The following sign is posted at Amoeba Records on Haight Street in San Francisco, near the hip-hop section, apparently reporting the death of a genre:
All Acid Jazz (CD, LP, + cass) titles have been divided and moved to soul, jazz + electronica.
The following sign is posted at Amoeba Records on Haight Street in San Francisco, near the hip-hop section, apparently reporting the death of a genre:
All Acid Jazz (CD, LP, + cass) titles have been divided and moved to soul, jazz + electronica.
Victor Gama‘s album Pangeia Instrumentos is due out on October 20, 2003, from Rephlex Records, the label co-run by electronic-music star Aphex Twin. For the time being, all 12 of its tracks are downloadable as MP3 files (webpage) on the Rephlex site.
Additional information on Pangeia Instrumentos: It’s quite likely that the only thing “electronic” about this album is the recording equipment on which it was captured. This is an album of music made on acoustic instruments of Gama’s own design, after Angolan and other African tools, such as the kalimba, or thumb piano. According to the information at Rephlex’s promotional website, Gama’s instruments “can be played by two people at the same time, like a game.” Any time an act associated with the electronic-music community employs an instrument with the mallet-like piquancy of the kalimba, from Tortoise to Squarepusher, it provides a tasty symmetry. So much of minimalism, that static brand of contemporary classical music that prefigured today’s trance and ambient music, was informed by the Balinese gamelan studies of composers such as Lou Harrison and Steve Reich. Both sounds, the third world and the contemporary classical, resonate here, especially on a track titled “Meninos Anjos Desceram a Rua,” with its rapid pulsing and swelling. The Pangeia in the album’s title refers to the once great continent that subsequently divided into the continents that define our planet today. (This metaphor for reconciling seemingly distant musical genres was also employed by producer Bill Laswell for his album of remixes of Miles Davis’ electric work by DJs.) There’s an informative interview with Gama on a website called The Milk Factory, here. Note that the MP3 files on the Rephlex site are not in the same sequence as the tracks listed for Pangeia Instrumentos on the Warp Records site, where it is available for pre-order.
The online series Sine Fiction has released three new sets of MP3 files in its ongoing project, producing scores for classic science-fiction novels: Arthur C. Clarke‘s The Nine Billion Names of God, composed by Oeuf Korreckt (aka Frédrick Blouin); William S. Burroughs‘ The Ticket That Exploded, composed by A. Dontigny, who curates Sine Fiction; and Italo Calvino‘s Ti con Zero (or t zero, depending on your paperback edition), composed by Ellende. They’re housed on the home page of Sine Fiction (webpage), a project of the online label No Type (webpage).
The ninth entry from the Term label is Zeitraum, a set of three atmospheric files by the Japanese electro-acoustic quartet Minamo (webpage).
Newly available from the Red Antenna label, a five-minute MP3 song, “Anemone” — the slightly groovy title track from the new album by the electro-acoustic indie-electronic duo Tomorrowland (file).