New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Monthly Archives: September 2014

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Installation underway for a piece I developed for the San Jose Museum of Art.

Cross-posted from instagram.com/dsqt.
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Morton Feldman, Crate Dug

A beat built from the composer's "Triadic Memories"

An instrumental hip-hop beat crafted from a snatch of “Triadic Memories” by the late composer Morton Feldman, who is beloved for his extended and extravagantly silent music? Why yes, thank you. This is “Memory” by Bstep. It’s barely a minute in length and takes a single, five-note segment — a splinter, really — of Feldman’s celebrated solo piano work, and then lays it above a spare metric pulse. The added beat is so spare, so old-school, it might have been something that Feldman, who died in 1987, heard during a visit to Manhattan for a concert premiere in his later years. What makes “Memory” work is how it teases out of that final note of the five-note figure a thin wisp of sound that then lingers over the beat like a fog.

Track originally posted for free download at soundcloud.com/benstepner. More from Bstep, aka Ben Stepner, at twitter.com/bstepbeatz.

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An ongoing series cross-posted from instagram.com/dsqt


Detail of one of four posters (by Boon Design) for the sound course I teach.

Cross-posted from instagram.com/dsqt.
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Disquiet Junto Project 0143: Tuning the Hood

The Assignment: Play a live duet with the world outside your window.

20140925-window

Each Thursday in the Disquiet Junto group on SoundCloud.com and at Disquiet.com, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate.

For the duration of the project new tracks will be added to this playlist:

This assignment was made in the evening, California time, on Thursday, September 25, with 11:59pm on the following Monday, September 29, 2014, as the deadline.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0143: Tuning the Hood
The Assignment: Play a live duet with the world outside your window.

The steps this week are straightforward, and fairly open-ended. You’ll be recording a live performance of between two and five minutes.

Step 1: Choose a single musical instrument that you feel comfortable performing on solo for an extended period of time.

Step 2: Position yourself near an open window.

Step 3: You’ll be recording your performance, as well as the sounds outside your window. Position the microphone in a manner so that, to whatever extent possible, the outside is at a volume level somewhat equal to that of your instrument. This might best be accomplished by using two microphones simultaneously, and adjusting the volume after the performance and recording process are complete.

Step 3: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 4: Listen to and comment on tracks uploaded by your fellow participants.

Deadline: Monday, September 29, 2014, at 11:59pm wherever you are.

Length: Your finished work should be between two and five minutes in length.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0143-tuningthehood” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 143rd Disquiet Junto project — “Play a live duet with the world outside your window” — at:

Disquiet Junto Project 0143: Tuning the Hood

More on the Disquiet Junto at:

https://disquiet.com/junto

Join the Disquiet Junto at:

Disquiet Junto general discussion takes place at:

https://disquiet.com/forums/

Photo associated with this project by Takashi M and used thanks to a Creative Commons license:

at the window

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via instagram.com/dsqt

An ongoing series cross-posted from instagram.com/dsqt


Unintentional glitch is the best glitch. Setting up Ello account.

Cross-posted from instagram.com/dsqt.
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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

    Recent Projects

  • 0554 / Cage Chord / The Assignment: Riff on a chord by John Cage.
    0553 / Break That Cycle / The Assignment: Record in a steady tempo but break it on occasion.
    0552 / The Radio in My Life / The Assignment: Record music in response to a John Cage and Morton Feldman conversation.
    0551 / The Bends / The Assignment: Get less strict about something you're strict about.
    0550 / Abrupt Probability / Make music based on a chance graphic score.

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