “Music to Draw to” is: no dancing.

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MP3 originally posted at resonancefm.com.

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