In a clear case of more allowing for less to occur, the team-up of powerhouses Karlheinz Essl and Hans Tammen is a rich improvisation between the former’s laptop and the latter’s computer-processed guitar. To listen is often to hear neither, and to forget frequently that anyone, let alone two people, is playing. The opening track, “Brutz,” is often little more than flittering nuances. The guitar evaporates in the laptop’s processing, and the dual computers yield slivers of sound, drones that might just be the result of an ungrounded line, effects that could be artifacts in the sound recording. There’s a moment, for example, in a track titled “Prelock” when it sounds as if we’ve left the concert hall (the work was recorded live at Harvestworks in New York City back in May 2010) and wandered down to the subway. Elsewhere, there’s a point in “Nomisola” when piano chords are heard, but they drift away, subsumed in the nether-absence of obfuscating noises and general compositional entropy. Later, in the same track, what might be a guitar chord but resembles an archival orchestral recording gets tossed here and there like seaweed as it nears a shore, where it will soon dry and, soon enough, flutter away.
5 Most Recent Comments
audio pervert: "Try listen to albums like it was … Instead of chasing mindless playlists as background muzak. "
Michi: "I love the artwork. Great guitar picks "
Ian Joyce: "Beautiful as this is to listen to at home – her performance in person is totally absorbing. Her..."
Jens Alfke: "Has anyone made a mirror of this playlist on Apple Music? If not, maybe I will… (i know I can..."
Jason Richardson: "Nice. Reminds me of Barbara Bartos’ soundscape instrument, see https://vimeo.com/barbarab..."
5 Most Recent Posts
• January 2, 2018: This day marks the 6th anniversary of the Disquiet Junto.
• February 7, 2018: Start of the semester for the course I teach on the role of sound in the media landscape at the Academy of Art in San Francisco.
• December 13, 2018: This day marked the 22nd anniversary of Disquiet.com.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury, is now in its second printing. It can be purchased at amazon.com, among other places.
The Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 5 most recent weekly projects:
• 0345 / Sample Time / Make your own drum machine sounds, do something with them, and share them.
• 0344 / Careful Symmetries / The Assignment: Explore palindromes in musical form.
• 0343 / Big Pun / The Assignment: What does a musical pun sound like?
• 0342 / In Sea / The Assignment: Record a piece of music in tribute to Terry Riley's In C using only samples of water sounds.
• 0341 / Sample Forensics / The Assignment: Place a fragmentary sample into a natural-seeming setting.
... And there is a complete list of past projects.
Tags8-bit app audio-games brands of sounds chiptune classical comics copyleft field-recording film forum-digger free free download gadget generative i-hop IFTTTgram installation ios ipad iphone ipod ipod touch junto live-performance modular netlabel noise recommended stream remix rock saw2for33third science-fiction score site-maintenance software sound-art sounds-of-brands studio journal this week in sound turntablism TV video video-games voice