FB 50 is the second 3″ CD-ROM compilation from fals.ch. It consists mostly of MP3 files (Zbigniew Karkowski, Koji Asano and others), but also includes Quicktime and Shockwave activities, some applications, and a copy of the PDF file for the album’s cover art. It’s reported to work on PC, Mac, Linux and Unix platforms. Fals.ch is an online label whose website is purposefully obscurant, burying content deep in a maze of fragmented pages that make art out of your worst computer-error nightmares. The CD-ROM edition is more manageable, though its index screen’s tendency to switch colors and type size maintains a taste of the website’s visual impact. Merzbow, the Japanese noise unit, contributes a brief psychedelic video loop. Francisco Lopez appears in a video of a performance from the Electrograph Festival held in October 2001 (“recorded by Andreas Pieper on MiniDv using Sony PC-100e with nightshot[tm]”). An application by Atau Tanaka purportedly uses tracks from your computer, but it didn’t seem to function properly. (A file attributed to Gescom was likewise not recognized on two PCs on which the disc was run.) But the MP3 files all run smoothly, and range from manic exercises in digital disarray (Max Muster) to dark downtempo techno (Lutsch Symphonic Orchestra). More than just a set of listening material, the CD-ROM format, as envisioned by fals.ch, is a intriguing hands-on situation that lends a kind of tactile experience to a brand of music that tends to be abstract and disembodied.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• I pondered the word "orchestral" in my liner notes for the excellent new album Uprooted from Rotterdam-based Michel Banabila, released April 9, 2019.
• I had the great pleasure of being interviewed by Darwin Grosse for his excellent, longrunning podcast, Art + Music + Technology, and the episode went live on April 7, 2019: artmusictech.libsyn.com.
• I gave the opening talk on March 22, 2019, at the inaugural Algorithmic Art Assembly in San Francisco. I'll post a summary here soon, but for the time being, there's a great overview of the event at the website of cycling74.com, written by Tom Hall.
• I was on Vivian Host's Peak Time show (on Red Bull Radio) on March 11 to extol the timeless virtues of Aphex Twin's Selected Ambient Works Volume II, and related works. You can listen to a recording here: redbullradio.com.
• May 7, 2019: This day sees the release of Rob Walker's book The Art of Noticing: 131 Ways to Spark Creativity, Find Inspiration, and Discover Joy in the Everyday (Knopf), which has entries about the Disquiet Junto.
• May 22, 2019: Final day of the semester of the 15-week "Sounds of Brands" course I teach once a year at the Academy of Art in San Francisco. I post occasional updates here. Follow the tag #sounds-of-brands.
• June 23, 2019: There's a Disquiet Junto concert this Sunday at 8pm at Cabaret Berlin in Montréal, Quebec.
• December 13, 2019: This day marks the 23rd anniversary of Disquiet.com.
• January 7, 2020: This day marks the 8th anniversary of the Disquiet Junto.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
Most Recent Posts
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0385 / Audubonus Instrumentum / The Assignment: Imagine a fake instrument, and make music with it.
• 0384 / Breath Beat / The Assignment: Explore breath as a resource for rhythm.
• 0383 / Interstellar Ambience / The Assignment: Record the sound of an apartment on a large interstellar ship.
• 0382 / Understanding McLuhan / The Assignment: Remix samples of an interview with Eric McLuhan on his father and media theory.
• 0381 / Shared System / The Assignment: make music using a free software synth assembled by Scanner.
And there is a complete list of past projects, 384 consecutive weeks to date.
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Most Recent Comments
tuonela: "Ah yes, I was the doctor… if I can find/recall his password, I could be so again! "
Nick: "Play Music does the same thing when individual tracks have the same name – so if you have an EP with..."
Bob phillips: "Tracking aarset I came by disquiet :) nice reference links "
Rainer Burkhardt: "I got this book some days ago. I just read the page about you collecting sounds. So I looked for..."
Kent Sparling: "What an astute observation! Sadly, so true in my experience; many more people interested in..."