A Split Second Before the Funk (MP3)

“Goobs en Regalia” by Craque is several things. It’s a single individual improvising on a synthesizer. It’s a standalone track by a musician who’s released enough full-length collections to know the unique pleasures of the online single. And, at various times throughout, it’s the sound of something rhythmic and tasty a split second before it kicks in. The improvisations that Craque performs are a mix of gurgling tones and snatches of fuzzy static. The one-sentence liner note describes it as follows: “A bit of an excursion through the twisted roots of what’s through us.” The playing regularly ekes out these memorable little segments, like an avant-garde performance built entirely from fragments of pop music. Numerous among them have the sound of a proper riff in the process of winding up, but they rarely if ever repeat often enough to take on any sort of compositional solidity, at least until the very end when a blippy rhythm is allowed to continue at some length. Many of them in the process of winding up sound like they’re about to unleash some serious funk, like the gurgling is about to congeal into a serious beat. It never happens, which is no failure; that sense of tantalization is a core part of the track’s pleasure.

More on Craque at craque.net. Track originally posted for free download and streaming at soundcloud.com/craque.

Disquiet Junto Project 0008: “Giving Voice”

The Assignment: Rework a spoken-word recording of Benjamin Franklin’s autobiography.

Each Thursday evening at the Disquiet Junto group on Soundcloud.com a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership to the Junto is open: just join and participate.

The eighth project in the Junto series was the first to actively employ voices. Voices had appeared in some of the earlier projects, but entirely at the decision of an individual musician. Here, words were the subject.

The assignment was made late in the day on Thursday, February 23, with 11:59pm on the following Monday, February 27, as the deadline. View a search return for all the entries: disquiet0008-voice. As of this writing, there are 51 tracks associated with the tag.

Here are the instructions that were presented to members of the Disquiet Junto:

Disquiet Junto Project 0008: Giving Voice

Instructions:

Deadline: Monday, February 27, at 11:59pm wherever you are.

Plan: The eighth Junto project is the first to focus on the human voice. It is a shared-sample project. Everyone will work from roughly the same source material, though there are choices to be made. You will select a single sentence (or extended, self-contained clause) from The Autobiography of Benjamin Franklin. It is Franklin’s own Junto Society that provided the name for our association. You will either extract the single sentence/clause from this public-domain recording of Chapter 11 from the book:

archive.org

Or you will record your own version of a sentence/clause of your choice (again, as long as it is from Chapter 11). The free text of the autobiography is available here — the link goes directly to the 11th chapter:

gutenberg.org

Whether you use the provided MP3 or you elect to record a section yourself, you will use that recording as the sole audio source material in your work. You can do with it as you wish — cut it up, slow it down, process it, otherwise transform it — so long as at some point, the sentence/clause is comprehensible to the listener. You will not add any other sounds.

Length: Please keep your piece to between two and five minutes in length.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0008-voice”in the title of your track, and as a tag for your track.

Download: As always, you don’t have to set your track for download, but it would be preferable.

Linking: When you post the track, please include this information if you use the MP3:

The underlying vocal sample is from this public-domain recording of The Autobiography of Benjamin Franklin, from LibriVox:

archive.org

And use this information if you record your own sentence from Franklin’s book:

Text made possible thanks to:

gutenberg.org

And either way, please include this:

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto

Many of the participants opted to use the MP3 from the public domain recording of the autobiography, while some did employ an original recording of the text, and at least one participant uses a text-to-speech software approach. Particularly effective were tracks in which the musicians emphasized the meaning of the spoken text, and several singled out sentences in which the word “Junto” appears (Franklin’s Junto is the society from which our Junto takes its name).

As an additional side benefit of the project, many of the participants saw fit to rework portraits of old Franklin, with particular attention paid to his various likenesses that have adorned the $100 bill. The images up top are just four examples. They originate in tracks by, clockwise, from upper left: Matt Nix, Naotko, Stringbot, and DJ Kaboodle.

Past Week at Twitter.com/Disquiet

Disquiet Helps Inaugurate New Soundcloud Podcast

In which we discuss community organization as a form of curatorial practice


Yesterday, the great sound-hosting service Soundcloud.com posted a 15-minute podcast in which Jami Welch interviewed me about various Disquiet-related projects, in particular the Instagr/am/bient collection, and the ongoing Disquiet Junto projects.

As of now, the podcast has had over 4,000 listens, which is a rewarding experience. It is helping to get word out about all the amazing work that the contributors to these projects have produced — and, perhaps, expanding the participatory base for the Junto:

Welch is himself a musician. He records as Seams, and he participated in the sixth Junto project, in which people were asked to remix the sound of three archival Edison cylinders (in his case yielding the track “Ebb”). He brought this personal experience to the conversation. (He also tweeted about the production process of the podcast audio, including at one point linking to a screenshot of his efforts.)

It turns out, our conversation was the first in a new podcast from the service, called SoundCloud Speaks. Welch asked great questions. Perhaps the most intriguing thing he said, though, came in the form not of a question but an observation, when he mentioned how there was a “narrative” to the Disquiet Junto. He’s quite right about that. For all the extent to which the individual projects are intended to stand alone, there are various threads connecting them. One of the enjoyable challenges of organizing the series is sorting out what sequence of projects will be most rewarding for the participants and a broader range of listeners.

The podcast is housed on two pages: on the company’s blog.soundcloud.com page, and on its soundcloud.com/community-team page.

Junto at Hilobrow.com

In which she decodes the predictions inherent in Benjamin Franklin's original Junto


Peggy Nelson at hilobrow.com has produced a thoughtful and highly appreciated overview of the weekly Disquiet Junto series of music assignments, which are hosted at soundcloud.com.

She intersperses pairs of recordings from various Junto assignments in order to highlight contrasts in response to the same instructions and source material. And in between these pairings, she inserts descriptions of the Junto’s broader concerns. She touches on Benjamin Franklin, whose own Junto loaned its name to our endeavor, and has kind words regarding the open nature of participation in our modern version.

And she drops this excellent insight:

“A social club dedicated to mutual improvement”might be a #TweetsOfOld description of remix culture, if we extend social into media and networking, and aim improvement at the artworks instead of their makers. Exchanging leather aprons for a screen and mouse, Disquiet Junto is a fresh update on an old, but still very much alive and relevant, idea, applying social and improvement to music remixing.

Variations on the phrase “social club dedicated to mutual improvement”are routinely associated with Franklin’s Junto, based on phrasing originating in his autobiography. I’ve been employing it myself when talking about the origins of the term. What Nelson does is great. She unpacks the phrase. She locates within the word “social” a premonition of social media, and matters even broader than social media: the modern, digitally enabled network culture that characterizes creative life on the Internet. From “improvement,” Nelson notes the sense of iterative development inherent in the sequential and recombinant essence of remixing. That is, in brief, some excellent cogitation.

At the end of her piece, Nelson thanks twitter.com/lrjp for “additional music reporting,” so I will as well. Read the full piece at hilobrow.com. Follow Nelson on Twitter at twitter.com/otolythe. And read at theatlantic.com how she got her “otolythe” moniker. It involves hearing and physiology and little fish and the evolution of self-identification on the Internet.