Orwellian MP3

The coast is noisy. The wind rattling against the microphone just adds to the cacophony (MP3). There may be a chime in the distance, as well as a dog barking, and the overall effect is a feeling of the absence of humanity — that you’re alone in the world.

The mode is Orwellian, though not in the traditional sense. “Orwellian” brings to mind visions of surveillance, as well as the claustrophobic embrace of bureaucratic tyranny. Here, in this MP3, the sound is literally Orwellian, for it was recorded near the former Isla Vista, California, home of the late George Orwell, author of, among other things, Animal Farm and Nineteen Eighty-Four.

The release, titled George Orwell’s Glass House, is credited to Environments, which consists of Will Long and Danielle Baquet-Long, both members of the group Celer. As the brief liner note to Glass House humorously states, “The recording was made in between the house (front cover [pictured above left]) and the ocean (back cover).”

Perhaps the metaphorical Orwellian overtones aren’t so much inappropriate as they are redundant. In our world of layperson geocoding (see Orwell’s home, via satellite imagery, below), there’s nothing particularly eerie about the mix of trespassing, both physical and metaphysical, inherent in this venture.

Get the full release, including album art, at the restingbell.net netlabel. More on Celer at artificialcolors.blogspot.com.

Images of the Week: Norwegian Piksels

The Bergen, Norway, gallery Lydgalleriet is hosting part of the Piksel 08 festival, including the work below by (top) Jan Carleklev (carleklev.se) and (bottom) Loud Objects (aka Tristan Perich, Kunal Gupta, and Katie Shima; loudobjects.com):

More info at the gallery’s website, lydgalleriet.no, and at piksel.no. The show runs through December 23.

Quotes of the Week: DS Generation Gap

Overheard statement in a conversation between two teenagers on the Geary 38 bus in San Francisco earlier this week:

    “Dude, I’ve never seen this many adults with DSs on the bus before. There must be, like, some new game the adults like.”

And, in a useful counterpoint, there’s this Twitter post yesterday by Merleon Cedraeon (at twitter.com/Merleon_C):

    “I am missing Electroplankton. I must get my hands on another copy of the non-game soon!”

Slow-Burn Guitar Quintet MP3s

Following a coy opening chord, “Funnel Cloud” (MP3) by a guitar quintet that goes by the name the Family Tapes quickly descends into details of the instrument that rumble below the familiar techniques — in the absence of strumming and finger-plucking, what’s left are feedback, drones, squelches, tactile noises, and pizzicato pulsing. The Tapes are Alfredo Genovesi, Jeroen Kimman, Jasper Stadhouders, Raphael Vanoli, and Mark Morse, the latter better known to Disquiet.com readers as (dj) morsanek, a participant in the Brian Eno/David Byrne remix collection Our Lives in the Bush of Disquiet. Together they create an admirably restrained sense of ensemble, a mix of distinct sounds that seems, from the distance provided by a recording, easily imaginable as the work of just one individual, alone with a guitar, a toolbox, an amplifier, and perhaps some simple looping technology. The overall sense is that each of the five members of Family Tapes, aware of the energy potential inherent in a guitar, is holding back, so as not to overwhelm the others. And the resulting detente is therefore just as full of tension as it is of quietude.

More at morsanek.blogspot.com and subdist.com/familytapes.

Monolake-Ahern Termulator X MP3 (Belgrade 2008)

Over at monolake.de/downloads, Robert Henke continues his free-download series — updating it regularly, despite his numerous distractions, such as touring minimal-techno clubs, creating sound-art installations, and serving as part of the Ableton Live audio-software development team.

The latest MP3 is a half-hour live performance (Dis-Patch Festival in Belgrade, Serbia, October 18, 2008) under the moniker Termulator X, the name a computer-music pun on the old Public Enemy DJ. Termulator X teams Henke (better known as Monolake) with Jay Ahern. Once upon a time, a duo performance might mean something with chamber-music efficiency, like piano and cello, but in these multitasking times, the two perform on a veritable symphony’s worth of equipment: Ahern (Roland TR 808 Rhythm Composer, Roland TB 303 Bass Line, MIDI Clock & Panic Button, Master Sync), Henke (Effects, Filters, Processing and Mixing, Monome / MAX Step Sequencer, Physical Modeling Feedback Horn Instrument, Software Synthesis Engine).

Despite the heavy tech, the track is a rarefied treat, built on terse, pneumatic percussion and laced with light, tremulous synth pulses. Even as it builds over time — and build it does, from dessicated chatter to a rampage of electrons — it retains an arid, stripped-bare core (MP3). One note of relative caution. The track was compressed at a generous 320kbps, making the file over 70mb.

The performance was previously broadcast last month as part of Mary Anne Hobbs’s BB1 show (bbc.co.uk/radio1, maryannehobbs.blogspot.com).