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tag: field-recording

Disquiet Junto Project 0160: One Minute Past Midnight

The Assignment: Make a one-minute field recording starting right at midnight (wherever you are).

20150122-oneminute

Each Thursday in the Disquiet Junto group on SoundCloud.com and at Disquiet.com, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate.

Tracks will be added to this set for the duration of the project:

This assignment was made in the early evening, California time, on Thursday, January 22, 2015, with a deadline of 11:59pm wherever you are on Monday, January 26, 2015. (This week there is a little wiggle room. See below.)

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0160: One Minute Past Midnight
The Assignment: Make a one-minute field recording starting right at midnight (wherever you are).

This week’s project is very simple. It asks that you make a field recording of sound, just one single minute, starting at a specific time: midnight.

From simple things complex things sometimes grow, and this project is a hopeful initial step toward a variety of related projects that may spring up over the course of 2015, perhaps even culminating in some sort of collection, maybe even in a physical space along the lines of the “Sonic Frame” installation at the San Jose Museum of Art (that piece largely drew its sonic material from an earlier Junto project). No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse and sharing.

The steps are as follows:

Step 1: Record audio, outdoors or indoors, at midnight wherever you are.

Step 2: You can post the audio as is, or create a slight fade in of volume at the start and fade out at the end.

Step 3: Upload the finished track to the Disquiet Junto group on SoundCloud. Please consider posting photography, even video, associated with your efforts.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: Projects are usually due at 11:59pm wherever you are on Monday, January 26, 2015. This time, if you need to do the recording the final night of the project, it’s OK to upload early on January 27.

Length: The length of your finished work should be one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0160-oneminutepastmidnight” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 160th Disquiet Junto project — “Make a one-minute field recording starting right at midnight (wherever you are)” — at:

http://disquiet.com/2015/01/22/disquiet0160-oneminutepastmidnight/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project adapted from one by Manuel Delgado Tenorio and used via Creative Commons license:

https://flic.kr/p/heAk6W

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Disquiet Junto Project 0159: Recipe Hyperlapse

The Assignment: See what music the steps of a favorite recipe yield.

20150115-dj0159

Each Thursday in the Disquiet Junto group on SoundCloud.com and at Disquiet.com, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate.

This assignment was made in the early evening, California time, on Thursday, January 15, 2015, with a deadline of 11:59pm wherever you are on Monday, January 19, 2015.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0159: Recipe Hyperlapse
The Assignment: See what music the steps of a favorite recipe yield.

The steps for this week’s project are as follows.

Step 1: Choose a favorite recipe.

Step 2: Note key moments in the recipe: the procurement of materials, the preparation of an ingredient, the turning on or off of a device, etc.

Step 3: Prepare the recipe, and when doing so record a sound representative of each of those key moments.

Step 4: Stitch the audio resulting from Step 3 into a single piece of audio, roughly a minute or two minutes in length.

Step 5: It’s not necessary, but consider adding tonal material to the results of step 4.

Step 6: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: 11:59pm wherever you are on Monday, January 19, 2015.

Length: The length of your finished work should be between one minute and two minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0159-kitchenhyperlapse” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 159th Disquiet Junto project — “See what music the steps of a favorite recipe yield” — at:

http://disquiet.com/2015/01/15/disquiet0159-kitchenhyperlapse/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project by Andy Schultz used via Creative Commons license:

https://flic.kr/p/5QvQyc

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Disquiet Junto Project 0157: A Little Ice Music

The Assignment: Record the sound of ice in a glass and make something of it.

20150101-icemusic2015

Each Thursday in the Disquiet Junto group on SoundCloud.com and at Disquiet.com, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate.

Tracks will be added to this playlist as the project proceeds:

This assignment was made in the afternoon, California time, on Thursday, January 1, 2015, with a deadline of 11:59pm wherever you are on Monday, January 5, 2015.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0157: A Little Ice Music
The Assignment: Record the sound of ice in a glass and make something of it.

Happy new year! This week’s project is as follows:

Step 1: Please record the sound of an ice cube rattling in a glass, and make something of it.

