New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Monthly Archives: October 2014

New Album from Makers of Buddha Machine

Sample one of its six tracks in advance of the release.

20141014-fm3

There is a new album coming from the creators of the Buddha Machine, the tidy little looping box that gained renown as a consumer-grade piece of sound art. This would be the China-based duo of Christiaan Virant and Zhang Jian, collectively known as FM3.

Titled Ting Shuo (or, in Chinese, 听说), the forthcoming album is a six-track collection, one track of which is currently available for download in advance of the November 2 full release. The initial piece of music to be shared is the title track, “Ting Shuo,” which layers slow-moving strings above a lightly pulsing beat. It plays like something from a particularly reflective moment in a Michael Mann film.

In an announcement about the record, FM3 notes that this is the group’s first full-length album in a decade, though of course in that same time they’ve introduced several generations of Buddha Machines and related devices. The Bandcamp page for the album shares the following information by way of listing instrumentation: “Cello, Steinway Grand Piano and a vintage Roland keyboard meet for this journey of melody, mood and meditation.” There’s also a brief note about the origins of the work: “Ting Shuo evolved during a series of concerts across China and Hong Kong in 2013-14. It was recorded in hotel rooms and studios along the way and mastered in Berlin by Kassian Troyer.”

More on Ting Shuo at buddhamachine.bandcamp.com. More from FM3 at fm3buddhamachine.com and twitter.com/buddhamachine.

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via instagram.com/dsqt

An ongoing series cross-posted from instagram.com/dsqt


San Jose Museum of Art visitors checking out my Sonic Frame installation, part of the current Momentum exhibit.

Cross-posted from instagram.com/dsqt.
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Disquiet Junto Project 0145: There’s a Lifetime In

The Assignment: Make a short piece of music inspired by a provided verse.

20141009-naviar

Each Thursday in the Disquiet Junto group on SoundCloud.com and at Disquiet.com, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate.

This assignment was made in the evening, California time, on Thursday, October 9, with 11:59pm on the following Monday, October 13, 2014, as the deadline.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0145: Locked Haiku
The Assignment: Make a short piece of music inspired by a provided verse.

This week’s project means participating in another music community’s project. There’s a wonderful group called Naviar Haiku, at naviarlab.tumblr.com, that does weekly projects of music inspired by haiku poems. For the group’s current project, its 40th, I wrote the haiku. It reads:

There’s a lifetime in
between the first and second
clicks of the door’s lock

The instructions are simple:

Step 1: Please produce a short piece of music “inpsired by” the above poem.

Step 2: Post the track to the Disquiet Junto group on SoundCloud and to the Naviar Haiku group, which is at:

Include the first line of the haiku as the title of the track.

Step 3: Listen to and comment on tracks uploaded by your fellow participants.

Bonus Step: Include the sound of a door lock in your piece.

Length: Your finished work should be between one and four minutes long.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0145-theresalifetimein” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 145th Disquiet Junto project — “Make a short piece of music inspired by a provided verse” — at:

Disquiet Junto Project 0145: There’s a Lifetime In

More on the Disquiet Junto at:

https://disquiet.com/junto

Join the Disquiet Junto at:

Disquiet Junto general discussion takes place at:

https://disquiet.com/forums/

Image associated with this project by Geir Tønnessen:

http://geirt.com/

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via instagram.com/dsqt

An ongoing series cross-posted from instagram.com/dsqt


Hard-weird, hard-wired. I have a new favorite doorbell.

Cross-posted from instagram.com/dsqt.
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The Hyperreal Field Recording

A track from Solo Andata

There is real and there is hyperreal, the figment whose realization has the presence of an instance of actual life, and yet in its narrative density, its seductive sense of simulacra, its heightened details, defies reality. Such is “Aggregate” from the Solo Andata album Ritual, released by Desire Path Recordings. It’s a perfect moment of insectoid warbles become drone-rock mantras, the collective voices taking on an orchestral grandeur yet never fully leaving behind their so very quotidian origins.

Track originally posted at soundcloud.com/desire-path-recordings. More on the album at desirepathrecordings.com. More from Australia-based Solo Andata at solo-andata.com and twitter.com/soloandata.

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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