Another volume in the classic noise audio-journal Tellus (volume 13, “Power Electronics,” from 1986) has gone up for free download at ubu.com — 17 tracks of aggravated textures and general sonic investigatory work. Highlights include the richly squelchy opening of “Clotage” by Controlled Bleeding, who eventually shift into vaguely Hendrix-oid feedback (MP3), a vibrant torture scenario (“Gamma-Titan”) from Merzbow (MP3), haunting glossolalia (“The Sirens”) from Mitch Corber (MP3), and a bracing cut’n’paste take on Janet Jackson (“How to Kill”) from the collection’s editor, Joseph Nechvatal (MP3). Among the other participants in volume 13 of Tellus were Rhys Chatham, Psyclones and Le Syndicat, just to name a few. I owned most of these early Tellus cassettes (and, later, CDs), and it’s great to hear the music without the inherent tape hiss. It’s also great to have the songs available as individual tracks, since the amorphous sounds can bleed into one another. More background on the series at continuo.wordpress.com. Tellus dates from a time (the 1980s) when artistic use of these such mass-market media as LPs and tapes seemed inherently subversive, even anarchic, and the series’s catalog ranks up there with the Giorno Poetry Systems releases, the ROIR archive and other early remnants of commercially distributed audio experimentation.
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• January 28, 2015: First spring-semester class meeting of the 15-week course that I teach on the role of sound in the media landscape at the Academy of Art in San Francisco. I'm only teaching it one semester this year, just to make time for other activities.
• February 13, 2015: Speaking engagement in San Francisco. Details to follow.
• February 13, 2015: First anniversary of the release of my book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury. It can be purchased at amazon.com, among other places.
• February 19, 2015: This is the "closing" event for the exhibit Momentum at the San Jose Museum of Art, featuring my three-screen, 21-track installation "Sonic Frame." The evening is part of the museum's ArtRage evening series, and runs from 7pm to 10pm. I'll likely be giving a little talk as part of it. Details TK.
• February 22, 2015: Final day of the exhibit Momentum at the San Jose Museum of Art, featuring my three-screen, 21-track installation "Sonic Frame."
• May 13, 2015: Last spring-semester class meeting of the 15-week course that I teach on the role of sound in the media landscape at the Academy of Art in San Francisco. I'll next teach it in spring 2016.
• December 13, 2015: The 19th anniversary of Disquiet.com.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: soundcloud.com.
disquiet juntoThe Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. It's housed at soundcloud.com. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 10 most recent weekly projects: • 0160: Make a one-minute field recording starting right at midnight (wherever you are). • 0159: See what music the steps of a favorite recipe yield. • 0158: Go from noise to signal with words. • 0157: Record the sound of ice in a glass and make something of it. • 0156: Create a sonic diary of the past year with a dozen five-second segments. • 0155: Take a track and its remix and meld them into something new. • 0154: Create a track from two locked grooves • 0153: Record a short sound intended to be set on repeat. • 0152: Record your own cover version of the "song" sung/emitted by the comet Comet 67P/Churyumov-Gerasimenko. • 0151: Score a segment of George A. Romero's Night of the Living Dead using the movie's audio as source material. ... And there is a complete list of projects here.
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