Recent interview with me at freemusicarchive.org on Creative Commons, Disquiet Junto, and more • Projects: Instagr/am/bient + LX(RMX): Lisbon Remixed • Key Topics: #sound-art, #classical, #generativeHow to Submit for Review • Elsewhere: Twitter (Disquiet + Junto), SoundCloud (Disquiet + Junto).

Listening to art. Playing with audio. Sounding out technology. Composing in code.

tag: ipad

Tangents: RjDj’s Retirement, Android Audio-games, Flavin’s Buzz, …

News, quick links, good reads

Download Before It Expires: The flagship RjDj app of the London-based Reality Jockey firm, home to the Inception and Dark Knight Rises Z+ apps, will no longer be available shortly. It is highly recommended that you download RjDj from the iTunes app store now for your iOS device before the app is retired. Details on the decison at the company’s blog, at rjdj.me. The post mentions that the company’s website will be relaunched on Monday, October 8.

Android Play Pretty Some Day: The website androidmusician.com is a solid compendium of sound/music apps for the Android operating system. It does a much better job than the Play store of displaying the state of tools for such activity. It’s more product-specific than the more cultural/newsy palmsounds.net, and complements it well.

Recent discoveries via androidmusician.com include the generative tool Orbits (screen shot shown above) and the old-school drum machine RD3 — Groovebox (video below):

The site also has a presence at twitter.com/androidmusician. It’ll be interesting to observe, over time, how these app-discovery services function best, whether the users will congregate at sites focused broadly on OS-specific coverage (Android versus iOS, etc.), focused broadly on usage-specific coverage (music, productivity, fitness), or as is the case of androidmusician.com focused at the intersection of a specific OS and a specific user base.

Boinquarius: One of the best music publications about adventurous sounds is the weekly email newsletter of the San Francisco record store Aquarius. The store is located on Valencia Street, not far from such cultural epicenters as the Borderlands science-fiction bookshop and the McSweeney’s pirate store. Aquarius’ newsletter, which usually pops up in email boxes on Friday evenings, has hooked up with the great Boing Boing (boingboing.net). The latter will be publishing one review per day, culled from Aquarius’ loquacious and knowledgeable crew, who are major fans of Krautrock, experimental electronics, and the darkest of death metal, among other things. Here’s a taste of what’s to expect, a review of the Common Eider, King Eider DVD Sense of Place: “wheezy chordal whirs, the vocals layered and wreathed in echo and reverb, a mysterious chorale that instead of building and then fading out, remains somewhat constant, with different voices receding and resurfacing, each part of the music slipping easily from just organ, to organ and voices, making for a constantly shifting landscape of muted melody and vocal texture.” Visit Aquarius Records (online) at aquariusrecords.org.

Sonoma Sound Art: If you’re in the North Bay (and, that is, if the Bay is the San Francisco one), be sure between now and October 14 to take the time to visit the art gallery on the Sonoma State campus, which is currently showing Sound, Image, Object: The Intersection of Art and Music. The participating artists are Mauricio Ancalmo, Terry Berlier, John Cage, Brian Caraway, Chuck Close, Bruce Conner, Lewis deSoto, Chris Duncan, Jacqueline Kyomi Gordon, Victoria Haven, Robert Hudson, Christopher Janney, Paul Kos, Tom Marioni, Jack Ox, Sarah Rara, Steve Reich, Isabelle Sorrell, Alice Wheeler, and William T. Wiley. Indeed, quite a lineup. I hope to have time to write it up soon.

The Reich are a pair of early compositions, including “Clapping Music”; the Ox a set of visuals combining sheet music and architecture drawings (above right); the deSoto a suspended stereo console; the Duncan an LP record made of paper (above left). A tremendous show.

