Slacking About Remixing

A window on the new Disquiet Junto Slack discussion group

This past week I opened up a discussion group on Slack (slack.com), the popular messaging and collaboration platform. I remain more wedded to forum-style discussion, but I am also aware that preference may simply be me, and that Slack’s success may indeed relate to a more contemporary, fluid, less structured format.

In any case, as I’d hoped, discussion about specific projects while the projects are still happening has been solid. This week’s Junto project involves a remix of three unrelated tracks. I share a brief bit of that conversation below. (And if you’re part of the Junto Slack discussion, you can view the full thread here.)

mtnviewmark [7:36 AM]
I might suggest that we ”‹don’t”‹ post our tracks here. I think this channel would be better for discussion than as another rolling list of submissions, which can be found on SoundCloud as is. So… In the past Disquiet submissions I did the assignments in the void: I didn’t even load up the SC list until after I finished my submission. I didn’t want to hear others’ work and be influenced by them. That seems silly in the face of the premise of this week’s assignment: remix! Also, want to see if having a live discussion ”‹during”‹ the assignment helps. So… I’m looking at first two tracks – rhythmic / arrythmic – and rather than remix them directly, I’m working on swapping the rhythms between them…. so far, this is slow going. Also, if it helps anyone, the first track is at 128.41bpm by my measure….

marc.weidenbaum [9:21 AM]
It does feel a bit redundant. On occasion may be good for reference during conversation. Look forward to what you make of it.

joemcmahon [9:45 AM]
@mtnviewmark: Yeah, I prefer it that way too; if I let myself hear what others have done, sometimes I just say, “well, that’s better than I could do it” and skip it. :slightly_smiling_face:

audio_obscura [3:57 AM]
Its true what others say in that I often here junto submissions and think I could never better that, in fact I think I have 4 tracks I did and never submitted as they just weren’t any good. But this weeks challenge is a good one as the variety of posts from the same sources is really different. Just my opinion but I like to hear the elements from the source material in the remixes – some people twist the sources so much you can’t really hear any of the original. I think with mine you can still distinctly hear the three referenced works

marc.weidenbaum [5:41 AM]
@audio_obscura: That hearing the originals in the remix gives me great pleasure. Have you ever checked out the Stonesthrow Beat Battles? I love listening in each week and checking out how everyone’s redone the shared sample.

audio_obscura [6:34 AM]
@marc.weidenbaum: I think next’s weeks Junto should be to take 3 of this weeks remixes, download them and take the 1st 30 seconds of the tracks and remix them – basically repeating this weeks challenge but taking it another step down the road!

audiodays [6:55 AM]
Really enjoyed the challenge again this week. some weeks I know straight away what I’m going to do, but this week.s took a bit of thinking time and some experiments. I agree with that has been said about hearing the source material and I think I’ve ”˜just’ about go away with it this week. But as I said in my notes on SC, I struggled finding a a way of bringing HNY and Pepper Jelly together without it sounding too much like a car crash. I rarely, if ever, listen to other contributions until I’ve uploaded my own, and settling down to hear how other have interpreted the brief is just as joyous as the Disquiet Junto email dropping on a Thursday evening (UK time).

Disquiet Junto Project 0233: Netlabel (NND Remix)

The Assignment: Make one track from three different netlabels, courtesy of a Creative Commons license.

jetlee

Each Thursday in the Disquiet Junto group on SoundCloud.com and at disquiet.com/junto, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project was posted in the late morning, California time, on Thursday, June 16, 2016, with a deadline of 11:59pm wherever you are on Monday, June 20, 2016.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0233: Netlabel (NND Remix)
The Assignment: Make one track from three different netlabels, courtesy of a Creative Commons license.

Seeing the “ND” tag on a netlabel release is a major buzzkill. The “ND” tag denotes a Creative Commons license that rules out creating derivative work. Fortunately lots of netlabels do allow for creative reuse, and this occasional series of collaborative remixes seeks to celebrate that activity, and encourage other netlabels to switch off the ND tag. Take “NND” to mean “not no derivatives.”

