Quote of the Week: The Street Recorder 1966

As transcribed by musician and artist Steve Roden as part of his ongoing inbetweennoise.blogspot.com project:

funny, i just thought of an odd analogy… know those dizzy rear-steering wire-brush-and-spray street cleaners you see in big cities, zooming along next to the curb, scooping all the dirt and debris, lightly sprayed with water, into a central hopper? well, those wire brushes, striking sparks (and making your spine shiver sometimes) are “scanning” the street surface somewhat in the fashion of rotating heads on a passing tape (especially, a helical-scan videotape!). they manage collectively with many fast moving steel wires, to cover a vast mileage of asphalt at a very high sweep speed, though the machine moves along the tape – i mean, the street – at a relatively slow pace. the wires and the brushes do an overlapping job that is supposed to contact all the “information” – i.e., dirt and debris – at a properly vigorous sweep frequency…

The comment is attributed to Edward Tatnall Canby in the magazine Audio, March 1966. More on Canby, who passed away in 1988 at the age of 85, in his New York Times obituary: nytimes.com.

Bent Circuits + Toy Piano (MP3s)

Not all the 11 tracks on the recent album Hip Hip by Jeff Morton, who records as Nuthre, take the sounds of electronic fidgeting and turn them into something rhythmic and song-like, even a little tuneful, but the two best tracks certainly do. Both “New Concepts at High Frequencies” (MP3) and “A Young Telephone Engineer Named Thomas” (MP3) use the frayed-wire sonics of circuit bending to produce little tunes whose tempo, melodic content, and constituent parts are all equally modest, but which combine for a really enjoyable effect. Also highly recommended is “A Whale of a Time Working Like Crazy at Their Wonderful Year-Round Hobby,” on which the cheap rattle of a toy piano is a welcome addition to the music-making toolbox (MP3).

[audio:http://www.archive.org/download/pan043/pan043-nuthre-01-new_concepts_at_high_frequencies.mp3|titles=”New Concepts at High Frequencies”|artists=Nuthre] [audio:http://www.archive.org/download/pan043/pan043-nuthre-10-a_young_telephone_engineer_named_thomas.mp3|titles=”A Young Telephone Engineer Named Thomas”|artists=Nuthre] [audio:http://www.archive.org/download/pan043/pan043-nuthre-02-a_whale_of_a_time.mp3|titles=”A Whale of a Time Working Like Crazy at Their Wonderful Year-Round Hobby”|artists=Nuthre]

Get the full release at notype.com and archive.org. More on Morton/Nuthre at nuthre.ca and myspace.com/nuthre.

The Top 10 Posts from 2009

These are the top 10 most viewed posts on Disquiet.com for the entire year of 2009, during which 474 posts were published on the site.

A new department debuted on Disquiet.com this past year, and while there have only been four entries in it thus far, all four made the top 10 of the year. The department is called Listen?, and each entry is a stream-able hour-long playlist of tracks that have some theme in common. In descending order of popularity they were: (1) “Guit-ronic Mix: 6 Solo 6-Strings,” (2) “At Play in the Field: Found-Sound Mix,” (3) “Eno/Byrne Re-Mix: Our Lives in the Bush of Disquiet” (really just a repurposing of the 2006 album I commissioned and compiled, based on samples from the album My Life in the Bush of Ghosts by Brian Eno and David Byrne), and (4) “Inaugural Mix: Beats, Drones, Surface Noise, Ether.” Perhaps tellingly, the one without a strong theme (the inaugural mix, which was more a proof-of-concept than a proper mix) was the least popular of the four.

Two entries in the daily Downstream department of legally freely downloadable music made the list: (5) an example of group composition at freesound.org based on open-source samples, and (6) remixes of music from the TV show Battlestar Galactica.

One of the year’s many (7) MP3 Discussion Groups made the list, the one on Jon Hassell‘s album Last Night The Moon Came Dropping Its Clothes in the Street on the ECM record label. (The popularity of these 10 entries was roughly the same, but for folk keeping track, the Jon Hassell discussion technically ranked in popularity in between the two most and least popular Listen? entries.)

