1:15 of Heavenly Reverberants by Oo-Ray (MP3)

The latest free download from Oo-Ray (aka ambient-leaning, feedback-laden, shoegazing, halo-burnishing cellist Ted Laderas) is a heavenly slice of repeatedly cycling strings and voice. It’s just over a minute long, but with its taut, plaintive line, and the rapidly scintillating fuzz of its instrumental bed, it’s an eminently loopable bit of background haze.

The file was first uploaded to Laderas’s 15people.net website. It is served via the Soundcloud service, which doesn’t allow me to place the file in the standard Disquiet audio player, but does provide its own embeddable version:

The brief write-up refers to the piece as pixelated guitar, so perhaps for once Laderas has put aside his trademark cello, but more likely he’s just describing the suggestive sonic end result of his thick, ambiguous, resonant processing. (Full disclosure: I wrote the liner notes to Laderas’s recent Luvsound release — see luvsound.orgMagnifications.)

Durán Vázquez’s Terror Film for Radio (MP3)

Thinking of radio, Durán Vázquez seems to have thought of the uninvited — the sounds, news, noise, and thoughts that enter our lives. For a 2008 work for the RadiaLX radio festival, he took as his source, film and news souces, including Zeitgeist by Peter Joseph (2007), Imprint by Takashi Miike (2006), Le Monde Selon Bush by William Karel (2004), Hellraiser by Clive Barker (1987), and Rosemary’s Baby by Roman Polanski (1968). Those sounds, mixed with English and Spanish repoting on war and terror, reveal the fantastical fears that underlie everyday concerns — more to the point, the exaggerated anxiety that underlies the modern sense of constant warfare. More details on his “Terror Film for Radio” (MP3) at cronicaelectronica.org.

[audio:http://download.cronicaelectronica.org/cronicast047.mp3|titles=”Terror Film for Radio”|artists=Durán Vázquez]

Top 10 Posts from May

The relative popularity of the top 10 posts of May 2009 was fairly close, but it’s fascinating (at least to me) that tied for the most popular was (1) a list of recent Twitter posts from my twitter.com/disquiet account. They’re collected automatically each Saturday afternoon, and I set up the system purely for the sake of completion (i.e., compiling those one-off, 140-character-tops posts here).

Tied with it for popularity was (2) the second of two “MP3 Discussion Group” get-togethers I hosted this month, the one on John Hassell‘s recent album Last Night the Moon Came Dropping Its Clothes in the Street. (The other discussion was on the recent Burial/Four Tet 12″, but it didn’t make the top 10.)

Four of the site’s week-daily MP3 recommendations made the top 10: (3) a 1.5-hour mix of hip-hop renderings of Sun Ra pieces, (4) a DJ /rupture track created for the magazine Esopus, (5) some noise improv MP3s from China, and (this makes me especially happy, because I love this song) a (6) splendid folktronic gem by UV (aka Matthew Stenning).

That leaves four field-notes news reports (in addition to that Twitter one, up top) to round it out: (7) one collecting Richie Hawtin‘s Twitter DJing, news on Nam Jun Paik, and Cory Doctorow‘s excellent definition of “geek”; (8) one on a remix-thesis-turned-website and museum music; (9) a bit about a Raster-Noton exhibit in Manhattan; and (10) a Wacky Packs take on Grand Theft Auto.

I’m typing this from London, where I’ll be through the week. It’s almost 11am here, and it’s almost 3am back home in San Francisco.