My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

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tag: junto

Disquiet Junto Project 0307: Black and White and Punk All Over

Pay tribute to the Sex Pistols on the 40th anniversary of Never Mind the Bollocks.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Deadline: This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, November 20, 2017. This project was posted in the morning, California time, on Thursday, November 16, 2017.

Tracks will be added to the playlist for the duration of the project.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0307: Black and White and Punk All Over
Pay tribute to the Sex Pistols on the 40th anniversary of Never Mind the Bollocks.

It’s the 40th anniversary of the Sex Pistols’ 1977 album Never Mind the Bollocks, a punk origin point if ever there were one. Of course, punk can be traced both forward and further back, not just back to the prior urtexts of the Ramones, but further still to Dada, to the Situationist International. To explore punk continuity, and borrowing from Greil Marcus’ Lipstick Traces, we’re going to use a classic Situationist film, Hurlements en faveur de Sade, as a starting point. The whole thing is streamable here:

Note that Hurlements has no visual component outside of a white and black screen: when the screen is white, people speak; when it is black, there is silence.

Major thanks to Zero Meaning, Toaster, and Jason Wehmhoener for leading the way in developing this prompt.

Step 1: Think about what “punk” means to you. The word has mutated over time, and can embody something as specific as instrumentation and recording, and as broad as a spirit, an approach, a philosophy. It’s both a source of inspiration and a nexus of conflicted debate. Keep your sense of punk in mind as you follow the remaining steps.

Step 2: Choose a length for your project. Somewhere under 5 minutes should do fine.

Step 3: Using chance methods, divide that length into segments. A minimum of one segment per minute should keep things interesting, though certainly feel free to use more or fewer segments.

Step 4: Label your first segment “white” and your second “black” and your third “white” and, per Hurlement, continue to alternate labels until all the segments are labeled.

Step 5: Choose two sets of instruments (or, more broadly defined, sound sources). If you don’t have access to more than one instrument, then vary the playing approach (plucking vs. bowing, chords vs. single notes, different patches on a single synth, etc.). Label one set “white” and the other “black.” Do not use any of the same instruments/methods in the “white” sections that you use in the “black” sections. The amount of cohesion between the segments is up to you, but keep the instrumentation the same in each.

Step 6: Now, jam econo. Record an original piece of music in the simplest way possible, using only white instruments in the white segments and black instruments in the black segments. Consider something more lo-fi than you might normally use.

Five More Important Steps When Your Track Is Done:

Step 1: If your hosting platform allows for tags, be sure to include the project tag “disquiet0307” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/disquiet-junto-project-0307-black-and-white-and-punk-all-over/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, November 20, 2017. This project was posted in the morning, California time, on Thursday, November 16, 2017.

Length: Somewhere under 5 minutes seems about right, but it’s up to you.

Title/Tag: When posting your track, please include “disquiet0307” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 307th weekly Disquiet Junto project (“Black and White and Punk All Over: Pay tribute to the Sex Pistols on the 40th anniversary of Never Mind the Bollocks.) at:

https://disquiet.com/0307/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0307-black-and-white-and-punk-all-over/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Photo associated with this project is a detail of an image by Koen Suyk used via Wikipedia thanks to a Creative Commons license:

https://goo.gl/RVqKBY

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Disquiet Junto Project 0306: Music in Motion

Record a piece of music while en route somewhere.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Deadline: This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, November 13, 2017. This project was posted in the afternoon, California time, on Thursday, November 9, 2017.

Tracks will be added to this playlist for the duration of the project.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0306: Music in Motion
Record a piece of music while en route somewhere

Step 1: You’ll be making a piece of music while en route somewhere. Consider what instrument(s) and recording equipment you can easily carry.

Step 2: Plot a short trip — maybe a bus or train ride, maybe you’re in the back seat while someone else drives, maybe you’re driving and you record yourself singing.

Step 3: Compose and record a short piece of music with the equipment from Step 1 while on the route you decided upon in Step 2. Only use that equipment, and finish the piece while you’re still on the road.

Side Note: Certainly the sounds you encounter while on your little trip are potential source material.

Five More Important Steps When Your Track Is Done:

Step 1: If your hosting platform allows for tags, be sure to include the project tag “disquiet0306” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/disquiet-junto-project-0306-music-in-motion/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, November 13, 2017. This project was posted in the afternoon, California time, on Thursday, November 9, 2017.

Length: The finished track’s length is up to you.

Title/Tag: When posting your track, please include “disquiet0306” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 306th weekly Disquiet Junto project (“Music in Motion: Record a piece of music while en route somewhere) at:

https://disquiet.com/0306/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0306-music-in-motion/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Photo associated with this project is by Iain Hinchliffe and is used thanks to a Creative commons license:

flic.kr/p/M7XJx

creativecommons.org/licenses/by-nc-nd/2.0/

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Disquiet Junto Project 0305: Three Princes

Explore chance by exploring the roots of the word "serendipity."

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to the playlist for the duration of the project.

Deadline: This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, November 6, 2017. This project was posted in the early afternoon, California time, on Thursday, November 2, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0305: Three Princes
Explore chance by exploring the roots of the word “serendipity.”

This week’s project explores the concept of serendipity. I was unfamiliar with the word’s etymology until I recently read the book Algorithms to Live By: The Computer Science of Human Decisions, by Brian Christian and Tom Griffiths, which I recommend. Those language origins figure into this project’s formulation.

