My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

tag: video

David Torn, Live (Video)

An early listen to what became Only Sky

The latest David Torn album, Only Sky (ECM), feels like the album he’s been striving for his whole recording career. It manages to find a place at home with his interest in deep, expansive atmospherics, and yet that place is one in which Torn’s pyrotechnic fluency with stringed instruments isn’t entirely put aside. In fact, the intensity of his actions feeds the equal intensity of the ambient foundation, often in the form tiny fragments set on repeat until they merge into a mist. The video follows his manipulation of the sounds, how the automation lets him trade instruments — between electric guitar and oud — without missing a beat. And better yet, at the end he speaks to the audience, apparently back in March 2013, two full years before the album’s release, at a TEDxCaltech event. What he’s playing is what became the album’s title cut.

Video at youtube.com. Found via Michael Ross’ great guitarmoderne.com website. More from Torn at davidtorn.net.

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The Art of the Sound of the Security of Art

The ongoing work of John Kanneberg

Many artists and musicians end up in, strive to be in, museums. Fewer make the museum the subject of their work. One such artist-musician is the prolific John Kannenberg, who in various pursuits has studied the sonic property of the institutions where art is on display. He may make sound art, but more to the point he makes art of the sound of art. He’s been sharing well-edited, studiously sequenced videos of his work, including “A Sound Map of the Art Institute of Chicago: Security (Excerpt),” which combines the voluminous echo of the place with overheard snippets of directives and responses from staff security, such as “No flashes” (as in photography) and “Being told the elevator doesn’t go where I want to go.”

Video originally posted at vimeo.com. More from Kannenberg at johnkannenberg.com.

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Fragments of Serbian-Finnish Sound Design

Belgrade-based Svetlana Maraš posts a work no longer in progress.

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Svetlana Maraš, who is based in Belgrade, Serbia, has been filling her SoundCloud account with bits and pieces of film scores and sound design projects, some finished, others from efforts that never reached completion, stalled at unforeseen junctures. Five shared fragments of trumpet soundings and quotidian atmospherics are sourced from one of the uncompleted ones, which Maraš describes as “a beautiful, experimental film by a Finnish director.” She writes, “Unfortunately, the film never went into the post-production and was never finished. However, the soundtrack remains.” These include two “soundscapes” and three three spots of trumpet, the latter of which blur the line between soundscape and sound design by emphasizing tone and the slurry space within notes over melody. The room in which the music was played is as much a part of the recording as is the trumpet itself. She lists the constituent elements as “Trumpet, objects, glitch, noise,” and references Nenad Marković as the trumpeter. Marković plays the trumpet, while Maraš plays the room.

Maraš is quite active and prolific, and a Vimeo page (vimeo.com/svetlanamaras) tracks some of her efforts, such as this short video of a live improvisation on small electronic devices, including a Korg portable and a Buddha Machine, with the ticking of an alarm clock providing the back beat, such as it is:

Set originally posted at soundcloud.com/svetlanamaras. More from Maraš at svetlanamaras.com. More from Marković at nenadmarkovic.net.

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Video from My San Jose Museum of Art Installation

A short feature with all 10 interveners

The San Jose Museum of Art has uploaded this eight-minute video featuring the various folks who, like me, contributed works as “interveners” for its current Momentum exhibit, which celebrates the museum’s 45th anniversary. I talk in the video at 2:52 and 3:59.

My piece is “Sonic Frame,” a response in three screens to a video by Josh Azzarella. Each screen contains a unique set of seven different audio tracks composed to complement it, so each time the video plays anew it is accompanied by different sounds. Among the participating musicians are Taylor Deupree, Natalia Kamia, Julia Mazawa, Steve Roden, Naoyuki Sasanami, Christina Vantzou, Stephen Vitiello, and Scanner.

The Momentum exhibit runs from October 2, 2014, through February 22, 2015. More on the exhibit here (“How Sound Frames Vision”) and at sjmusart.org. Video hosted at youtube.com.

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Disquiet Junto Project 0151: Reliving Dead

The Assignment: Score a segment of George A. Romero's Night of the Living Dead using the movie's audio as source material.

20141120-notld

Each Thursday in the Disquiet Junto group on SoundCloud.com and at Disquiet.com, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate.

This assignment was made in the evening, California time, on Thursday, November 20, with 11:59pm on the following Monday, November 24, 2014, as the SoundCloud deadline — though the encouraged optional video part of the assignment can wait a day or two longer, if necessary.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0151: Reliving Dead
The Assignment: Score a segment of George A. Romero’s Night of the Living Dead using the movie’s audio as source material.

Step 1: Download the classic film Night of the Living Dead, which is in the public domain, at the following URL:

http://goo.gl/rm1lMy

Step 2: Locate a short segment of interest, between 1 and 3 minutes, in which there is no musical score present.

Step 3: Compose a score for your chosen segment using only the audio from that segment as the source material. You can alter the source audio in any way you choose. You just can’t add any new sounds.

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 6: This part is optional, and you can take an additional couple of days if you need them. Upload the video segment combining the original audio and your score, and link to it from the notes field in your SoundCloud track.

Length: Your finished work should be between 1 and 3 minutes long, depending entirely on the length of the segment you selected.

Deadline: This assignment was made in the evening, California time, on Thursday, November 20, with 11:59pm on the following Monday, November 24, 2014, as the deadline.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0151-relivingdead” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 151st Disquiet Junto project — “Score a segment of George A. Romero’s Night of the Living Dead using the movie’s audio as source material” — at:

http://disquiet.com/2014/11/20/disquiet0151-relivingdead/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Image from the George Romero film Night of the Living Dead.

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