My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

tag: field-recording

The Patzr Radio Podcast

Jimmy Kpple's micro-odes to everyday noise

Podcasts aren’t radio, but in many cases they might as well be. When someone says, “I don’t watch TV,” yet is up to date on lots of shows by virtue of a Hulu or Netflix account, there’s a disconnect at work that’s difficult to address politely, one that seems to have more with identity flag-waving than with anything technologically persuasive.

Podcasts may align with radio, but they’re something else entirely — or, more to the point, they’re capable of being something else entirely. Many, nonetheless, still feel like radio, from the structure to the content to the intonation. Not, as they say, that there’s anything wrong with that. The podcast mode has been on my mind a lot as I’ve been planning my own, titled Disquietude. Now that it’s out, I hear other podcasts through a different … well, not lens, but through instinctively analytical earbuds. When amid a hastily recorded bit of timely tech news, for example, the word “Googleable” sounds oddly close to “giggle-able,” I can relate to the anxiety in regard to whether you really want to do one more take. There’s at least one grammatical error in my first Disquitude podcast episode that kills me, a simple plural/singular misalignment, but I just couldn’t face the mic one more time.

I did radio twice for long stretches, first on WYBC on the East Coast during college, and then on KDVS on the West Coast after moving to California. Reviewing plays during college is how I learned the concept — if not the fully adopted practice — of whittling one’s discussion points to a select few, and hanging them on some semblance of narrative. Both stations encouraged relatively freeform approaches for its DJs, and that’s what I took pleasure in. Disquietude, as I plot episode two, is still very much a work in progress. I have aspirations to “play with the form,” as my friend Erik Davis (of the Expanding Mind podcast) encouraged me recently. It’ll come in stages.

If there’s a podcast that gets at the orthogonal-to-professional notion of the medium, the other-than-radio aspect, it is the excellent Patzr Radio series, which is helmed by Jimmy Kipple, who (employing a brief vocal element by Paula Daunt) did the theme for my Disquietude podcast. His Patzr consists of collections of #cheap-concrete, to employ Kipple/Kpple’s favorite tag. It’s snatches of everyday sound, rendered into “listening material” courtesy of nothing other than the mere fact of the podcast’s existence.

There are 72 Patzr episodes to date, all the same one minute and forty seconds in length, the latest a mix of unintelligible passing voices, and rough noises against subterranean leakages, doppler-effect motoring, and exquisitely banal footsteps that are not in the least bit threatening — except to the extent that the assemblage threatens the tidy conception of a podcast. When a format is merely a feed and a file, a few lines of RSS code and a fixed audio document, there’s a lot you can do with it, and sometimes doing very little, doing something explicitly contained, is the best reminder of the potential therein.

Check out the full series at soundcloud.com/patzr-radio, iTunes, and podbean.com.

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Disquiet Junto Project 0268: Walking Music

Take a stroll and describe it in sound, paying tribute to the late manga great Jiro Taniguchi.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, February 20, 2017. This project was posted in the late morning, California time, on Thursday, February 16, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0268: Walking Music
Take a stroll and describe it in sound, paying tribute to the late manga great Jiro Taniguchi.

Step 1: This week’s project pays tribute to Jiro Taniguchi, the great Japanese manga creator whose numerous works include an adaptation of a Natsume Sōseki novel, dark crime stories, and a widely celebrated and largely dialog-free volume titled The Walking Man. The Walking Man in particular is the inspiration for this week’s Junto project. Taniguchi died on February 11, 2017, at the age of 69.

Step 2: Take a leisurely stroll and record — whether through sound or observation, or both – what you see and experience.

Step 3: Create a short piece of music that reflects the route and experiences of your walk in Step 2.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0268″ (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

http://llllllll.co/t/in-tribute-to-jiro-taniguchi-disquiet-junto-project-0268/6533

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, February 20, 2017. This project was posted in the late morning, California time, on Thursday, February 16, 2017.

Length: The length is up to you, depending on the approach you decide upon.

Title/Tag: When posting your track, please include “disquiet0268″ in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 268th weekly Disquiet Junto project, “Walking Music: Take a stroll and describe it in sound, paying tribute to the late manga great Jiro Taniguchi”:

http://disquiet.com/0268/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/in-tribute-to-jiro-taniguchi-disquiet-junto-project-0268/6533

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

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Bell Increments

Five tracks of overtones on overdrive

Until yesterday evening I had never uploaded audio before to Bandcamp.com, despite being a longtime user, and despite investigations of the service playing a role in the course I teach on the role of sound in media landscape.

