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Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Disquiet Junto Project 0228: Three Mics

Make a piece of music with one sound source recorded three different ways.

johnschneider

Each Thursday in the Disquiet Junto group on SoundCloud.com and at disquiet.com/junto, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of project 0228:

This project was posted in late morning, California time, on Thursday, May 12, 2016, with a deadline of 11:59pm wherever you are on Monday, May 16, 2016.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0228: Three Mics
Make a piece of music with one sound source recorded three different ways.

This week we’re going to explore how different microphones can alter the perception of a given instrument or other sound source.

Step 1: Find three microphones. (Music mic, laptop, cellphone, tablet, landline answering machine, etc.)

Step 2: Make three recordings, each of the same single sound source through a different one of the microphones from Step 1.

Step 3: Make a piece of music exploring the differences — some will be stark, others more nuanced — between those three recordings.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in late morning, California time, on Thursday, May 12, 2016, with a deadline of 11:59pm wherever you are on Monday, May 16, 2016.

Length: The length is up to you, though between one and three minutes feels about right.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0228.”Also use “disquiet0228”as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 228th weekly Disquiet Junto project (“Make a piece of music with one sound source recorded three different ways”) at:

https://disquiet.com/0228/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Join the Disquiet Junto at:

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place at:

https://disquiet.com/forums/

Image associated with this project adopted from a photo by John Schneider, used thanks to a Creative Commons license:

"Ring and Spring" Microphones

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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