Step 1: Download the three tracks that will provide source audio for this remix:

Use the first 30 seconds of “HNY” off the album Wormbole by ʞık (Karl & Karlik) on the Bump Foot netlabel:

http://www.bumpfoot.net/bump207.html

Use the first 30 seconds of “Pepper Jelly” off the album Recombinations by Andre Darius and Riley Theodore on the Haze netlabel:

https://hazenetlabel.bandcamp.com/album/recombinations

Use the first 30 seconds of “Autista 3” off the album Autista by Pablo Reche on the Impulsive Habitat netlabel:

http://www.impulsivehabitat.com/releases/ihab113.htm

Step 2: Create an original piece of work including that source material.

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the late morning, California time, on Thursday, June 16, 2016, with a deadline of 11:59pm wherever you are on Monday, June 20, 2016.

Length: Length is up to you, though between two and three minutes seems about right.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0233.”Also use “disquiet0233″as a tag for your track.

Download: It is necessary that your track is set as downloadable, and that it allows for attributed remixing and attribution, per the Creative Commons license of the source audio.

Linking: When posting the track, please be sure to include this information:

More on this 233rd weekly Disquiet Junto project — “Make one track from three different netlabels, courtesy of a Creative Commons license”– at:

https://disquiet.com/0233/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:

https://disquiet.com/forums/

Image associated with this project is by Jet Lee and it is used thanks to a Creative Commons license:

blender

Now on Slack.com: Disquiet Junto Discussion

A test run is underway of the popular messaging tool

Screen Shot 2016-06-15 at 8.31.07 PM

There is now a Slack team set up (at disquietjunto.slack.com) for Disquiet Junto discussion.

If you want to participate, send me your email address. I’m at [email protected]. Apparently Slack is invitation-based, so I need to send you an invite to join in.

The general idea for the Junto Slack is it’s a replacement for the discussion boards that were once quite active on SoundCloud, before the service mothballed them, and it’s a complement (or temporary stand-in) for the disquiet.com/forums, which are running on a somewhat antiquated platform (Vanilla Forums). The disquiet.com/forums will likely be upgraded at some point later this year to a better platform, but for now the Slack team is where Junto conversation will be focused — of course, there will still be plenty of talk on Twitter, which is where many of the initial core group of Junto participants first (virtually) met up, and elsewhere.

As of this moment there are 26 members of the Slack Junto, and there are 8 channels underway, pictured up top. We’ve been (re)introducing ourselves, talking about playlist curation as cultural participation, comparing physical and software modular synthesizers, and sharing videos of Karlheinz Stockhausen, Ryuichi Sakamoto, Taylor Deupree, and others.

What Sound Looks Like

An ongoing series cross-posted from instagram.com/dsqt


It’s not every day that one of these doorbell images gets a sequel. Fact is, it’s not all that often that I come upon the same doorbell twice. I don’t keep track of their locations, and while I have a good sense of where some of them are, many are lost in my wandering. This one originally, weeks back, only had that A label in the upper left (see here), and at the time I pondered whether the remaining apartments would be labeled up/down or left/right, or in a circular pattern for that matter. As it turns out, it’s up/down, though there’s always the chance that these apartment-button associations aren’t official. Maybe the new lettering is an act of banal, site-specific graffiti vandalism.

An ongoing series cross-posted from instagram.com/dsqt.

Space Age Surveillance Thrills

Courtesy of the new album from Italy-based Sonologyst

There’s much to recommend the new Sonologyst album, starting off with its evocative title, Silencers – the conspiracy theory dossiers. That colorful language may set a high bar for sonic surveillance thrills, but the album delivers, especially with its final track, “NASA Secret Tapes.”

Barely two minutes in length, “NASA Secret Tapes” loops snippets of space-age chatter with sonar swells. It’s a testament to those swells — which ring like massive bells pitched high, their tones extending unnaturally relative to their frigid timbre — that the track would be just as effective minus the “This is Houston. Say again?” dialogue, flavorful as it is in its retro flourish. Those tones are endlessly listenable. Sonologyst artfully tweaks them, turning the background ambience into something with subtle rhythmic purpose.

The “NASA Secret Tapes” track is up top, and here’s the full album:

Track originally posted at soundcloud.com/sonologyst. Full album at sonologyst.bandcamp.com. More from Sonologyst, who’s based in Italy, at twitter.com/sonologyst.