Each Thursday in the Disquiet Junto group on SoundCloud.com and at disquiet.com/junto, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.
Tracks will be added to this playlist for the duration of the project:
This project was posted at noon, California time, on Thursday, January 14, 2016, with a deadline of 11:59pm wherever you are on Monday, January 18, 2016.
These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):
Disquiet Junto Project 0211: Midnight Inside Out”¨The Assignment: Shift between the midnight sounds both within and beyond a physical structure, preferably your home.
This project is the sixth in an ongoing occasional series that focuses on late-night ambience. Collectively these nocturnal endeavors are being called “One Minute Past Midnight.”No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse, reworking, and sharing.
The steps for this project are as follows:
Step 1: You’ll be making a one-minute track of ambient, everyday sound. The best option is to make actual real-world field recordings, but certainly simulations (i.e., foley) and free resources (such as freesound.org and previous Junto projects) are fine. Just keep this in mind.
Step 2: Please develop two tracks of what the world sounds like at midnight. One track should be the sound inside a physical structure, preferably your home. The other track should be the world outside that same structure.
Step 3: Produce a track that moves back and forth between those two different sonic experiences at midnight. The transitions can be as you see fit. They can be realistic (e.g., opening and closing a door or window), and they can be fantastic (e.g., imagining being able to move freely through a wall).
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted at noon, California time, on Thursday, January 14, 2016, with a deadline of 11:59pm wherever you are on Monday, January 18, 2016.
Length: The track should be one minute long, exactly.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0211-midnightinsideout.”Also use “disquiet0211-midnightinsideout”as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 211th weekly Disquiet Junto project (“The Assignment: Shift between the midnight sounds both within and beyond a physical structure, preferably your home”) at:
Disquiet Junto Project 0211: Midnight Inside Out
More on the Disquiet Junto at:
More on the One Minute Past Midnight series at:
Join the Disquiet Junto at:
Subscribe to project announcements here:
Disquiet Junto general discussion takes place at:
Photo associated with this project by Michel Banabila, a Junto member, used via Creative Commons license:
2 thoughts on “Disquiet Junto Project 0211: Midnight Inside Out”
I like the 1 minute rule :-)
Thanks. Yeah, I like that length for the oneminutepastmidnight.com projects. It helps with my intention to combine them into a larger work.