In Pine Effect
(Astralwerks) The least renowned of the major new British electronicists makes an incredibly fun and thoughtful album, packed with humorous and organic-sounding digital gurgles. It’s so at play with rhythmic possibilities that you’ll find yourself tapping your foot on a different down beat with each successive listen.
Arvo Part (ECM) One of the most beautiful recordings yet from this Estonian classical composer. Not electronic in any sense, but very much evocative of the ethos of the ECM record label (and its founder, Manfred Eicher), which espouses space, ambience and tonal patience. Fans of Part are endlessly fascinated by his ability to sound ancient and modern simultaneously, and this album exemplifies that unique quality. The title piece is for soloists, chorus and chamber orchestra. The rest of the album is heavy on strings — there’s a piece for string orchestra, and a piece for string orchestra joined by a string quartet.
68 Million Shades …
Spring Heel Jack
(Trade 2/Island U.K.) With its occasional tropical aura and the string-laden evocations of uptown frivolity, this album begs to be dismissed as party music when in fact it is an expertly produced, highly thoughtful, jazz-informed series of tunes by one of the most respected British electronic duos.
Heat (soundtrack) Various artists
(Warner Bros.) The music for a film directed by Michael Mann (Manhunter, Thief, TV’s Miami Vice) is as carefully selected as his casts (this little production featured Robert De Niro and Al Pacino facing off in a coffee shop) and as hyper-designed as his sets (he favors the romantic neon blue of modern film noirs). The score proper is by Elliot Goldenthal (Drugstore Cowboy, Interview with the Vampire, Alien3) and the compositions and licensed tracks include ambient contributions from Kronos Quartet, Moby, Michael Brook, Brian Eno, Lisa Gerrard, Einsturzende Neubauten and others.
(Mo Wax/FFRR) The title is meant ironically, since Shadow has been producing moody instrumental music since the early ’90s, but this album brought him a newfound audience for his blunted beats, with their echoes of surveillance technology, AM radio and old-school hip-hop.
Offbeat: A Red Hot Soundtrip
(WaxTrax!/TVT, 1996) Skylab, DJ Krush, Meat Beat Manifesto and others unite for AIDS-charity collection. Focus is on remarkable team-ups: Vocalists Mark Eitzel, David Byrne and (poet) Amiri Baraka meet, respectively, My Bloody Valentine, Tomandandy and DJ Spooky. Also, jazz traditionalists Christian McBride (bass) and Joey DeFrancesco (organ) meet DJ Krazy.
Feed Me Weird Things
(Warp) The British electronicist makes his full-length debut after a period of 12″ releases. A dozen tracks of errant drum’n’bass for folks who find Aphex Twin too airy and Photek too arid.
USSR Repertoire (The Theory of Verticality)
(Ninja Tune) An album that might give trip-hop a good name, with its porous layers of noise and rhythms, its loving echoes of hip-hop and an extended play time (over two-dozen tracks in all) that invites use as mood-inducing background.
The Magnificent Void
(Hearts of Space) One of the prolific American ambient master’s most elusive recordings — still, subdued, haunting.
Source Lab 2
(Source/Gyroscope, 1996) Little is readily available stateside from the French label Source; so this compilation is a rare taste of the trip-hop descendants of composer Erik Satie and chanteur Serge Gainsbourg, most notably Dimitri From Paris and Extra Lucid.
Note: Disquiet.com was launched in the fall of 1996, but updates to the site were only indexed as of May 30, 1999; thus, some of these earlier publication dates are approximations. Prior to 1996, versions of what eventually became Disquiet.com were housed on websites at Netcom.com and, before that, Calweb.com.
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5 Most Recent Posts
• February 6, 2019: First day of the new semester of the 15-week "Sounds of Brands" course I teach once a year at the Academy of Art in San Francisco.
• March 22, 2019: I'm giving a talk at the Algorithmic Art Assembly, two days of events in San Francisco: aaassembly.org.
• December 13, 2019: This day marks the 23rd anniversary of Disquiet.com.
• January 7, 2020: This day marks the 8th anniversary of the Disquiet Junto.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury, is now in its second printing. It has been translated into Spanish, and is due out soon in Japanese, as well. It can be purchased at amazon.com, among other places.
The Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 5 most recent weekly projects:
• 0367 / Trio Initiate / The Assignment: Record the first third of an eventual trio.
• 0366 / Ice Breaker / The Assignment: Record the sound of ice in a glass and make something of it.
• 0365 / 2018 Tracker / The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.
• 0364 / Casting Drones / The Assignment: Use dice to determine your slowly shifting tones.
• 0363 / Gymnopédie Rats / The Assignment: Make over Erik Satie's "Gymnopédie No. 1" in your chosen genre.
... And there is a complete list of past projects.
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