My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

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Disquiet Junto Project 0293: Emerge/Immerse

Make music for Paige Dansinger's Palmyra 3D/VR images, paying tribute to the late Bassel Khartabil.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, August 14, 2017. This project was posted in early afternoon, California time, on Thursday, August 10, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0293: Emerge/Immerse
Make music for Paige Dansinger’s Palmyra 3D/VR images, paying tribute to the late Bassel Khartabil.

Step 1: This is the first of two consecutive projects we’re undertaking, following the news of Bassel Khartabil’s death. (If you’re new to the Junto, Bassel was an open-source coder who did a lot of work in CGI before being imprisoned in Syria. Word of his execution just recently became public.) Paige Dansinger is making VR drawings in Tilt Brush inspired by Bassel’s Palmyra CGI work, drawing from her own interest in making a better world. For this project we’re going to make sound, in Bassel’s honor, to accompany her 3D work. View Paige’s pieces at:

http://www.newpalmyra.org/projects/junto-emerge-immerse/

Step 2: Think about the sort of sound that might accompany, contribute to, or otherwise be a component part of a VR experience. Now, record a short piece of music, up to two minutes, that is about something emerging — something being brought to life, or coming out of a cave, or otherwise coming into being.

Five More Important Steps When Your Track Is Done:

Step 1: If your hosting platform allows for tags, be sure to include the project tag “disquiet0293” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/disquiet-junto-project-0293-emerge-immerse/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, August 14, 2017. This project was posted in early afternoon, California time, on Thursday, August 10, 2017.

Length: Keep your piece to under two minutes.

Title/Tag: When posting your track, please include “disquiet0293” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: For this project, please make sure your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution). This is aligned with Paige Dansinger and Bassel Khartabil’s work.

Linking: When posting the track online, please be sure to include this information, along with details of your source audio, including links to it:

More on this 293rd weekly Disquiet Junto project — Make music for Paige Dansinger’s Palmyra 3D/VR images, paying tribute to the late Bassel Khartabil — at:

https://disquiet.com/0293/

Thanks to Niki Korth, Jon Phillips, and Barry Threw for encouraging this project, and to Paige Dansinger for the collaboration. View Dansinger’s 3D drawings of Palmyra here:

http://www.newpalmyra.org/projects/junto-emerge-immerse/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0293-emerge-immerse/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Paige Dansinger, more on whom here:

http://paigedansinger.com

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Disquiet Junto Project 0292: Eclipse Music

In coordination with St. Louis Art Hack Day, make some solar-inspired tunes.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

This project’s deadline is 11:59pm wherever you are on Monday, August 7, 2017. This project was posted in morning, California time, on Thursday, August 3, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0292: Eclipse Music
In coordination with St. Louis Art Hack Day, make some solar-inspired tunes.

Step 1: There’s a solar eclipse coming to the United States on August 21. This is the first full solar eclipse in the U.S. in a long time, since June 8, 1918. The next such eclipse in the U.S. won’t be until August 12, 2045. Ponder the eclipse, and that time frame. Take note that this project is being done in coordination with the upcoming Art Hack Day in St. Louis. If you’re in the area, consider joining in in person. If you’re not (true for the vast majority of Junto participants), your resulting Junto music from this project will be played as part of the St. Louis art showing on August 19. (And certainly you can opt out of that last bit, if you’d like.) Major thanks to Tyler Mathews and Jon Phillips for encouraging this project. Details here:

https://www.eventbrite.com/e/art-hack-day-st-louis-eclipse-tickets-35500853007

Step 2: Think about the constituent elements in (the various facets of) an eclipse, what it means in terms of sensory experience — in cultures ancient and contemporary.

Step 3: Record a piece of music that that is inspired by the sense of the eclipse that came out of Steps 1 and 2.

Five More Important Steps When Your Track Is Done:

Step 1: If your hosting platform allows for tags, be sure to include the project tag “disquiet0292” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track. (If you don’t want your music played at the Art Hack Day event, please note so in the public field associated with your track, or email me at [email protected] to let me know.)

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/make-music-for-a-solar-eclipse-disquiet-junto-0292/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, August 7, 2017. This project was posted in morning, California time, on Thursday, August 3, 2017.

Length: The length is entirely up to the participant, though three to five minutes is suggested.