Step 1: The word “serendipity” has an interesting origin. Its coinage is credited to Horace Walpole, who apparently made it up based on a Persian fairy tale, “The Three Princes of Serendip.” In turn, “Serendip” is itself a Persian word for another place entirely, Sri Lanka, or Ceylon. To explore the nature of serendipity, we’re going to apply randomness to samples of Ceylonese music.

Step 2: Choose three tracks — one for each prince in the fairy tale — from this collection of music from Ceylon:

https://goo.gl/szUFd2

There’s a lot of it, 138 tracks in all, so it might help to employ chance routines to select both the the tracks you’ll use, and which segments you’ll extract from them.

Step 3: Extract a short piece of audio, between two and seven seconds, from each of the three tracks you selected in Step 2. Each extract should be of a different length from the other two. Again, you might do this by ear, or you might do it based on some sort of chance routine.

Step 4: Create a roughly two-minute loop of each of the three individual extracts from Step 3: that is, a two-minute loop of the first extracted piece, a separate two-minute loop of the second extract, and a separate two-minute loop of the third. (You might also accomplish these loops in some other manner.)

Side note: There was a typo in the original instructions calling for a three-minute loop of the third sample. This was an error. It was intended to be a two-minute loop, like the others.

Step 5: Layer the three loops from Step 4. Do so in a way that might allow you to subsequently manipulate the loops individually, should you choose to do so. Notably, the three tracks will be out of sync with each other.

Step 6: Listen through to the layered piece in Step 5. Pay attention for moments of chance intersection, of rhythmic ingenuity, melodic unlikelihoods, and textural congruence, among other potential results.

Step 7: Create a short piece of music, based on the observations you made in Step 6, that builds on those serendipitous results. This may be as simple as using relative volume to highlight the highlights, or you might add other musical elements.

Five More Important Steps When Your Track Is Done:

Step 1: If your hosting platform allows for tags, be sure to include the project tag “disquiet0305” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/disquiet-junto-project-0305-three-princes/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, November 6, 2017. This project was posted in the early afternoon, California time, on Thursday, November 2, 2017.

Length: The finished track’s length is up to you.

Title/Tag: When posting your track, please include “disquiet0305” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 305th weekly Disquiet Junto project (“Three Princes: Explore chance by exploring the roots of the word “serendipity”) at:

https://disquiet.com/0305/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0305-three-princes/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Photo associated with this project is a stereo image of a Ceylon sunset, courtesy of the Tekniska museet account on Flickr, thanks to a Creative commons license:

flic.kr/p/emto4p

creativecommons.org/licenses/by/2.0/

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Disquiet Junto Project 0304: Let’s Buzz

Create a piece of music by thinking of the structure of a bee hive.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project.

Tracks will be added to the playlist for the duration of the project.

This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, October 30, 2017. This project was posted in the morning, California time, on Thursday, October 26, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0304: Let’s Buzz
Create a piece of music by thinking of the structure of a bee hive.

Step 1: Consider the bee hive. Think about its structure, the activity it contains, how the hive lends form to that activity and how the activity contributes to the hive’s form.

Step 2: Create a piece of music that is based on the structure of the bee hive.

Five More Important Steps When Your Track Is Done:

Step 1: If your hosting platform allows for tags, be sure to include the project tag “disquiet0304” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/disquiet-junto-project-0304-lets-buzz/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, October 30, 2017. This project was posted in the morning, California time, on Thursday, October 26, 2017.

Length: The finished track’s length is up to you.

Title/Tag: When posting your track, please include “disquiet0304” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 304th weekly Disquiet Junto project (“Let’s Buzz: Create a piece of music by thinking of the structure of a bee hive) at:

https://disquiet.com/0304/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0304-lets-buzz/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

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Disquiet Junto Project 0303: Out of Sequence

Pay tribute to the Roland 303 by doing something that is apart from how you think it was intended to be utilized

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to the playlist for the duration of the project.

This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, October 23, 2017. This project was posted in the early evening, California time, on Thursday, October 19, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0303: Out of Sequence
Pay tribute to the Roland 303 by doing something that is apart from how you think it was intended to be utilized.

Step 1: This is the 303rd weekly Disquiet Junto project since the series of compositional prompts was founded the first week of January 2012. Naturally, we’re paying tribute to the Roland TB-303.

Step 2: If you have a TB-303, well, congrats to you. If you (likely) don’t, consider one of the various emulators that have come out for it, or just pay tribute to it by other means. There are a variety of emulations out there, including this one:

http://errozero.co.uk/acid-machine/

There’s also, of course, Roland’s own tribute, the TB-3.

Step 3: Record a short piece of music that is somehow apart from how you think the 303 was intended to be utilized.

Five More Important Steps When Your Track Is Done:

Step 1: If your hosting platform allows for tags, be sure to include the project tag “disquiet0303” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/disquiet-junto-project-0303-out-of-sequence/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, October 23, 2017. This project was posted in the early evening, California time, on Thursday, October 19, 2017.

Length: The finished track’s length is up to you.

Title/Tag: When posting your track, please include “disquiet0303” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 303rd weekly Disquiet Junto project (“Out of Sequence: Pay tribute to the Roland 303 by doing something that is apart from how you think it was intended to be utilized) at:

https://disquiet.com/0303/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0303-out-of-sequence/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Photo associated with this project is by Dr. Motte. It’s used via Flickr thanks to a Creative Commons license:

flic.kr/p/kG6St

creativecommons.org/licenses/by-nc-nd/2.0/

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