My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

tag: video

Fragments of Serbian-Finnish Sound Design

Belgrade-based Svetlana Maraš posts a work no longer in progress.

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Svetlana Maraš, who is based in Belgrade, Serbia, has been filling her SoundCloud account with bits and pieces of film scores and sound design projects, some finished, others from efforts that never reached completion, stalled at unforeseen junctures. Five shared fragments of trumpet soundings and quotidian atmospherics are sourced from one of the uncompleted ones, which Maraš describes as “a beautiful, experimental film by a Finnish director.” She writes, “Unfortunately, the film never went into the post-production and was never finished. However, the soundtrack remains.” These include two “soundscapes” and three three spots of trumpet, the latter of which blur the line between soundscape and sound design by emphasizing tone and the slurry space within notes over melody. The room in which the music was played is as much a part of the recording as is the trumpet itself. She lists the constituent elements as “Trumpet, objects, glitch, noise,” and references Nenad Marković as the trumpeter. Marković plays the trumpet, while Maraš plays the room.

Maraš is quite active and prolific, and a Vimeo page (vimeo.com/svetlanamaras) tracks some of her efforts, such as this short video of a live improvisation on small electronic devices, including a Korg portable and a Buddha Machine, with the ticking of an alarm clock providing the back beat, such as it is:

Set originally posted at soundcloud.com/svetlanamaras. More from Maraš at svetlanamaras.com. More from Marković at nenadmarkovic.net.

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Video from My San Jose Museum of Art Installation

A short feature with all 10 interveners

The San Jose Museum of Art has uploaded this eight-minute video featuring the various folks who, like me, contributed works as “interveners” for its current Momentum exhibit, which celebrates the museum’s 45th anniversary. I talk in the video at 2:52 and 3:59.

My piece is “Sonic Frame,” a response in three screens to a video by Josh Azzarella. Each screen contains a unique set of seven different audio tracks composed to complement it, so each time the video plays anew it is accompanied by different sounds. Among the participating musicians are Taylor Deupree, Natalia Kamia, Julia Mazawa, Steve Roden, Naoyuki Sasanami, Christina Vantzou, Stephen Vitiello, and Scanner.

The Momentum exhibit runs from October 2, 2014, through February 22, 2015. More on the exhibit here (“How Sound Frames Vision”) and at sjmusart.org. Video hosted at youtube.com.

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Disquiet Junto Project 0151: Reliving Dead

The Assignment: Score a segment of George A. Romero's Night of the Living Dead using the movie's audio as source material.

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Each Thursday in the Disquiet Junto group on SoundCloud.com and at Disquiet.com, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate.

This assignment was made in the evening, California time, on Thursday, November 20, with 11:59pm on the following Monday, November 24, 2014, as the SoundCloud deadline — though the encouraged optional video part of the assignment can wait a day or two longer, if necessary.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0151: Reliving Dead
The Assignment: Score a segment of George A. Romero’s Night of the Living Dead using the movie’s audio as source material.

Step 1: Download the classic film Night of the Living Dead, which is in the public domain, at the following URL:

http://goo.gl/rm1lMy

Step 2: Locate a short segment of interest, between 1 and 3 minutes, in which there is no musical score present.

Step 3: Compose a score for your chosen segment using only the audio from that segment as the source material. You can alter the source audio in any way you choose. You just can’t add any new sounds.

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 6: This part is optional, and you can take an additional couple of days if you need them. Upload the video segment combining the original audio and your score, and link to it from the notes field in your SoundCloud track.

Length: Your finished work should be between 1 and 3 minutes long, depending entirely on the length of the segment you selected.

Deadline: This assignment was made in the evening, California time, on Thursday, November 20, with 11:59pm on the following Monday, November 24, 2014, as the deadline.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0151-relivingdead” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 151st Disquiet Junto project — “Score a segment of George A. Romero’s Night of the Living Dead using the movie’s audio as source material” — at:

http://disquiet.com/2014/11/20/disquiet0151-relivingdead/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Image from the George Romero film Night of the Living Dead.

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Automation, Sound, Systems, Art

A short film on Tristan Perich

This short video documentary, Tristan Perich: Mind the Machine, by Russell Oliver, explores artist and composer Perich’s processes and thoughts on automation, sound, systems, and art. As Perich describes it, he’s interested in “where the physical world around us meets the abstract world of computation and electronics.” Perich speaks throughout, describing his approach to his work, and the video includes a studio tour — his studio being as much an electronics tinkering zone as it is a musician’s home recording space. He’s at work, for example, on a variation on the microtonal wall that consisted of 1,500 small speakers, and the studio is filled with clear plastic boxes to help him manage all his parts. He connects his own minimalist — “bare bones,” in his words — approach to that of his father, the artist Anton Perich. Like his father, Perich has explored an automated drawing machine, images of which open the film. There’s some especially glorious material toward the end in which a chorus of exposed speaker cones accompany pianist Vicky Chow in a live performance.

The video is a little over 17 minutes long and is streaming at vimeo.com. More on Perich at tristanperich.com.

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The Radio as Divining Rod

Video of a live performance by Steve Roden and Stephen Vitiello

Even had the Downstream section of this site not expanded recently to include non-downloadable music, it should long ago have paid more attention to video, if for no reason other than the fact that videos are often, such as this live performance by Steve Roden and Stephen Vitiello taped back in February, intended for offline use. (That said, since this site was online for over a decade before running images, the lack sense of urgency was in the DNA.) The Roden-Vitiello set is an alternately tandem and tag-team project recorded at Eclats in Bourdeaux. They both have at portable sets of modular synesizer tools — plus radio, which Roden wields like a divining rod, and laptop, and a few other devices — in this nearly 40-minute piece. Small vocal snippets are heard amid characteristically slow-moving figments, more textural than melodic, the reluctant pace providing sly cover for just how much sonic material is being heard at any given moment.

More from Roden at inbetweennoise.com and from Vitiello at stephenvitiello.com. The video was shot by Etienne Coussirat. More from Eclats at eclats.net.

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