A Highpoint Lowlife EP released earlier this year collected three mixes by two artists of work by Fisk Industries. The one by Brassica (“Blood,” MP3) is thuddy and tautly wired, though the chirping electronics and undanceable dance beats sound at time a bit too much like Warp records of days gone by. Worth focusing on are the pair by Yard, two versions of Fisk’s “Crowley.” A dub version (MP3) achieves exactly that, stretching the original as if atop a frame drum and letting it reverberate for close to eight minutes; it’s a delectably sedate affair. The other Yard edit (MP3) starts off even more quietly, just whisps of rarified noise — so much so that when the club beats do kick in, close to two minutes into the mix, it’s almost a disappointment, the sort of generic rhythms heard emanating from bars in any mid-size city on a Friday night; but listen closely — there’s more at work here than just weekend background music. Yard threads ghostly shadows through the mix, in a manner that undercuts the chunka-chunka vibe and, in effect, brings into the foreground the sort of slight sounds with which the cut opens. More info at highpointlowlife.com.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• August 15 - September 15, 2019: The Disquiet Junto is teaming up with Musikfestival Bern for a series of projects.
• August 29, 2019: This day marks the start of the 400th consecutive weekly Disquiet Junto project. It will be a collaboration with the novelist Malka Older.
• December 13, 2019: This day marks the 23rd anniversary of Disquiet.com.
• January 7, 2020: This day marks the 8th anniversary of the Disquiet Junto.
• March 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
Most Recent Posts
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0398 / Rauschen Bern / The Assignment: Make music by making a collage of noises.
• 0397 / Numbers Racket / The Assignment: It's 808 Day. Do it up.
• 0396 / Front Page / The Assignment: Make music with by humming a song and then processing the humming.
• 0395 / Acoustic Expanse / The Assignment: Make music with (samples of) the biggest guitar in the southern hemisphere.
• 0394 / You & Me / The Assignment: Accompany the music made by a species other than your own.
And there is a complete list of past projects, 398 consecutive weeks to date.
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Most Recent Comments
Mahlen: "Regarding the Android comment: as you say, simultaneous audio is clearly already possible in Android. The..."
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