In Brief: Camera-phone footage of Kronos Quartet opening for Amon Tobin last night: youtube.com; apparently someone threw a bra onstage, a first for the ensemble. … Kronos violinist and founder David Harrington submitted a mixtape to wqxr.org, where it is streaming currently; it features Arvo Pärt and DJ Qbert, Erik Satie and John Oswald. … John Kannenberg (of the Stasisfield netlabel) has started a new blog, phonomnesis.wordpress.com; its focus: “Silent memories of sound, art, time, museums, philosophy, and culture.” A definite add to your RSS reader. … In his excellent soundscrapers.blogspot.com blog, Nick Sowers probes a pressing question about fluorescent light sculpture Dan Flavin: “Spending countless hours, days, and years to get his installations just right, was Flavin using the buzzing sound to inform his work?”

The above is a recording by Sowers of Flavin’s buzz.

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Tangents: Alvin Luci(f)er, Eno Automata, Sound Art.sy …

News, quick links, good reads

EVRP (Electronic Voice Recognition Phenomenon): The novelist Richard Kadrey made the following post on Facebook earlier this week. It’s reprinted by permission:

It’s a fascinating — especially because it’s unintentional — spin on Alvin Lucier’s classic “I Am Sitting in a Room.” The incident is particularly tasty if you’re familiar with Kadrey’s novels. His now four-volume Sandman Slim series, which deals with a hell-weary anti-hero, is rich with pop-song (and motion-picture) references to devilish activity. It seems all too perfect that his software would come to recognize a sentient presence in his absence. The EVP, or Electronic Voice Phenomenon, movement seeks to locate the semblance of speech in the noise of static. Kadrey experienced a step further into the metaphysical void: the less perceptible noise of a more generic sort, the everyday room tone. (I’ve known Kadrey for two decades now. He wrote a long profile of Ministry for me when I was an editor at Pulse! magazine and participated in a 2005 discussion here about Brian Eno’s album Thursday Afternoon.)

Composition(al) Rules: Video below of the latest iOS app, Scape, from Brian Eno and Peter Chilvers:

The generativemusic.com website says of the app: “Can machines create original music? Scape is our answer to that question: it employs some of the sounds, processes and compositional rules that we have been using for many years and applies them in fresh combinations, to create new music.” The approach and timing are intriguing since Eno referenced cellular automata in regard to the art installation that led to his forthcoming Lux album on Warp Records. The app and album should be considered in tandem.

Sound Art.sy: The art.sy website has just two artists associated with the “gene” (or genre, or category) for “sound art” (Zimoun and Tom Marioni). It does, however, have a “tag” for “tape” that includes Christian Marclay, Michael Craig-Martin, and a handful of others. The site is still in beta. I have a heap of invites. If you’re interested, shoot me an email to request one.

Far Afield Recordings: The “remix ←→ culture” project on Kickstarter has an interesting take on not only financial models but cross-cultural collaboration as well. The proposed iPad app makes source recordings (initially from Morocco) available for remixing, and channels funds back to the original musicians.

More on the project, led by Hatim Belyamani, at remix-culture.com.

Love the Player (Piano): Also on kickstarter.com, Other Minds is looking to fund “the largest festival in North America dedicated to the life and music of the genius composer Conlon Nancarrow,” Maverick of the player piano Nancarrow would have turned 100 this year, in the shadow of John Cage’s centenary — not to mention Alan Turing’s and, for good measure, Chuck Jones’. For $25, the second lowest level of participation, you’ll get audio downloads of the three-day festival, and a copy of the catalog.

New Meaning to “Co-Op Mode”: There’s a remix contest sponsored by Halo 4 to rework music from the latest iteration of the game. The source material is by Halo 4 composer Neil Davidge, who’s worked extensively with Massive Attack: halo4remix.com.

Glass(re)works: The NPR website is streaming remixes both by Beck and by Tyondai Braxton of the music of Philip Glass. More on the forthcoming Philip Glass – Reworked album at thekorarecords.com. Also contributing are Amon Tobin, Cornelius, Dan Deacon, Johann Johannsson, Nosaj Thing, Memory Tapes, Silver Alert, Pantha du Prince, My Great Ghost, and Peter Broderick.

