
This went out today as a thank you to paid This Week in Sound subscribers: an annotated playlist of recommended music (from Jeannine Schulz, Snorri Hallgrímsson, and Davide Bernardi).
This went out today as a thank you to paid This Week in Sound subscribers: an annotated playlist of recommended music (from Jeannine Schulz, Snorri Hallgrímsson, and Davide Bernardi).
Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time and interest.
Deadline: This project’s deadline is the end of the day Monday, May 29, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, May 25, 2023.
Tracks are added to the SoundCloud playlist for the duration of the project. Additional (non-SoundCloud) tracks appear in the lllllll.co discussion thread.
These following instructions went out to the group’s email list (at tinyletter.com/disquiet-junto).
Disquiet Junto Project 0595: Filter Progression
The Assignment: Make music by processing a static sound.
This project is the second of three that are being done in collaboration with the 2023 Musikfestival Bern, which will be held in Switzerland from September 6 through 10. The topic this year is « √ » — as the organization explains: “the radical, or square root symbol and the power of its symbolism are central to the festival and these will be translated into music in multifarious ways.” All three projects will engage with the work of Éliane Radigue, who is the Composer-in-Residence for the 2023 festival.
We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. This is the fifth year in a row that the Junto has collaborated with Musikfestival Bern.
Select recordings resulting from these three Disquiet Junto projects may be played and displayed throughout the festival.
Step 1: Choose a static sound, such as a field recording of a specific place, or a held tone, or a recording of noise.
Step 2: Experiment with animating the static sound selected from Step 1 by slowly, subtly, manually modulating it, using only filter frequency and resonance.
Step 3: Record a track resulting from the techniques you developed in Step 2.
Eight Important Steps When Your Track Is Done:
Step 1: Include “disquiet0595” (no spaces or quotation marks) in the name of your tracks.
Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0595” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.
Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.
Step 4: Post your track in the following discussion thread at llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0595-filter-progression/
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.
Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to [email protected] for Slack inclusion.
Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.
Additional Details:
Length: The length is up to you. Sometimes longer is better.
Deadline: This project’s deadline is the end of the day Monday, May 29, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, May 25, 2023.
Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).
For context, when posting the track online, please be sure to include this following information:
More on this 595th weekly Disquiet Junto project, Filter Progression (The Assignment: Make music by processing a static sound), at: https://disquiet.com/0595/
About the Disquiet Junto: https://disquiet.com/junto/
Subscribe to project announcements: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0595-filter-progression/
This went out this evening to paid This Week in Sound subscribers: a playlist from Amulets, Drowse, Tuonela, and the collaboration of Jeremiah Fraites and Taylor Deupree.
There’s a synthesizer module called the Endless Processor made by the company Blukač, which is based in Ukraine. The Endless Processor uses various techniques, including what’s called granular synthesis, to achieve a “clickless stream while preserving the timbral and tonal character of the original” source audio that is fed into it. The result is quite beautiful. You send the Endless something and it captures a brief moment (details at blukac.com), which it can then hold indefinitely. There are numerous devices that accomplish similar end results, each with its own sonic qualities, and the Endless has caused several musicians I follow to explore and document its inherent characteristics.
A musician going by the name Olio, who is from Trentino-South Tyrol in Italy, released an eight-track set of quavering drones of varying types, simply titled Endless:
https://oliocore.bandcamp.com/album/endless
And Ras Thavas, based in California, produced three tracks that constitute Endless Processor Studies, including a 20-minute one you can really get lost in:
https://rasthavas.bandcamp.com/album/endless-processor-studies
Settle into both albums and listen for the hallmarks — the watermark — of the Blukač Endless Processor. In effect, while the Endless synthesizer module was designed to identify and hold the tonal qualities of a specific moment in time, musicians like Olio and Ras Thavas are helping identify and hold the tonal qualities of the device itself.
Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time and interest.
Deadline: This project’s deadline is the end of the day Monday, May 22, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, May 18, 2023.
Tracks are added to the SoundCloud playlist for the duration of the project. Additional (non-SoundCloud) tracks appear in the lllllll.co discussion thread.
These following instructions went out to the group’s email list (at tinyletter.com/disquiet-junto).
Disquiet Junto Project 0594: Threemix
The Assignment: Remix an asynchronously produced trio.
Please note: While this is an immediate, follow-on sequel to the recent three-part project “trios” sequence, you can participate even if you haven’t previously.
Also: Please post just one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist.
Step 1: You’re going to make a remix of a track from the most recent Disquiet Junto project, which was a collection of trios constructed over the course of three weeks. Listen through the playlist, and check out any additional tracks in the discussion forum:
https://llllllll.co/t/disquiet-junto-project-0593-the-charm/
https://soundcloud.com/disquiet/sets/disquiet-junto-project-0593
Step 2: You might elect to use some of the constituent parts of the series, so do seek out the solo and duet that led to your chosen trio and feel free to employ those, too. Check out the respective llllllll.co threads:
https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/
https://llllllll.co/t/disquiet-junto-project-0592-better-than-one/
Eight Important Steps When Your Track Is Done:
Step 1: Include “disquiet0594” (no spaces or quotation marks) in the name of your tracks.
Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0594” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.
Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.
Step 4: Post your track in the following discussion thread at llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0594-threemix/
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.
Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to [email protected] for Slack inclusion.
Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.
Additional Details:
Length: The length is up to you.
Deadline: This project’s deadline is the end of the day Monday, May 22, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, May 18, 2023.
Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).
For context, when posting the track online, please be sure to include this following information:
More on this 594th weekly Disquiet Junto project, Threemix (The Assignment: Remix an asynchronously produced trio), at: https://disquiet.com/0594/
About the Disquiet Junto: https://disquiet.com/junto/
Subscribe to project announcements: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0594-threemix/