The loopdiary.com website collects a fairly steady schedule of guitar-based soundscapes, 20 so far this year by a single musician who goes by the name Disproduction. These are loops, but not loops as in brief presets that you can download and use as patterns in your home audio-production setup. No, these are long-form loop-based performances, in which sounds recur repeatedly, over an extended duration, overlapping with themselves and their derivations, and develop a sleepy realm of aural ghost images. How long is long-form? Two thus far clock in at over 10 minutes. Disproduction describes them as follows: “Semi-ambient guitar improvisations using a single guitar, various effects and long recurring delays. … Sometimes referred to as ‘frippertronics’, these pieces are minimally edited, nominally processed, and likely uninteresting.” That’s an accurate description, aside from the “uninteresting” line. Particularly recommended are “03.12.05a,” which has a nearly vocal effect in its silk-thin harmonies, and the more evidently guitar-produced accents of “03.21.05a.” Among the more dissonant entries are “02.02.05a.mp3,” which highlights a more varied number of contrasting elements than do most of the pieces here, and “03.08.05b.mp3,” which milks what appears to be a particularly tangy alternate tuning. The site’s homepage appropriately features a mythological beast eating its own tail.
5 Most Recent Comments
jimmy kipple: "Rubber stamp! You going full mail art in ’19?? ;) "
Michael Ross: "Thanks for the shout out Marc "
Martin: "I just fell over this article while browsing about disquiet. Thanks a lot for the write up. Nice to know..."
Jason Richardson: "Thanks for all the ideas and the wonderful community you’ve created. "
Patrick: "Hi Marc, I was looking at the RR-830, did you get the loops to play nonstop on it? Or did you find..."
5 Most Recent Posts
• February 6, 2019: First day of the new semester of the 15-week "Sounds of Brands" course I teach once a year at the Academy of Art in San Francisco.
• March 22, 2019: I'm giving a talk at the Algorithmic Art Assembly, two days of events in San Francisco: aaassembly.org.
• December 13, 2019: This day marks the 23rd anniversary of Disquiet.com.
• January 7, 2020: This day marks the 8th anniversary of the Disquiet Junto.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury, is now in its second printing. It has been translated into Spanish, and is due out soon in Japanese, as well. It can be purchased at amazon.com, among other places.
The Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 5 most recent weekly projects:
• 0367 / Trio Initiate / The Assignment: Record the first third of an eventual trio.
• 0366 / Ice Breaker / The Assignment: Record the sound of ice in a glass and make something of it.
• 0365 / 2018 Tracker / The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.
• 0364 / Casting Drones / The Assignment: Use dice to determine your slowly shifting tones.
• 0363 / Gymnopédie Rats / The Assignment: Make over Erik Satie's "Gymnopédie No. 1" in your chosen genre.
... And there is a complete list of past projects.
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