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“Alternative Musical Interfaces”: Disquiet @ GAFFTA (San Francisco, September 19)

Panel discussion at the new media hub

On Wednesday, September 19, there’s a panel discussion in San Francisco at the Grey Area Foundation for the Arts on “Alternative Musical Interfaces,” and I’ll be serving as moderator.

The panelists include the highly talented trio of Michael Zbyszyński (mikezed.com), Peter Nyboer (see his bayimproviser.com entry), and Spencer Salazar (see his ccrma.stanford.edu page) — more on whom at gaffta.org.

It’s all under the auspices of GAFFTA’s Sound Research Group. GAFFTA is located at 923 Market St, Suite 200, which is between 5th and 6th Streets. The event runs from 7:00pm until 8:30. Tickets are $20, but GAFFTA has a solid “no one turned away for lack of funds” policy.

I’m excited to be headed back to GAFFTA. I last took part in a discussion there in August 2011, when I presented some thoughts on “Sound as Commentary.”

Update (2012.07.25): The following description of the event has been added to the GAFFTA page at gaffta.org:

We’ve seen many shifts in ways to control sound over the millenia; everything from animal skins and bones to hacked Game Boys and everywhere in between. We find ourselves positioned at an interesting point in time for how we manipulate sound in a post-instrument world. The topic of alternative musical interfaces has been discussed by those attempting to redefine how we’ve shaped sound since the tribal era, but the discourse seems to be thriving. We’ve brought together three specialists (see below) who have dedicated large portions of their lives to the noble task of constructing new musical interfaces and pushing musicians to interact with their instruments in new and different fashions. The object of this evening is to gather together those interested in redefining our physical relationship to sounds and music. If you are interested in audio we recommend that you come join in the discussion with us.
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Non-Experimental Experimental Music (MP3)

A beat that explores the iPad app DM-1

Some of the most enjoyable work on SoundCloud is of the experimental variety, but that’s not necessarily “experimental” as in “noises that push the limits of a listener’s comprehension of music.” It’s often simply experimental in the sense of an experiment on the part of the musician: trying something new, whether that be a new piece of music, a new instrument, or a new approach, or perhaps all at the same tine. Take “Ex the Extrax” by freesoulsound, aka Gerren Grant. The piece is a straightforward but thoroughly engaging bit of bippy downtempo rhythmic play. Part of its pleasure is its lack of intended utility — it isn’t the backing track to a vocal cut; it’s simply a rhythm beating like a sonar, exploring the user-interface caverns of a new piece of software.

Track originally posted for free download at soundcloud.com/freesoulsound. More on the DM-1 at fingerlab.net.

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Disquiet Junto Project 0020: App Beat

The Assignment: Make a piece of music with the NodeBeat app and one other instrument.

Each Thursday evening at the Disquiet Junto group on Soundcloud.com a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership to the Junto is open: just join and participate.

This project marked the 20th week in a row of the Disquiet Junto. I had wanted for some time to employ an app in the projects, since the mobile app is, in many ways, the definition of creative restraint: each app has its own self-contained set of rules and tools, and they don’t inherently play well with each other all that often. The creators of NodeBeat were generous to provide free download codes for iOS users, and it is also available for Android, Blackberry and, in a more limited rendition, Flash. More on the app at nodebeat.com.

The assignment was made late in the day on Thursday, May 17, with 11:59pm on the following Monday, May 21, as the deadline. View a search return for all the entries: disquiet0020-nodebeat. As of this writing, there are 46 tracks associated with the tag.

These are the instructions that went to the participants:

Deadline: Monday, May 21, at 11:59pm wherever you are.

Each Disquiet Junto project explores the role that restraints can play as a springboard to creativity and productivity. This specific project explores the inherent creative limits of a mobile app. All participants will employ the same app to complete the project.