Two reviews of commercial releases: (8) one on Monolake‘s balloon-based installation, Atom/Document, and another (9) on both turntablist Rob Swift‘s album Dust to Dust and a movie score by Alex Wurman (What Doesn’t Kill You).

And for reasons beyond me, also making the list, of all the “Images of the Week” from last year, was one showing (10) the sign at the front of the San Francisco offices of the makers of the software Max/MSP.

Top 10 Posts & Searches from December

The Top 10 posts of December (out of a total of 40 posts on Disquiet.com) included all three “best of 2009” entries: (1)
the 10 best iPhone/iPod Touch music/sound apps, (2) the 10 best free “netreleases,” and (3) the 10 best commercial ambient/electronic albums.

The latest (4) “MP3 Discussion Group,” on Monolake‘s album Silence, made the list, as did three free-download entries (from the Downstream department, published every weekday): (5) the first mix I found to include audio from the Gristleism box (a collaboration between Throbbing Gristle and Christiaan Virant of FM3, creators of the Buddha Machine), (6) processed field recordings by Terje Paulsen, and (7) space music created on an old TR-606 drum machine.

Two “Quotes of the Week,” one (8) a collection of movie critics’s comments about Brian Eno‘s score to the film Lovely Bones and the other (9) an example of the excellent mid-song comments system at soundcloud.com. And, finally, (10) a round-up of images from the “sound art” tag at flickr.com.

The 10 most searched-for terms during the month of December were, in declining order of popularity: tied for first place, “makezine”
and “weidenbaum” (I have no idea why anyone would search for my name on the site, but so be it); tied for second place, “buddha machine” and “likens” (I’m not sure why anyone would search for the word “likens,” unless perhaps they’re looking for Lichens, aka Robert Lowe); and tied for third place, “amon tobin,” “Autechre,” “drone,” “fm,” “garai” (which yields a null return), “hip,” “kent sparling,” “kikapu,” “ranaldo” (presumably as in Sonic Youth guitarist Lee Ranaldo) “unsilent” (as in Phil Kline‘s communal composition “Unsilent Night”), and (I’m not sure what this last one was about) “watson.”

Ring in New Year with Granulated Rattle (MP3)

If bells are are a common and traditional means of ringing in a new year, then what better bell to symbolize the nascent promise of a brand new decade than the rudimentary bell that is a child’s rattle? That was the sound source for one of Marcus Fischer‘s little experiments as 2009 was coming to a close. Titled “Rattle + Hum,” it takes a silver rattle, a holiday gift, and runs it through some basic processes (MP3). As he summed it up in brief in a post at his website, unrecnow.com,

“short rattle>contact mic>granular delay recording”

Because the track is barely a minute and a half in length, I strung it together four times in this stream below — even with the track’s fade-in and a fade-out, it makes for fine extended ringing.

The single silver rattle has its own bell-like tones (less hard metal, more soft undulations) exaggerated with echo and repetition. The granular synthesis mentioned in Fischer’s note means that small slivers of sound, “vertical” instances as brief as a millisecond, are used as raw material for the composition. Fischer likely utilized wide swaths of sound in his granulated effort, because it’s fully recognizable as a bell-like tone, even with all the processing.

[audio:http://unrecnow.com/dust/audio/12_25_09m.mp3,http://unrecnow.com/dust/audio/12_25_09m.mp3,http://unrecnow.com/dust/audio/12_25_09m.mp3,http://unrecnow.com/dust/audio/12_25_09m.mp3|titles=”Rattle + Hum”,”Rattle + Hum”,”Rattle + Hum”,”Rattle + Hum”|artists=Marcus Fischer,Marcus Fischer,Marcus Fischer,Marcus Fischer]

Original post at unrecnow.com, from which the above photo is borrowed.