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Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

LX(RMX) / Lisbon Remixed

Sounds of the city reconstructed by 8 (or 16?) musicians inspired by Álvaro de Campos, a heteronym of Fernando Pessoa

Featuring music by Steve Roden (aka In be tween noise), Pedro Tudela (aka Johnny Days), Robin Rimbaud (aka Scanner), Kate Carr (aka The Frigatebird), Shawn Kelly (aka Y?Arcka), Marielle V. Jakobsons (aka darwinsbitch), Paula Daunt (aka Agnosie), and João Ricardo (aka OCP), all working from a shared set of sounds collected and constructed by Elvis Veiguinha. Veiguinha’s field recordings originally served as the score for an installation of photos of modern urban Lisbon by Jorge Colombo.

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. . . . .

The full album is available for free download as a ZIP archive of MP3s, and as individual files, at freemusicarchive.org.

A 16-page PDF including images from the exhibit of Jorge Colombo’s photographs, Lisbon Revisited, that inspired this project is available for free download from archive.org.

Below are some of those photographs.

. . . . .

Heteronyms Reconsidered

Unlike Walt Whitman, Fernando Pessoa may not have contained multitudes, but he had a tidy set of alter-egos. He wrote under a variety of names, each with a unique biography and aesthetic. These alter-egos are referred to as “heteronyms,” and among them was Álvaro de Campos, whose poetry inspired Jorge Colombo’s photography exhibit, Lisbon Revisited, which in turn inspired this compilation album.

Heteronyms–in the form of pseudonyms and monikers–are commonplace in electronically manipulated music. Matters of identity are routinely amplified and distorted by various factors: by the semi-anonymity inherent in online communities, by the rampant splintering of genre taxonomy, by the manner in which authorship is complicated by reliance on third-party (and often emerging) technology, by the prevalence of sampling and remixing.

In tribute to Pessoa and Campos, eight electronic musicians were commissioned to explore the sounds of the city of Lisbon, as well as the creative opportunity inherent in the concept of the heteronym. The eight musicians and their eight adopted heteronyms each took a single shared sound source and created from it sixteen new audio works. The shared sound source is an ambient soundtrack of field recordings of urban Lisbon created by Elvis Veiguinha for the installation exhibit of Colombo’s photographs. This project gave each participating musician the opportunity to explore not only the sounds of the city, but also their own internalized multiple viewpoints.

Marc Weidenbaum
disquiet.com/lx-rmx

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Hometown Revisited

In January 2009–just a few weeks before I started finger-painting NYC on an iPhone–my exhibition Lisbon Revisited opened at Casa Fernando Pessoa, a museum in Lisbon, Portugal. Based on the early 20th century poems by Portuguese poet Pessoa (writing under the name Álvaro de Campos), the show consisted of Lisbon photographs of mine in which I tried to forget all personal associations and memories of my hometown, focusing instead (like Pessoa/Campos, a fervent futurist who worshipped the splendors of Progress) on the most contemporary, most technological, most globalized aspects of my hometown. I shot today’s Lisbon like Campos would have, were he not a fictional poet stuck in he 1920s.

The exhibition’s soundtrack was created by Elvis Veiguinha, a Portuguese sound artist, music producer, and filmmaker, who used his recordings of Lisbon’s aural atmosphere. Meanwhile, in San Francisco, Disquiet’s Marc Weidenbaum has been forever perceiving Pessoa as a 21st century artist who happens to be have been dead since 1935. Veiguinha’s soundtrack became the natural link to revisit Pessoa’s Lisbon through the more recent vocabulary of remixing.

Jorge Colombo
jorgecolombo.com

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Track Listing

  1. “i’m wrapped by it as by a fog” by Steve Roden (aka In be tween noise)
  2. “i have in me like a haze” by In be tween noise (aka Steve Roden)
  3. “Falha” by Pedro Tudela (aka Johnny Days)
  4. “RYLY” by Johnny Days (aka Pedro Tudela)
  5. “Marginal Notes” by Robin Rimbaud (aka Scanner)
  6. “A Heart Wound Like Clockwork” by Scanner (aka Robin Rimbaud)
  7. “Sing, Sing On for No Reason” by Kate Carr (aka The Frigatebird)
  8. “Noone Wonders What Lies Beyond My Local River” by the Frigatebird (aka Kate Carr)
  9. “The Magic in the Music” by Shawn Kelly (aka Y?Arcka)
  10. “A Working Plain” by Y?Arcka (aka Shawn Kelly)
  11. “the squealing of rats and the squeaking of boards” by Marielle V Jakobsons (aka darwinsbitch)
  12. “last remnants of a final illusion” by darwinsbitch (aka Marielle V Jakobsons)
  13. “In Praise of Absurdity” by Paula Daunt (aka Agnosie)
  14. “Prelude for a Lost Disguise” by Agnosie (aka Paula Daunt)
  15. “Paz” by João Ricardo (aka OCP)
  16. “Desassossego” by OCP (aka João Ricardo)
  17. “Original Installation Field Recordings” by Elvis Veiguinha

. . . .

More About the Contributors

Steve Roden & In be tween noise: inbetweennoise.com

Pedro Tudela & Johnny Days: pedrotudela.org

Robin Rimbaud & Scanner: scannerdot.com

Kate Carr & The Frigatebird: soundcloud.com/katecarr

Shawn Kelly & Y?Arcka: arckatron.us

Marielle V. Jakobsons & darwinsbitch: mariplasma.com

Paula Daunt & Agnosie: pauladaunt.com

João Ricardo & OCP: ocp.pt.vu

Elvis Veiguinha: vimeo.com/elvisveiguinha

. . . .

A Disquiet.com Project February 2012

Commissioned by Marc Weidenbaum

Audio Assistance by Taylor Deupree

Photography by Jorge Colombo (jorgecolombo.com)

Design by Boon Design (BoonDesign.com)

This release is licensed/ Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0).

Tags: , , , , / Comment: 1 ]

One Comment

  1. Charles Hatfield
    [ Posted February 19, 2012, at 10:42 pm ]

    A very cool project, Marc, thank you. Hypnotic!

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  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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