Everyone working on this project will use two instruments. One of those instruments will be NodeBeat, an app available for iOS (iPhone, Touch, iPad), for Android, for Blackberry, and as a cross-platform (Flash) implementation. The other will be an instrument of the participant’s choice; this second instrument should fall into the broadly defined category of “traditional” — i.e., a keyboard, a guitar, woodwind, percussion, etc. More on NodeBeat at nodebeat.com.

(Please note: the NodeBeat app is not free, but it is inexpensive, between 99 cents and four dollars, depending on which platform you use. Also, there is a free, though more limited, version for desktop/laptop use. And I also have 25 free codes for the iPhone/Touch and 25 for the iPad, available on a semi-first-come basis, weighted a bit for folks who have already participated in a Junto project. Shoot me an email at marc@disquiet.com if you’d like one.)

The project employs three steps:

Step 1: Create a piece of music to your liking in NodeBeat.

Step 2: Record a segment of that music no shorter than 30 seconds and no longer than four minutes.

Step 3: Use that segment as the basis for a track employing one additional instrument.

Additional techniques are certainly allowed, including editing/transformation of the NodeBeat audio and of the second instrument. However, the NodeBeat audio and the second instrument should retain some semblance of recognizability.

Length: Please keep the length of your piece to between two and four minutes.

Information: Please when posting your track on SoundCloud include a description of your process in planning, composing, and recording it.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0020-nodebeat” in the title of your track, and as a tag for your track.

Download: As always, you don’t have to set your track for download, but it would be preferable.

Linking: When you post your track, please include this information:

This track employs the app NodeBeat, created by Seth Sandler, Justin Windle, and Laurence Muller. More information on NodeBeat at nodebeat.com.

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/info

The project also included the instructions translated into Turkish and Spanish respectively by M. Emre Meydan and Norma Listman:

Instructions in Turkish:

Disquiet Junto Projesi 0020: App Beat

Talimatlar:

Son Teslim Tarihi: 21 Mayıs pazartesi, 23:59 (bulundugunuz ulkenin saatine gore)

Her Disquiet Junto projesi, kisitlamalarin yaraticilik ve uretkenlik uzerindeki tetikleyici etkilerini kesfetmeye yoneliktir. Bu seferki proje, bir mobil uygulamanin yaratici limitlerini arastiriyor. Tum katilimcilar ayni uygulamayi kullanacaklar.

Bu proje uzerinde calisan herkes iki enstruman kullanacak. Bunlardan ilki NodeBeat adinda bir uygulama – iOS (iPhone, Touch, iPad), Android, Blackberry, ve platformlar-arasi bir Flash uygulamasi versiyonlari mevcut. Diger enstruman ise katilimcinin sectigi bir enstruman olacak, bu ikinci enstrumanin “geleneksel” diyebilecegimiz bir kategoriden olmasi gerekiyor: klavye, gitar, uflemeli calgi, perkusyon vs gibi. Nodebeat hakkinda daha fazla bilgi icin nodebeat.com.

(Nodebeat uygulamasi ucretsiz degil ama ucuz, hangi platformu kullandiginiza bagli olarak fiyati 99cent ile 4 dolar arasinda degisiyor. Ayrica masaustu/laptop bilgisayarlar icin ucretsiz ama daha kisitli bir versiyonu da mevcut. Elimde 25 adet iPhone/Touch icin, 25 adet de iPad icin ucretsiz kod var, bana ilk ulasanlara bu kodlari dagitacagim, onceki Junto projelerine katilmis olanlara oncelik saglanacak. Eger ilgileniyorsaniz bana mail atin: marc@disquiet.com )

Bu proje uc asamadan olusuyor:

  1. Adim: NodeBeat uygulamasinda istediginiz gibi bir muzik yaratin.

  2. Adim: Bu muzikten en az 30 saniye, en fazla 4 dakikalik bir bolum kaydedin.

  3. Adim: Yaptiginiz bu kaydin uzerine sectiginiz ikinci enstrumani ekleyin.

Elbette ek teknikler kullanabilirsiniz, bunlara NodeBeat’in ya da ikinci enstrumanin sesini degistirmek/donusturmek de dahil. Fakat NodeBeat ve ikinci enstrumanin sesi taninabilir halde kalmali.