Title/Tag: When posting your track, please include “disquiet0292” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information, along with details of your source audio, including links to it:

More on this 292nd weekly Disquiet Junto project — Eclipse Music: In coordination with St. Louis Art Hack Day, make some solar-inspired tunes — at:

https://disquiet.com/0292/

Major thanks to Tyler Mathews and Jon Phillips for encouraging this project. Details on the related August events here:

https://www.eventbrite.com/e/art-hack-day-st-louis-eclipse-tickets-35500853007

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/make-music-for-a-solar-eclipse-disquiet-junto-0292/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

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5 Cassette Players Walk into an Aphex Twin Cover

A very warbly "Rhubarb"

The past week or so have been big news in Aphex Twin land, from the opening of his own digital superstore, at aphextwin.warp.net, packed with extra tracks and candid bits of liner notes, to a headlining gig at a Japanese music festival, and the subsequent inevitable price spike for a commemorative tape of the concert. Lost in the tumult was this little video cover of “Rhubarb,” the third track from the Selected Ambient Works Volume 2 album. In the video it’s being performed on the Crudman — well, on a quintet of Crudmen. The Crudman is an ingenious hack of a Walkman. The aftermarket technology allows the speed of the tape to be controlled as if it were a synthesizer module. Because the tapes in this video all have simply a sine wave tuned to C on them, the speed adjustment alters the note value of the audio emitted from the player. There are more details on the recording process at the Crudlabs YouTube channel, and at the crudlabs.org website, including (for the more gadget-literate audience) this breakdown of the device’s controls:

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Disquiet Junto Project 0291: Lantern Effect

Make music that suggests the way a paper lantern filters light.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

This project’s deadline is 11:59pm wherever you are on Monday, July 31, 2017. This project was posted in late afternoon, California time, on Thursday, August 3, 2017.

Tracks will be added to this playlist for the duration of the project:

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0291: Lantern Effect
Make music that suggests the way a paper lantern filters light.

Step 1: Consider what might be called the “lantern effect” — the way light is filtered through the textured material of a paper lantern.

Step 2: Consider how the lantern effect, a visual phenomenon, might have a sonic corollary. That is, answer to the question: What would the lantern effect sound like?

Step 3: Record a short piece of music that evidences the lantern effect idea that arose from Step 1 and Step 2.

Five More Important Steps When Your Track Is Done:

Step 1: If your hosting platform allows for tags, be sure to include the project tag “disquiet0291” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/make-music-that-sounds-like-a-lantern-junto-0291/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, July 31, 2017. This project was posted in late afternoon, California time, on Thursday, August 3, 2017.

Length: The length is entirely up to the participant, though two or three minutes is suggested.

Title/Tag: When posting your track, please include “disquiet0291” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information, along with details of your source audio, including links to it:

More on this 291st weekly Disquiet Junto project — Lantern Effect: Make music that suggests the way a paper lantern filters light — at:

https://disquiet.com/0291/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/make-music-that-sounds-like-a-lantern-junto-0291/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Flickr member Jena Nordgren. It’s used thanks to a (note: No Derivatives) Creative Commons license:

flic.kr/p/4p54Ms

creativecommons.org/licenses/by-nc-nd/2.0/

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Disquiet Junto Project 0290: Text-to-Beat

Use computer-generated speech as the rhythmic foundation for a track.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

This project’s deadline is 11:59pm wherever you are on Monday, July 24, 2017. This project was posted in the morning, California time, on Thursday, July 20, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0290: Text-to-Beat
Use computer-generated speech as the rhythmic foundation for a track.

Step 1: This week we’re going to build a track around text-to-speech, the results of a computer-generated voice speaking. In past text-to-speech we’ve used pre-existing text as the source. In this case we’re going to build the text to order. Keep this in mind.

Step 2: Find a good text-to-speech system that you think you can work with musically. In MacOS, for example, there’s a built-in system shortcut: Just select the text you want to hear, highlight it (in a browser, or a text editor, wherever) and then hit the ESC button while holding down the OPT button. There are also other tools, including browser-based options, like the one here:

https://text-to-speech-demo.mybluemix.net/

Step 3: Experiment with different combinations of words to produce a rhythm you want to work with.

Step 4: Record the rhythm you developed in Step 3.

Step 5: Produce a track using the rhythm in Step 4 as the foundation. (Level Up: Use more than one text-to-speech pattern to create cross-patterns, phasing, among other polyrhythmic events and effects.)

Five More Important Steps When Your Track Is Done:

Step 1: If your hosting platform allows for tags, be sure to include the project tag “disquiet0290” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/disquiet-junto-project-0290-text-to-beat/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, July 24, 2017. This project was posted in the morning, California time, on Thursday, July 20, 2017.

Length: The length is entirely up to the participant, though two or three minutes is suggested.

Title/Tag: When posting your track, please include “disquiet0290” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution). Keep an eye on the license of the audio you source, as that may determine the license you end up using.

Linking: When posting the track online, please be sure to include this information, along with details of your source audio, including links to it:

More on this 290th weekly Disquiet Junto project — Text-to-Beat: Use computer-generated speech as the rhythmic foundation for a track. — at:

https://disquiet.com/0290/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0290-text-to-beat/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Flickr member Jordan, used thanks to a (note: No Derivatives) Creative Commons license:

flic.kr/p/6vQoMS

creativecommons.org/licenses/by-nc-nd/2.0/

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