Step 2: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Background: Longtime participants in, and observers of, the Disquiet Junto series will recognize this single-sentence assignment as the very first Disquiet Junto project, the same one that launched the series on the first Thursday of 2012. Revisiting it a year and two years later, on the first Thursdays of 2013 and 2014, provided a fitting way to begin the new year. Now, at the start of the fourth year of the Disquiet Junto, it is a tradition. A weekly project series can come to overemphasize novelty, and it’s helpful to revisit old projects as much as it is to engage with new ones. Also, by its very nature, the Disquiet Junto suggests itself as a fast pace: a four-day production window, a weekly habit. It’s beneficial to step back and see things from a longer perspective.

Deadline: 11:59pm wherever you are on Monday, January 5, 2015.

Length: The length of your finished work should be between one minute and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0157-icemusic2015” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 157th Disquiet Junto project — “Record the sound of ice in a glass and make something of it.” — at:

http://disquiet.com/2015/01/01/disquiet0157-icemusic2015/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project by Michael Scott used via Creative Commons license:

https://flic.kr/p/5vyz3G

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Disquiet Junto Project 0152: Comet 67P Cover

The Assignment: Record your own cover version of the "song" sung/emitted by the comet Comet 67P/Churyumov-Gerasimenko.

20141127-comet

Each Thursday in the Disquiet Junto group on SoundCloud.com and at Disquiet.com, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate.

This assignment was made in the evening, California time, on Thursday, November 27, with 11:59pm on the following Monday, December 1, 2014, as the SoundCloud deadline — though the encouraged optional video part of the assignment can wait a day or two longer, if necessary.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0152: Comet 67P Cover
The Assignment: Record your own cover version of the “song” sung/emitted by Comet 67P/Churyumov-Gerasimenko.

The mysterious song of the Comet 67P/Churyumov-Gerasimenko has been floated as a likely subject of a Disquiet Junto project since it first was announced by the European Space Agency. Thanks to everyone who suggested it, and I hope you find this approach to the material of interest.

Step 1: Record your own cover version of the “song” sung/emitted by the comet Comet 67P/Churyumov-Gerasimenko. You can hear the “original” here:

https://soundcloud.com/esaops/a-singing-comet

Step 2: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 3: Listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Note: Per the track’s SoundCloud page: “To make the music audible to the human ear, the frequencies have been increased in this recording. This sonification of the RPC-Mag data was compiled by German composer Manuel Senfft (www.tagirijus.de). Read full details in ESA’s Rosetta blog: wp.me/p46DHN-Li.”

Length: Your finished work should be between roughly 1 and 3 minutes long.

Deadline: This assignment was made in the evening, California time, on Thursday, November 27, with 11:59pm on the following Monday, December 1, 2014, as the deadline.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0152-comet67pcover” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 152nd Disquiet Junto project — “Record your own cover version of the ‘song’ sung/emitted by the comet Comet 67P/Churyumov-Gerasimenko” — at:

http://disquiet.com/2014/11/27/disquiet0152-comet67pcover/

Copyright Notice: Original Data Credit: ESA/Rosetta/RPC/RPC-MAG. Sonification: TU Braunschweig/IGEP/Manuel Senfft, CC-BY-NC-SA 4.0 creativecommons.org/licenses/by-nc-sa/4.0/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Credit for image associated with this project:

ESA/Rosetta/NAVCAM – CC BY-SA IGO 3.0.

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Comet Eavesdropping

A comet is recorded, a koan is clarified, a marketing campaign is muted.

A familiar koan was updated this past week. “In space,” we were told long ago thanks to promotions for the movie Alien, “no one can hear you scream” — that is, we’ve now learned, until that scream has its frequencies boosted “by a factor of 10,000.” That’s how earthsky.org, among countless other news organizations, characterized the marvel that was the (literally) otherworldly sound of the (figurative) song captured from a comet by the Philae lander. Nothing is going to shut up the commenters on io9.com, who seem to wait eagerly for a moment to point out the absurdity of sounds in outer space scenes in movies and on television, but nor is the Philae incident the first audio collected from space. Back in 2013, as the Voyager space probe was leaving our solar system, two bursts of sound were collected and shared by NASA, sounds that we used in a Disquiet Junto project. One funny thing that happened last week was that just as the entire planet was celebrating the act of listening to sounds from space, the DVD and Blu-Ray of the film Gravity were released with a “Silent Space” alternate version that removes all the sound from the outer-space sequences. A welcome edit, if one slightly marred by unfortunate timing.

This post first appeared in the Disquiet email newsletter: tinyletter.com/disquiet.

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