New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Monthly Archives: May 2019

Ornament and Candy

Soon to be upgraded, and eaten

Why, yes, a five-star review on Reverb.com to the person from Poland who included the lovely rainbow power cable and a bonus region-specific candy bar* with my, speaking of candy, (mini) Ornament and Crime synthesizer module (due to be updated momentarily with Hemispheres alternate firmware, though by “momentarily” I mean after work, and though “after work,” this being Friday, will likely mean this weekend, which is to say before Monday, if I’m lucky).

*”Milk chocolate bar with creamy flavoured filling (contains alcohol).”

Update: Who knew? Updating the Ornament and Crime module to the alternate firmware called Hemispheres took approximately five minutes, tops. I’m all set.

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Disquiet Junto Project 0384: Breath Beat

The Assignment: Explore breath as a resource for rhythm.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Deadline: This project’s deadline is Monday, May 13, 2019, at 11:59pm (that is, just before midnight) wherever you are. It was posted in the afternoon, California time, on Thursday, May 9, 2019.

Tracks will be added to the playlist for the duration of the project.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0384: Breath Beat
The Assignment: Explore breath as a resource for rhythm.

Just one step this week:

Step 1: Record yourself breathing, and make that the pulse of a piece of music.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0384” (no spaces or quotation marks) in the name of your track.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0384” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation a project playlist.

Step 3: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0384-breath-beat/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is Monday, May 13, 2019, at 11:59pm (that is, just before midnight) wherever you are. It was posted in the afternoon, California time, on Thursday, May 9, 2019.

Length: The length is up to you.

Title/Tag: When posting your track, please include “disquiet0384” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: Consider setting your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 384th weekly Disquiet Junto project — Breath Beat / The Assignment: Explore breath as a resource for rhythm — at:

https://disquiet.com/0384/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0384-breath-beat/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project adapted (cropped, colors changed, text added, cut’n’paste) thanks to a Creative Commons license from a photo credited to Victor Morell Perez:

https://flic.kr/p/4M5zUQ

https://creativecommons.org/licenses/by-nc/2.0/

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Synth Learning: Muxlicer Piano (First Patch)

A first go with a new tool

This is my first patch with a new module, a device from the manufacturer Befaco called the Muxplicer. It is capable of many things involving slicing up an incoming signal and effecting changes upon it, such as triggering all sorts of percussive cues. In this case what’s happening is a sample of an electric piano is being triggered every eight beats, and then for each of those beats (pulses, really) various things occur. In most of the cases it’s a matter of the volume level shifting, but in two cases (that is, on two of the pulses) some heavy reverb is put upon it. In addition, a sliver of of the signal is being sampled and replayed in a glitch manner at a lower volume. (Technically the first slice was the same patch processing live guitar chords, but I decided to use a sample playback on this initial round.)

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Synth Learning: Distant Train Vapor Trail Fragments

Reworking a Wyoming field recording

This is a single field recording of a train horn (source below) being warped simultaneously in various ways by my modular synthesizer. One strand is going through a reverb, another through granular synthesis, another through a lo-fi looper, and another through a spectral filter, and then there’s the unadulterated line, and all of those are being warped or tweaked themselves. The shape of the overall sound, for example, is affecting the density of the granular synthesis. Various LFOs are adjusting the relative prominence of different elements, and other aspects such as the size of the reverb.

The source audio is from freesound.org. It is a distant train horn recorded by Andy Brannan in Wyoming.

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Sleepless in San Francisco

I Dream of Wires is the incorrect title for that great documentary on modular synthesizers.

It should be titled: Couldn’t Sleep Because I Read Manuals Too Late at Night and My Brain Wouldn’t Stop Patching.

. . .

In the meanwhile, here is where my system is currently at (or will be when two of those modules arrive from, respectively, Poland and down in Southern California). The blank space at the bottom is, indeed, bank. Likely other modules will go before it is filled. We’ll see.

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