Tristan Perich’s Noise Patterns comes in a clear jewel case, but it isn’t a CD. It’s a small, matte-black circuit board. Powered by a watch battery, it produces a series of musical compositions built from the on/off operations on the minuscule chip at the center of the device, the same sort of chip you might find in a microwave oven.
What follows is a lengthy, detailed interview in which Perich talks about the development of Noise Patterns, and various other aspects of his artistic efforts, which range from full-scale museum installations of drawing machines and “microtonal walls,” to live performances in which he builds circuits in front of the audience.
In Perich’s telling, his previous circuit-board album, 1-Bit Symphony, was built from “tone” while Noise Patterns, as its name suggests, is built from “randomness,” from what sounds like white noise twisted and tweaked to Perich’s design.
There will be a more detailed introduction to this interview posted here soon, but in the interest of time — there is a party/concert celebrating the release of Noise Patterns‘ tonight at (Le) Poisson Rouge in Manhattan, with guests, Robert Henke, Karl Larson, Ricardo Romaneiro, Leo Leite, and Christian Hannon — the transcript, along with annotated images from the production of Noise Patterns and other aspects of Perich’s work, is being posted today.