My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

tag: junto

Disquiet Junto Project 0459: From a Distance

The Assignment: Make music intended to be heard from afar.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Deadline: This project’s deadline is the end of the day Monday, October 19, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, October 15, 2020.

Tracks will be added to the playlist for the duration of the project.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0459: From a Distance
The Assignment: Make music intended to be heard from afar.

Step 1: Music sounds different from across the room, in the next room, from outside, from down the block. Consider how distance changes how we experience sound.

Step 2: Record a piece of music intended to be listened to from afar. When posting the track, mention the circumstances in which you imagine it might best be experienced (terrain, distance, volume, etc.).

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0459” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0459” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0459-from-a-distance/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is the end of the day Monday, October 19, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, October 15, 2020.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0459” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 459th weekly Disquiet Junto project, From a Distance (The Assignment: Make music intended to be heard from afar), at:

https://disquiet.com/0459/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0459-from-a-distance/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Billy Wilson and used via Flickr thanks to a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/2iZ3L9o

https://creativecommons.org/licenses/by-nc/2.0/

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Disquiet Junto Project 0458: Phrase Shift

The Assignment: Make music in a sequence of parts with shared elements.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Deadline: This project’s deadline is the end of the day Monday, October 12, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, October 8, 2020.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0458: Phrase Shift
The Assignment: Make music in a sequence of parts with shared elements.

Step 1: You’re going to create a piece of music that goes through a series of unique but related phrases. Beginning with the second phrase, each phrase will repeat one element from the previous phrase. It’s best to read through the following steps before beginning work on the project.

Step 2: Compose and record a brief initial phrase, of between roughly four and ten seconds in length, that has three separate and distinct simultaneous components. These might be three tones, or a tone and two beats, or a tone and a beat and a texture, or three field recordings, and so on, whatever three components you choose. (Silence can count as a potential component, certainly.)

Step 3: Compose and record another brief phrase, again of between roughly four and ten seconds in length, that has three separate simultaneous components. One of these components should be retained from the previous phrase. The other two components should be entirely different from the previous phrase.

Step 4: Repeat Step 3 as many times as you like, preferably for a combined length of at least one minute. Longer is fine.

Step 5: When you have recorded as many phrases as you determined in Step 4, collect them all into one long single track. That is the completed composition. Some overlap between phrases is fine.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0458” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0458” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0458-phrase-shift/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is the end of the day Monday, October 12, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, October 8, 2020.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0458” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 458th weekly Disquiet Junto project, Phrase Shift (The Assignment: Make music in a sequence of parts with shared element), at:

https://disquiet.com/0458/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0458-phrase-shift/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Thomas Hawk and used via Flickr thanks to a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/S9PeC6

https://creativecommons.org/licenses/by-nc/2.0/

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Disquiet Junto Project 0457: System Alert

The Assignment: Compose sounds for an OS.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Deadline: This project’s deadline is the end of the day Monday, October 5, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, October 1, 2020.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0457: System Alert
The Assignment: Compose sounds for an OS.

Step 1: There’s an operating system called Haiku. It’s open source. Learn more at haiku-os.org.

Step 2: The OS is currently running a contest for System Sounds. Read the details at the subpage on haiku-os.org.

Step 3: The due date for our Junto project is this Monday, October 5, though the due date for the actual contest is November 25th. Regardless, please read through the instructions and create sounds accordingly. In terms of posting the sounds as part of this Junto project, please create a single track with each sound in sequence.

Thanks to Erik Schoster for suggesting this project.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0457” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0457” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0457-system-alert/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is the end of the day Monday, October 5, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, October 1, 2020.

Length: The length is up to you. Alerts tend to be brief.

Title/Tag: When posting your tracks, please include “disquiet0457” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 457th weekly Disquiet Junto project, System Alert (The Assignment: Compose sounds for an OS), at:

https://disquiet.com/0457/

Thanks to Erik Schoster for suggesting this project.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0457-system-alert/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Stanley Zimny and used via Flickr thanks to a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/hMAXaC

https://creativecommons.org/licenses/by-nc/2.0/

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Reading Derek Bailey

On improvisation

Participants in the Disquiet Junto will begin discussing this book, Derek Bailey’s Improvisation: Its Nature and Practice in Music, in a Slack-based book club starting this coming Monday, October 5. The plan is to spread the discussion over the course of about seven weeks. Last time we did an online read, years ago (the subject was a Kim Stanley Robinson novel), too few people finished, and too many were at different spots when discussion occurred. This staged approach should keep us on the same page, so to speak.

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Disquiet Junto Project 0456: Line Up

The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Deadline: This project’s deadline is Monday, September 28, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 24, 2020.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0456: Line Up
The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score.

Step 1: Look at the work of painter Agnes Martin, best known for her parallel lines.

Step 2: Select an individual work that suggests itself to you as a musical score.

Step 3: Record a short piece of music that interprets the painting selected in Step 2 as if it were a musical score.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0456” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0456” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0456-line-up/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is Monday, September 28, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 24, 2020.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0456” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 456th weekly Disquiet Junto project, Line Up (The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score), at:

https://disquiet.com/0456/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0456-line-up/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

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