One of the great pleasures of listening to an active electronic musician for an extended period of time is observing how they bring new equipment into their orbit. There is the question of how that equipment, in turn, informs their work. There is also how they achieve their now familiar sounds with unfamiliar tools. The musician Dustmotes’ adoption of a new percussive-oriented sampler is a case in point. The London-based Dustmotes, also known as Paul Croker, has been making elegantly gritty instrumental hip-hop at least since 2011, which is the earliest credit on his discogs.com page, and also the first year I wrote about his music. His music often features a slightly drifting rhythm, a beat missed here, a tempo ebbing there. He regularly explores gentle sounds on well-circumscribed repeat against muffled beats. Playing with a new tool, the Elektron Digitakt, he recently posted a short video, which he dubbed a “Spontaneous live performance” in the brief accompanying note. It has all the modesty of his earlier work, with a newfound level of grit and glitch. The video was shot overhead, so you can watch as he goes. Even if you’re not familiar with the Digitakt’s interface, you can infer correspondences between action and sound — how a knob adds a new effect, or changes the pitch, or welcomes additional elements. It’s a great piece.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
Most Recent Posts
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0425 / Crop Score / The Assignment: Crop circles are musical compositions.
• 0424 / Fluctuating Rhythm / The Assignment: Employ nature as your conductor.
• 0423 / Hold Noise / The Assignment: Record music intended to sound just as garbled as the hold music on a phone call.
• 0422 / Chapter Cascade / The Assignment: Make a piece of music made up of tiny alternating parts.
• 0421 / Marquee Ghosts / The Assignment: What sounds haunt a discarded movie theater in the middle of the night?
And there is a complete list of past projects, 425 consecutive weeks to date.
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Most Recent Comments
Jason Richardson: "Cheers Marc and thanks again for sharing this technique with the Junto community. I’ve also..."
David Neale-Lorello: "It was easy to hear Rod Serling’s voice reading your post. "
michael: "Fantastic! I found pretty much everything in the highlights reel on his website equally impressive...."
Laurent Fairon: "Hi, you might want to check Will Menter’s similar Wood Wind project of the early 2000s...."
Natasha: "This article mentions that Gore is white and co-opting black music, but Martin is half black. I don’t know..."