Juju Mega-Remix MP3 (Oh No vs. Plunky Branch)

Indie hip-hop figure Oh No has provided an album-length podcast for the Stones Throw label (stonesthrow.com/jukebox), in which he mixes up various afro-jazz tracks from the group Oneness of Juju, led by prolific saxophonist Plunky Branch. It’s a rough mix, with occasional gaps between tracks, and noticeable delay in some of the beatmatching, but Dr. No knows well that the rhythmic intensity of juju that characterizes Branch’s music — the shuffle beats, the way single melodic elements sit aloft above the mechanistic patterns, the subtle shifts in texture — lends itself well to DJ techniques (MP3). More on Branch at plunkyone.com and on Oh No at both stonesthrow.com/ohno and myspace.com/ohnodisrupt.

For future reference, should the podcast listing disappear from the Stones Throw site, here is the track listing provided: 1. “3B,” 2. “Carving,” 3. “Wawa,” 4. “Carving Again,” 5. “A Call to Arms,” 6. “Time Iz Now,” 7. “Twoness of Juju,” 8. “Ooo Ow,” 9. “Keys,” 10. “Following,” 11. “Funk U Very Much,” 12. “Harmony,” 13. “Something in the Air,” 14. “Morning Alarm,” 15. “Santesana,” 16. “Get Up,” 17. “Wap,” 18. “Juju March,” 19. “Funkier than Wood,” 20. “All Ahhs on Me,” 21. “Giiiiive,” 22. “African Chant,” 23. “Onnon,” 24. “River Rhythm,” 25. “Bogged Down.”

Heavy Rotation: Cliff Martinez’s Latest Score, J. Rawls’s Beat Fusion, DJ Baku’s Overture

What I’ve been most focused on, listening-wise, this past week:

(1) A Late Winter: First Snow, the Guy Pearce film, came out about a year ago, but Cliff Martinez‘s score only saw release last week, at least according to iTunes, which lists the release date as June 10, 2008. The score’s 20 tracks of intimate yet abstract soundscapes, with occasional moments of traditional instrumentation, are of the sort that have earned previous Martinez scores, notably that to Steven Soderbergh’s Solaris, a dedicated following. According to iTunes, the record label for the score is YFG Records, LLC. That would be the Yari Film Group, which released First Snow. The film was directed by Mark Fergus, who wrote the screenplay to Children of Men.

(2) Live Beats: A new single by J. Rawls takes one of the great instrumental hip-hop tracks, the backing music to the Beatnuts‘s “Off tha Books” (off the 1997 album Street Crazy), and refashions it with sinewy live instrumentation. It’s a jazz fusion hybrid of hip-hop that Rawls has practiced previously, but fortunately none of the slickness that marked his 2006 album The Liquid Crystal Project is heard here. The flipside of the new single pays similar tribute to Da Beatminerz. The tracks are available on a 7″ single (titled “A Tribute to the Beatnuts/ A Tribute to Da Beatminerz”) from Polar Entertainment.

(3) Calm Before the Drums: The recent album Dharma Dance (Popgroup) by Japanese beat figure DJ Baku is a little heavy on the rock’n’roll, a little tight to the 4/4, but the opening track, simply titled “Intro,” elegantly layers street noise, orchestral overtones, and distant piano to rich effect, slowly building over the course of its brief but detailed minute-and-a-half length.

Quote of the Week: Surf Advisory

From the San Francisco Chronicle review of the documentary film Surfwise:

Advisory: This film contains profanity and strong sexual material and a really unfortunate industrial electronic tune that sounds too much like Greg Brady covering a Nine Inch Nails song.

The film was directed by Doug Pray. The review (at sfgate.com) is by Peter Hartlaub. I haven’t seen Surfwise yet, so I’m not sure which song among those listed at movies.yahoo.com is the offending one. The quote reminded me that there’s some elegant Erik Satie, “Trois Gymnopedies,” in an earlier surf film, Riding Giants (2004) directed by skateboard figure Stacy Peralta (Dogtown and Z-Boys), and the performance was by Peralta’s son, Austin Peralta, who must have been about 13 or 14 years old when the track was recorded.

Aaron Ximm Transmuted Travelog MP3

On Turns in the South, his recent two-CD set, Aaron Ximm delivers raw and filtered documentation of his travels. The highlight is a 40-minute track titled “Madurai Mani Fold” (MP3). Described by Ximm as an “epic of introspection,” it is an exercise in minimalist process. The lengthy track is built from but a mere few seconds of a recording he made in India. The piping sounds, which gain momentum, only to occasionally relax, over the course of the piece bring to mind the linear chords of Philip Glass’s instrumental compositions and the pulsing work of Steve Reich. It’s one of four tracks on the album, all of which are available for free download at Ximm’s website, quietamerican.org.