One of the great pleasures of listening to an active electronic musician for an extended period of time is observing how they bring new equipment into their orbit. There is the question of how that equipment, in turn, informs their work. There is also how they achieve their now familiar sounds with unfamiliar tools. The musician Dustmotes’ adoption of a new percussive-oriented sampler is a case in point. The London-based Dustmotes, also known as Paul Croker, has been making elegantly gritty instrumental hip-hop at least since 2011, which is the earliest credit on his discogs.com page, and also the first year I wrote about his music. His music often features a slightly drifting rhythm, a beat missed here, a tempo ebbing there. He regularly explores gentle sounds on well-circumscribed repeat against muffled beats. Playing with a new tool, the Elektron Digitakt, he recently posted a short video, which he dubbed a “Spontaneous live performance” in the brief accompanying note. It has all the modesty of his earlier work, with a newfound level of grit and glitch. The video was shot overhead, so you can watch as he goes. Even if you’re not familiar with the Digitakt’s interface, you can infer correspondences between action and sound — how a knob adds a new effect, or changes the pitch, or welcomes additional elements. It’s a great piece.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• I was on Vivian Host's Peak Time show (on Red Bull Radio) on March 11 to extol the timeless virtues of Aphex Twin's Selected Ambient Works Volume II, and related works. You can listen to a recording here: redbullradio.com.
• My latest article is a review in the March issue of The Wire magazine of the week-long Recombinant Festival (held in San Francisco), whose performance highlights included Herman Kolgen, Rrose, and Electric Indigo.
• March 22, 2019: I'm giving a talk at noon on Friday at the Algorithmic Art Assembly, two days of events (Friday and Saturday) in San Francisco: aaassembly.org. The talk is titled "The Woodshed Is a Black Box" and this is its description in the program: "How a rules-based system formed, shapes, and fuels the long-running online music community known as the Disquiet Junto."
• May 7, 2019: This day sees the release of Rob Walker's book The Art of Noticing: 131 Ways to Spark Creativity, Find Inspiration, and Discover Joy in the Everyday (Knopf), which has entries about the Disquiet Junto.
• May 22, 2019: Final day of the semester of the 15-week "Sounds of Brands" course I teach once a year at the Academy of Art in San Francisco. I post occasional updates here. Follow the tag #sounds-of-brands.
• December 13, 2019: This day marks the 23rd anniversary of Disquiet.com.
• January 7, 2020: This day marks the 8th anniversary of the Disquiet Junto.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Spanish (2018) and Japanese (2019).
Most Recent Posts
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
Disquiet Junto Project 0375: Despite Yourself
• 0375 / Despite Yourself / The Assignment: Make a piece of music that sounds as unlike you as you can accomplish.
• 0374 / Glitch Glitch / The Assignment: what happens when you glitch something that's been glitched?
• 0373 / Copernican Music / The Assignment: Record a piece of music intended for an alien species.
• 0372 / Honeymoon Phase / The Assignment: Record a piece of music with (only) your most recently obtained instrument or music/sound tool.
• 0371 / Concrete Ambience / The Assignment: What could concrete wallpaper music sound like?
And there is a complete list of past projects, 375 consecutive weeks to date.
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Most Recent Comments
Thomas Now: "A bit sad that Oval has become the “solo act”, as IMHO, it has reached its peak as a..."
John Paul Kostecki: "❤️ "
Stephen Vitiello: "thank you Marc! "
Andrew Culture: "I now wish I had seen Buster Scruggs at the cinema, although I’m not sure it ever got a..."
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