In a welcome development, Robert Henke (aka Monolake) started a page on Bandcamp today. There’s just one release currently, a dreamy 10-minute drone titled “Oomoo.” The sinuous palindrome of its title mirrors the flowing vibe of the piece. The name was familiar to me, and then I realized that I wrote about the track when it was first released, back in 2007, as a free MP3 download from his monolake.de website, which no longer seems to be operational. (He was releasing a free MP3 a month back then.) Instead, he makes his home on the web at roberthenke.com, as well as, now, at roberthenke.bandcamp.com. That’s the same year, 2007, that SoundCloud was founded, and it’s a year before Bandcamp was founded, and longer still before either became default locations for musicians to post their recordings. The track “Oomoo,” meanwhile, sounds as fresh today as it did upon its release. As I described it at the time: “it’s a film-score-ready drone that moves like a single sheet of material buffeted by wind, from rapturous peaks to rumbling valleys. Listening to it in a car alone after dark will turn any routine drive into a scene from a Michael Mann movie.” I don’t usually post tracks twice on Disquiet.com, but this seemed like a reasonable occasion to do so. Very early on in the Downstream series here I accidentally did, because so little music was freely available and I’d forgotten. A reader at the time helpfully pointed it out. Technically, the track “Oomoo” remains a free download, because it’s set at “name your price,” but do consider chipping in a little.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
Most Recent Posts
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0431 / Solitary Ensembles x 3 / The Assignment: Complete a trio by adding a track to an existing duet by two other musicians.
• 0430 / Solitary Ensembles x 2 / The Assignment: Record the second third of a trio that others will complete.
• 0429 / Solitary Ensembles / The Assignment: Record the first third of a trio that others will complete.
• 0428 / Urban Moss / The Assignment: What echoes of past concerts are retained within this pole?
• 0427 / Music 4 Airplanes / The Assignment: Make music that blends in with the industrial drone of modern air flight.
And there is a complete list of past projects, 431 consecutive weeks to date.
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