My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

tag: classical

Step Inside an Organ with Claire M Singer

Cello and electronics in hand

Step inside an organ, and then step inside one of its pipes, and then settle in for a spell. Listen as the pipes resound. Listen not just to the pipe you’re in, but to how it responds to the pipes around it, to the air current, to the shape of the majestic hall in which it resides. Listen further to the song that seems to form, out of the ether, from the beading tonalities of this magnificent mix of space and sound.

This is not how the music was made — no miniaturization was involved, no Fantastic Drone Voyage — but it is the sense of “Fairge,” an excerpt of which, two and a half minutes in all, has been posted at the website of the Touch label, touchshop.org. It’s the title (and sole) track off Claire M Singer’s forthcoming release, due out on October 20. The track heard currently on that page is about 10 percent of the full piece, which was scored for organ, cello and electronics — as well, it seems, voice, since vocal tones certainly emerge from the heavenly backdrop Singer has summoned up. (Jack Chuter at attnmagazine.co.uk also hears voices.)

“Fairge,” which is apparently Scottish Gaelic for “the ocean,” was composed for, and recorded in June of this year on, an organ installed at Oude Kerk, not only the oldest church in Amsterdam, but the city’s oldest building as well, dating back 800 years. The organ itself is far more recent, built in 1965.

Track originally posted at touchshop.org. More from Claire M Singer at clairemsinger.com. Image from spitfireaudio.com.

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Augmented Japanese Neo-Classical

From Shinji Wakasa, straight outta Yokosuka

The neo-classical piano at the start of Shinji Wakasa’s track “Swimmy” is lovely enough unto itself, a gentle line heard as if through a felt screen, not so much muffled as it is coddled and framed, softened and nestled. And then the light transformations are introduced, wisps of synthesizer flourishes, backward masks that merge with the sound source, fibrous shoots of sound that for mere moments seem to fix the nostalgic melody in something more proximate to the present. And then the past forges back into the foreground. The synthesis isn’t so much evidence of a hybrid as it is of an augment, an upgrade, a fissure. It’s absolutely beautiful.

Track originally posted at soundcloud.com/user-666602380. More from Shinji Wakasa, aka Hitsuji Sound Factory, who is based in Yokosuka, Japan, at hitsujisound.com.

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Disquiet Junto Project 0282: Berio’s Bach

Make a piece of music based on one composer's observation regarding another composer.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, May 29, 2017. This project was posted in the late morning, California time, on Thursday, May 25, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0282: Berio’s Bach
Make a piece of music based on one composer’s observation regarding another composer.

Step 1: The composer Luciano Berio once said that part of the attraction of some of Bach’s music is in its clear distinction between which notes are “structurally significant” and which are “decorative.” Consider this observation.

Step 2: Compose a short piece of music that opens and closes with there being a clear sense of which parts are “structurally significant” and which are “decorative,” but that in the middle gets ambiguous in this regard.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0282” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

http://llllllll.co/t/disquiet-junto-project-0282-berios-bach/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, May 29, 2017. This project was posted in the early afternoon, California time, on Thursday, May 22, 2017.

Length: The length is entirely up to the participant.

Title/Tag: When posting your track, please include “disquiet0282” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 282nd weekly Disquiet Junto project — “Berio’s Bach: Make a piece of music based on one composer’s observation regarding another composer” — at:

https://disquiet.com/0282/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/disquiet-junto-project-0282-berios-bach/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

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Disquiet Junto Project 0280: 20170514

Celebrate the 70th birthday of a Junto member.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, May 15, 2017. This project was posted in the early afternoon, California time, on Thursday, May 11, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0280: 20170514
Celebrate the 70th birthday of a Junto member.

This week we celebrate the May 14, 2017, birthday of Junto member ferrie = differentieel, of the Netherlands.

Step 1: Junto member ferrie = differentieel, of the Netherlands, turns 70 years of age on May 14, 2017. In correspondence leading up to this project, ferrie shared an observation that the composer Frederic Rzewski had previously shared with him in a letter: “Using pre-existing material for building new things is a very old practice.”

Step 2: In ferrie’s honor, please do something that takes the opposite approach of Rzewski’s letter. In other words, please use new musical things to recreate some old musical thing.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0280” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

http://llllllll.co/t/celebrate-a-junto-members-70th-birthday-disquiet-junto-project-0280/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, May 15, 2017. This project was posted in the early afternoon, California time, on Thursday, May 11, 2017.

Length: The length is entirely up to the participant.

Title/Tag: When posting your track, please include “disquiet0280” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 280th weekly Disquiet Junto project — “20170514: Celebrate the 70th birthday of a Junto member” — at:

https://disquiet.com/0280/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/celebrate-a-junto-members-70th-birthday-disquiet-junto-project-0280/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is of the Netherlands-based musician ferrie = differentieel, in whose honor we’re making music this week. More from ferrie at

https://audio.dailym.net/
https://twitter.com/differentieel/
https://soundcloud.com/differentieel/

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Disquiet Junto Project 0279: Word Interiorities

Dissect the sonic properties of a single spoken word.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, May 8, 2017. This project was posted in the morning, California time, on Thursday, May 4, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0279: Word Interiorities
Dissect the sonic properties of a single spoken word.

Step 1: We’ll be composing short explorations of sound by taking apart the recording of a single spoken word, excavating it for its components, and then exposing them through various techniques, such as repetition, elongation, and contrast. The first step is to choose your word. You can choose your own, or you can follow these chance instructions, which require a single dice. First, roll the dice once. That number tells you which of the six chapters in Luciano Berio’s book Remembering the Future contains your word. Then roll the dice three times; the combined values of those three rolls (e.g., a roll of 3 and a roll of 4 and a roll of 2 yields 9) is how many words to count into the chapter to find your word. You should be able to access a digital copy of the book via Google Books at this URL:

https://goo.gl/hQ1kc0

If the first page of a chapter isn’t available, then simply begin counting from the first available page of the chapter. You can also see if your local library has a copy — or maybe there’s already one on your bookshelf.

Or just choose your own word (preferably one that is family-friendly), or use the chance operation with another book.

Step 2: You don’t need to know much if anything about the composer Berio to do this project. However, it may be helpful to know that he has said that phonemes were more important than syllables when composing for lyrics.

Step 3: Record a short piece of sound/music exploring your selected word, using the ideas described in Step 1 and Step 2, and/or any other approaches you wish to employ.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0279” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

http://llllllll.co/t/disquiet-junto-project-0279-word-interiorities/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, May 8, 2017. This project was posted in the morning, California time, on Thursday, May 4, 2017.

Length: The length is entirely up to the participant.

Title/Tag: When posting your track, please include “disquiet0279” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 279th weekly Disquiet Junto project — “Word Interiorities: Dissect the sonic properties of a single spoken word”– at:

https://disquiet.com/0279/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/disquiet-junto-project-0279-word-interiorities/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is a detail of a public domain photo of Luciano Berio, from:

https://commons.wikimedia.org/wiki/File:Luciano_Berio.jpg#mw-jump-to-license

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