Anyhow, I recently added a new module to my modular synthesizer, and in the process of testing it out, I thought I would go and post some of the results. Those results became the collection, two and a half minutes total — five tracks of modulated bell tones. Below is the embedded sound and the information from the disquieteditions.bandcamp.com page:

This is a collection of five variations on the same bell sound. The bell is being run through a modular synthesizer, with an emphasis on a module called the ADDAC601. The ADDAC601 is a filter bank. It divides the inbound audio into eight bands across the audio spectrum, and then allows those bands to be worked upon by any manner of inputs. In this case the inputs are a variety of LFOs, or low frequency oscillators, often working in combination. Sine waves and triangle waves and saw-toothed waves consort and, in turn, exaggerate the source audio. The LFOs put the overtones into overdrive. These five tracks, each more complex than the previous, are excerpts from a larger collection that accumulated after I added the ADDAC601 to my small modular synth rig. They explore incremental changes as LFOs pile up and the variations take on more internal complexity. Because they were recorded in sequence without pause, each retains echoing, refracted elements of the previous track.

The source audio is a bell recorded by Freesound.org participant Sarana and uploaded for communal reuse on October 14, 2009. The source audio was pitched down a bit before being worked upon by the modular synth, and it also is run through a digital delay before hitting the ADDAC601. Here is the source audio, for comparison:

www.freesound.org/people/sarana/sounds/81832/

The track is licensed under this Creative Commons license:

creativecommons.org/licenses/by/3.0/

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Disquiet Junto Project 0262: Ice Code


The Assignment: Record the sound of ice in a glass and make something of it.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, January 9, 2017. This project was posted in the morning, California time, on Thursday, January 5, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0262: Ice Code

The Assignment: Record the sound of ice in a glass and make something of it.

Welcome to a new year. This week’s project is as follows. It’s the same project we’ve begun each year with since the very first Junto project, back in January 2012. The project is, per tradition, just this one sentence:

Please record the sound of an ice cube rattling in a glass, and make something of it.

Background: Longtime participants in, and observers of, the Disquiet Junto series will recognize this single-sentence assignment — “Please record the sound of an ice cube rattling in a glass, and make something of it” — as the very first Disquiet Junto project, the same one that launched the series back on the first Thursday of January 2012. Revisiting it at the start of each year since has provided a fitting way to begin the new year. At the start of the sixth (!) year of the Disquiet Junto, it is a tradition. A weekly project series can come to overemphasize novelty, and it’s helpful to revisit old projects as much as it is to engage with new ones. Also, by its very nature, the Disquiet Junto suggests itself as a fast pace: a four-day production window, a regular if not weekly habit. It can be beneficial to step back and see things from a longer perspective.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0262″ (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track.

http://llllllll.co/t/ice-music-years-first-project-disquiet-junto-0262/5990

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, January 9, 2017. This project was posted in the morning, California time, on Thursday, January 5, 2017.

Length: The length is up to you, but three to four minutes sounds about right.

Title/Tag: When posting your track, please include “disquiet0262” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 262nd weekly Disquiet Junto project — “Ice Code: Record the sound of ice in a glass and make something of it”:

http://disquiet.com/0262/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/ice-music-years-first-project-disquiet-junto-0262/5990

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Photo associated with this project is by Fabienne D, used thanks to a Creative Commons license:

flic.kr/p/UnB9e

creativecommons.org/licenses/by-sa/2.0/

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Disquiet Junto Project 0256: Music in Place

Record a short piece of music using the sounds around you.

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Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project was posted in the morning, California time, on Thursday, November 24, 2016, with a deadline of 11:59pm wherever you are on Monday, November 28, 2016.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0256: Music in Place
Record a short piece of music using the sounds around you.

Step 1: The goal of this project is to record a piece in place using only sounds from that place. Block out time, maybe an hour or so, and a place where you think you’d like to do the work. Also plan on portable equipment — laptop, iPad, OP-1, etc. — that would suit the endeavor.

Step 2: During the time planned in advance during Step 1, record sounds around you and shape them into an original piece of music, editing and processing as you see fit.

Five More Important Steps When Your Track Is Done:

Step 1: Per the instructions below, be sure to include the project tag “disquiet0256” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track.

http://llllllll.co/t/disquiet-junto-project-0256-music-in-place/5482

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the morning, California time, on Thursday, November 24, 2016, with a deadline of 11:59pm wherever you are on Monday, November 28, 2016.

Length: The length is up to you, but three to four minutes sounds about right.

Title/Tag: When posting your track, please include “disquiet0256” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 256th weekly Disquiet Junto project — “Music in Place: Record a short piece of music using the sounds around you.” — at:

http://disquiet.com/0256/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/disquiet-junto-project-0256-music-in-place/5482

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Matthew Betts, used thanks to a Creative Commons license:

flic.kr/p/8feVqm

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