Scanner, aka Robin Rimbaud, regularly transforms field recordings into subtly rhythmic, often ethereal music. He’s uses everything from voices caught on surveillance equipment (hence his moniker) to tapes of Andy Warhol interviews (see his recent album, Warhol’s Surfaces). Five MP3 files that comprise a Scanner work titled Surface Noise are available for free download on his website (here); to access them, visit the site and click on the “MP3” tab on the site’s top bar. Scanner’s most common source material is the human voice, but for Surface Noise the sounds are field recordings from around London. Here’s how Rimbaud described the project: “Making a route determined by overlaying the sheet music from ‘London Bridge is Falling Down’ onto a map of London, I recorded the sounds and images at points where the notes fell on the cityscape. These co-ordinates provided the score for the piece and by using software that translated images into sound and original source recordings, I was able to mix the work live on each journey through a speaker system we installed throughout the bus, as it followed the original walk shuttling between Big Ben and St Paul’s Cathedral.” At the moment, the MP3 page on Scanner’s site also links to ubu.com, where four complete works he produced for BBC radio are archived (here).
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about
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Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
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Upcoming
• December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
• January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community. -
Recent
• April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
• March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
• December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
• January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
• December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.) -
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• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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disquiet junto
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Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
Recent Projects -
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• 0561 / Samplelicker / The Assignment: Rework environmental sound recordings with Aphex Twin's new software.
• 0560 / Sonic Disambiguation / The Assignment: Help the Wikimedia Foundation develop a sonic logo.
• 0559 / Yes Exit / The Assignment: Compose your personal entrance and exit cues for conference calls.
• 0558 / Chore Progressions / The Assignment: Use a routine activity as the map of a composition.
• 0557 / Condensation Is a Form of Change / The Assignment: Interpret a graphic score that depicts four phases. -
Full Index
And there is a complete list of past projects, 561 consecutive weeks to date. Archives
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