Uzunluk: Lutfen yaptiginiz parcanin uzunlugunu 2-4 dakika arasinda tutun.

Bilgi: Lutfen yaptiginiz parcayi paylasirken, bu parcanin planlama, besteleme ve kayit sureci ile ilgili bilgi de verin.

Isim / Tag: Yaptiginiz parcayi Soundcloud.com’daki Disquiet Junto grubuna eklerken, lutfen “disquiet0020-nodebeat” kelimesini hem parcanin isminde, hem de tag olarak kullanin.

Download: Her zamanki gibi; parcanizin indirilebilir olmasi gerekmiyor, ama oyle olmasi tercih edilir.

Linkler: Yaptiginiz parcayi paylasirken, lutfen su bilgiyi ekleyin:

This track employs the app NodeBeat, created by Seth Sandler, Justin Windle, and Laurence Muller. More information on NodeBeat at nodebeat.com.

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/info

Instructions in Spanish:
Disquiet Junto Proyecto 0020: Aplicación Ritmo

Instrucciones:

Fecha limite: Lunes 21 de Mayo a las 11:59pm del lugar donde te encuentres.

Los proyectos de Disquiet Junto exploran el rol de las restrixiones y como estas son un trampolin hacia la creatividad y la productividad. Este proyecto en particular explora lis limites creativos y los que desemboca una aplicación para telefonos celulares. Todos los participantes deberan usar la misma aplicación.

Todos deberan usar dos instrumentos. Uno de los instrumentos es NodeBeat, una aplicación disponible para iOS (Iphone, Touch o iPad), Andreoides o Blackberrys y para implementar como una plataforma alternativa (Flash). El otro instrumento sera de tu eleccion y debera “caer” dentro de la categiria de tradicional, por ejemplo –guitarra, percucion, piano, etc.

Para mas informacion acerca de NodeBeat ve a nodebeat.com.

Favor de tomar en cuenata que NodeBeat no es gratis, sinembago es muy barato de 99 centavos a 4 dolares, dependiendo de la plataforma que uses. Tambien hay una, pero mal limitada que se gratis para computadoras o laptops. Tambien tengo disponibles 25 codigos gratuitos para iPhone/Touch y 25 mas para iPad, e participado en Disquiet Junto antes y se los dare a los primeros en contactarme (marc@disquiet.com).

Pasos:

1) Crear una pieza musical usando NodeBeat. 2) Graba un segmento de esa pieza de un minimo de 30 segundos y un maximo de 4 minutos. 3) Usa ese segmento como la base para una nueva pieza, pero ahora agregando un instrumento.

Puedes usar tecnicas adicionales como edicion/transformacion del audio en NodeBeat, asi como de el segundo instrumento. Lo unico que te pedimos es que ambas alteraciones deberan retener semejanza a la pieza original.

Duración: Favor de mantener tu pieza de dos a cuatro minutos.

Información: Incluir una descripcion de tu proceso de planeacion, composicion, y grabacion.

Titulo: Porfavor incluye el termino “disquiet0020-nodebeat” en el titulo de tu track cuando lo subas al grupo Disquiet Junto en Soundcloud.com, tambien usalo como tu tag cuando lo quieras busacar.

Descarga: Es preferible que tu mezcla se pueda descargar, pero no es necesario ( es tu decision).

Enlaces: Cuando subas tu track, por favor incluye la siguiente información:

Esta grabacion usa la aplicación NodeBeat, created by Seth Sandler, Justin Windle y Laurence Muller. Para mas informacion ve a nodebeat.com

Mas informacion en Disquiet Junto:

http://soundcloud.com/groups/disquiet-junto/info

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