My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
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tag: junto

Disquiet Junto Project 0286: Found in Translation

Make three versions of something from different distances.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, June 26, 2017. This project was posted in the late afternoon, California time, on Thursday, June 22, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0286: Found in Translation
Make three versions of something from different distances.

Step 1: Choose some piece of music, something expressly melodic or rhythmic might work best, with the intention of doing multiple renditions of it.

Step 2: Consider what it means to “transliterate” something, and how that differs from “translating” something, and how both differ from “interpreting” something.

Step 3: Now produce a recording that begins with the original from Step 1, and then follows it, in sequence, with versions that serve to transliterate, translate, and interpret it.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0286” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/disquiet-junto-project-0286-found-in-translation/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, June 26, 2017. This project was posted in the late afternoon, California time, on Thursday, June 22, 2017.

Length: The length is entirely up to the participant, though roughly three minutes is suggested.

Title/Tag: When posting your track, please include “disquiet0286” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 286th weekly Disquiet Junto project — Found in Translation: Make three versions of something from different distances — at:

https://disquiet.com/0286/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0286-found-in-translation/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Flickr member Hannah, used thanks to a Creative Commons license:

flic.kr/p/6HUQyt

creativecommons.org/licenses/by-nc/2.0/

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Disquiet Junto Project 0285: Live Barcoding

Make rhythms from your packaged goods.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, June 19, 2017. This project was posted in the evening, California time, on Thursday, June 15, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0285: Live Barcoding
Make rhythms from your packaged goods.

Step 1: We’ll be making music from barcodes, those zebra-striped symbols that adorn packaged goods. Please find the three barcodes nearest you.

Step 2: Look at the barcodes and sort out how they suggest, for you, a rhythm, a beat — how do they function as notations of percussion?

Step 3: Create a short piece of music in which each of the three barcodes is independently interpreted for its rhythmic content. In other words, make a piece of music that layers the beats of the three barcodes you selected in Step 1 based on the notational concepts that arose in Step 2.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0285” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/disquiet-junto-project-0285-live-barcoding/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, June 19, 2017. This project was posted in the evening, California time, on Thursday, June 15, 2017.

Length: The length is entirely up to the participant, though roughly four minutes is suggested.

Title/Tag: When posting your track, please include “disquiet0285” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 285th weekly Disquiet Junto project — Live Barcoding: Make rhythms from your packaged goods. — at:

https://disquiet.com/0285/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0285-live-barcoding/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Valerie Everett, used thanks to a Creative Commons license:

flic.kr/p/569qPJ

creativecommons.org/licenses/by-sa/2.0/

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Disquiet Junto Project 0284: Creative Commonfield

Make ambient music from the sound of clay bowls.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, June 12, 2017. This project was posted in the late morning, California time, on Thursday, June 8, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0284: Creative Commonfield
Make ambient music from the sound of clay bowls.

Step 1: We’ll be making ambient recordings this week based on source audio from the artist Chris Kallmyer. He recorded the music using bells and bowls he constructed from clay sourced on the banks of the Mississippi River in St. Louis. Download the source audio from here:

https://goo.gl/Jb5CGU

Note: That file is an MP3. If you’d like to use a larger, higher-fidelity recording, I’ll have it available later today. Just shoot me an email at [email protected]

Step 2: The goal is to make recordings that can also be played in the San Francisco gallery FraenkelLAB, where Kallmyer’s work is currently on display as part of the exhibit “Listening Is a Luxury.” I’ll be giving a talk there on Friday, June 16, and I’ll have some of the music audible in the background as well as before and after the talk.

Step 3: Among Kallmyer’s sonic objects made from the St. Louis clay are ceramic bowls. When making a piece of music from the source audio please do the following: (A) use no additional source audio, (B) aim for a sound that is just as gentle as the source audio, (C) consider using stereo effects to reflect the circular shape of the bowls. (Note: I might make an edit of the tracks — a ceramic chime mixtape, as it were — for the event.)

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0284” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/disquiet-junto-project-0284-creative-commonfield/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, June 12, 2017. This project was posted in the late morning, California time, on Thursday, June 8, 2017.

Length: The length is entirely up to the participant, though roughly three minutes is suggested.

Title/Tag: When posting your track, please include “disquiet0284” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 284th weekly Disquiet Junto project — “Creative Commonfield: Make ambient music from the sound of clay bowls. — at:

https://disquiet.com/0284/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0284-creative-commonfield/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image courtesy of fraenkelgallery.com and the artist Chris Kallmyer, who created the bowls and the source audio. More from Kallmyer at:

http://www.chriskallmyer.com/

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Disquiet Junto Project 0283: Rooms Within Rooms

Make an instrumental song built from the sounds of different rooms.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, June 5, 2017. This project was posted in the early evening, California time, on Thursday, June 1, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0283: Rooms Within Rooms
Make an instrumental song built from the sounds of different rooms.

Step 1: Record the inherent sound, the room tone, of three different rooms. Label them A, B, and C.

Step 2: Create three distinct ambient beds from the rooms by editing the source material down. Label the ambient beds A, B, and C to align them with the source rooms. Don’t add any other effects or sonic material.

Step 3: Create a loose song structure alternating two of the rooms as verse (bed A) and chorus (bed B), and dropping in the third room (bed C) as a bridge at some point. The full piece should be about three minutes long.

Step 4: Go back into the audio and into each bed add tiny elements from the other source rooms. In other words, in the verse (bed A, based on room A), insert elements from room B and room C. Do this as well for bed B (with elements from room A and room C) and bed C (with elements from room A and B).

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0283” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/disquiet-junto-project-0283-rooms-within-rooms/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, June 5, 2017. This project was posted in the early evening, California time, on Thursday, June 1, 2017.

Length: The length is entirely up to the participant, though roughly three minutes is suggested.

Title/Tag: When posting your track, please include “disquiet0283” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 283rd weekly Disquiet Junto project — “Rooms Within Rooms: Make an instrumental song built from the sounds of different rooms” — at:

https://disquiet.com/0283/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0283-rooms-within-rooms/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image by Shengming Lee, used thanks to a Creative Commons license:

flic.kr/p/efU6Gg

creativecommons.org/licenses/by/2.0/

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Disquiet Junto Project 0282: Berio’s Bach

Make a piece of music based on one composer's observation regarding another composer.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, May 29, 2017. This project was posted in the late morning, California time, on Thursday, May 25, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0282: Berio’s Bach
Make a piece of music based on one composer’s observation regarding another composer.

Step 1: The composer Luciano Berio once said that part of the attraction of some of Bach’s music is in its clear distinction between which notes are “structurally significant” and which are “decorative.” Consider this observation.

Step 2: Compose a short piece of music that opens and closes with there being a clear sense of which parts are “structurally significant” and which are “decorative,” but that in the middle gets ambiguous in this regard.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0282” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

http://llllllll.co/t/disquiet-junto-project-0282-berios-bach/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, May 29, 2017. This project was posted in the early afternoon, California time, on Thursday, May 22, 2017.

Length: The length is entirely up to the participant.

Title/Tag: When posting your track, please include “disquiet0282” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 282nd weekly Disquiet Junto project — “Berio’s Bach: Make a piece of music based on one composer’s observation regarding another composer” — at:

https://disquiet.com/0282/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/disquiet-junto-project-0282-berios-bach/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

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